Future Islands
VIP PACKAGE INCLUDES: • One (1) Premium Balcony – OR – General Admission ticket • Invitation to an exclusive pre-show experience with Future Islands, including:• Access to the last 2-3 songs of the band’s soundcheck• Q&A Session with the band• VIP merch gifts, including one (1) item signed by the band• One (1) commemorative VIP laminate• Merchandise shopping prior to doors opening to the public• Priority entry into the venue _______ If Future Islands’ songs once seemed like invitations to witness scenes from someone else’s life, People Who Aren’t There Anymore presents the whole absorbing saga, transmuting hurt to hope in the triumph of this band’s career. Here is excitement, devastation, understanding, and the dawn’s rays of redemption in 44 minutes—a record that, at last, commits the full rapture of Future Islands to tape. From their start, Future Islands have been singular and instantly identifiable. Samuel T. Herring’s life-worn croons and cries backlit by Gerrit Welmers’ melodies and charged by the rhythms of William Cashion and Michael Lowry. That premise hasn’t changed on People Who Aren’t There Anymore, but the people have. There’s a pain and a joy that’s in Herring’s voice that’s only been rivaled by their legendary live performances, but never captured in their studio albums, that feels like it’s been untethered for the first time. Future Islands have played nearly 1,500 shows – shows that have bruised bodies, frayed vocal cords, provided escapes for audiences, and healed their messengers. People Who Aren’t There Anymore is a major work from a band at an inflection point: they’re discovering new ways to experience the world, because the old ways weren’t working. That freedom has led to the most fully realized, most transparently honest statement in their 17 years as a band.
Marlon Funkai
Bay Faction
Borne out of an online message board, Bay Faction emerged in the Boston DIY scene in 2015 with the debut of their self-titled record. It was the first release on Counter Intuitive Records with the band’s album pressed on highly coveted vinyl. Following its release, Bay Faction spent 2 years rigorously touring nationwide, developing a cult-like following. After graduation, the band relocated to New York, and camped out in a suburban New Jersey basement to write and record their sophomore record Florida Guilt. The record marked a departure from their earlier style, trading in a conventional rock setup for sampled drums, synths, and vocal processing, embodying the ethos they had long sought to define. Highsnobiety named Bay Faction as “your favorite band you haven’t heard of yet” and nationwide touring ensued to promote their album. On the heels of the pandemic, Bay Faction bid farewell with the release of Swan Dive, their final song before entering hiatus. Now, in 2024, the band relaunched with a sold out tour and release of new singles Drive Home, Eye Sore, and Sunshine, from their highly anticipated forthcoming EP.
Finom
buffchick
The Farewell Season
The Farewell Season plays music made for a long drive down a back highway. The band slides effortlessly from Americana, to folk, to indie and back again. What started as friends passing time across the internet during the pandemic turned into a band that splits time between Omaha and the Twin Cities these days. Formed by frontman Nate Gasaway (The Big Deep) and drummer Taylor Stein (Ten O’Clock Scholars), the lineup is rounded out by Paul Gedbaw on guitar and Justin Crow on bass; both veterans of the Nebraska music scene.
Cryogeyser
Sam Blasucci & Julia Zivic
Sam Blasucci is best known as one half of Mapache, a Southern California roots-rock duo just as instantly recognizable for their elegant, intertwined guitar parts as they are for their devoted, Nudie-Suit wearing fanbase. But when Blasucci was writing the songs that would become his debut solo record, Off My Stars, he found himself less focused on the guitar and more gravitated toward a different instrument: piano. The mother of Clay Finch, his Mapache bandmate, was getting rid of one, and so Blasucci took the piano, carefully transporting it to his home in Ojai, California, with the help of a few strong friends, including Farmer Dave Scher of Beachwood Sparks (and a Mapache collaborator). “Farmer Dave wasn’t even wearing shoes,” Blasucci remembers, laughing. Once the piano was safely in there, he became deeply attached, playing on it multiple hours a day: “It’s changed the way I think about music, having all the keys laid out in front of me,” he explains. “Having that sort of changed everything.” Also inspired by his recent time riding out the pandemic in New Orleans, where the clubs may have closed but the music never stopped, Blasucci used that piano to start writing one of the most inspired batches of songs of his career thus far. New gems like “Turn Yourself Around” and “Sha La La” were developing with a Southern swing and classic songbook sparkle, and when assessing the growing stack of music he was working on, Blasucci realized that there was something about these tunes that wasn’t quite suited for a Mapache record. Infused with an honest, personal perspective about settling into adult life—about developing as a person and a partner and a family member—these songs were straight from the heart, a clear window, recently Windexed, into the life of one of the most talented members of the L.A.-area underground rock scene. __ Julia Zivic’s music walks a tightrope between tenderness, and power, effortlessly captivating audiences with her ability to navigate intricate emotional landscapes with ease. Julia Zivic’s latest album Good Cry (2022) is sonic storytelling, touching on subjects that journey through the spectrum of death, love and gratitude.Julia lends her songwriting and live performance to esteemed projects like Carrtoons, Rae Kahlil, Joey Dosik, Joanna Teters, Pale Jay, Yoh, Marigold, Ghost Funk Orchestra and more. Recently, Julia garnered further recognition on NPR Tiny Desk, lending her vocals, songwriting and performance to collaborator Ben Carr’s performance under the project Carrtoons. When she’s not on tour with one of her many collaborators, Julia is home in the Hudson Valley as the Director of Music and team member for Beacon Open Studios, a yearly cultural event showcasing the power and importance of the local art scene in The Hudson Valley. She’s also a music and events curator at The Yard in Beacon, NY. Julia, a self-proclaimed homebody, enjoys immersing herself in community when she’s not performing elsewhere.
Hangover Ball
Being Dead
Being Dead — the Austin, TX-based duo consisting of Falcon Bitch and Shmoofy — announces its new album, EELS, out September 27th on Bayonet, lead single/video “Firefighters,” and a fall headline tour. Being Dead’s records are mosaics, technicolor incantations, each song its own self-contained little universe. And while the dreamlike EELS probes further into the depths of the duo Being Dead’s psyche, it is, most importantly, a 16-track record that is genuinely unpredictable from one track to the next. It’s a joyous and unexpected trip helmed by two true-blue freak bitch besties holed up in a lil’ house in the heart of Austin, Texas.