almost a.m.
Nashville-based trio almost a.m. is an indie-alternative powerhouse with 2 brothers and a cousin. Originally hailing from Montana, the group has carved out a distinct space in the Nashville scene by self-producing every element of their project—from their synth-driven tracks to their award-winning cinematic visuals. With a sound that bridges the gap between high-energy alt-pop and late-night reflection, almost a.m. treats every release as a complete sensory experience, ensuring the visual world is just as immersive as the music.Now embedded in the Nashville creative underground, almost a.m. is a trio comprised of two brothers and their cousin. While their roots trace back to Montana, their current identity is forged in the high-energy, DIY spirit of Tennessee’s music capital. They aren’t just a band; they are a self-contained production house.Rejecting the traditional industry mold, almost a.m. self-produces every facet of their output. This “all-in-house” philosophy extends from their signature blend of synth-heavy, guitar-driven indie-alt to the direction of their entire visual universe and the design of their immersive live shows. This dedication to the visual medium has earned the group numerous accolades across both music and film festivals, establishing them as a project where the cinematography is as vital as the sound.Building on the momentum of their 2025 EP, Doing Nothing, Going Nowhere, and 2026 singles like “LEMON” and “CAT AND DOG,” and their new upcoming album, “SUN ON MY FACE”, the band continues to refine a sound that captures the liminal space of their namesake. For almost a.m., the goal is a total creative connection, reminding listeners that even in the darkest moments, the morning is always on its way.
Ben Sieff and a Murder of Crows
Wrath Vol. 3
THIS PERFORMANCE IS AGES 18+ Full lineup includes: Meteorik, Unlucki, Plead the Filth, Ruzz Lightyear, Rawlz, Moose, The Silent Flame Within, Simply Andre
Panchiko
ABOUT PANCHIKO: Panchiko’s story began in Nottingham in the late ’90s, when four teenage friends combined Britpop influences with home recording, video games, and anime to create their debut album, D>E>A>T>H>M>E>T>A>L. After gaining a little momentum, the band eventually faded into obscurity—until a fan discovered a copy of the album in a local charity shop 16 years later, setting off an online search that ultimately tracked down the group and sparked their reunion. Since then, Panchiko have toured the world and released Failed at Math(s) (2023) and Ginkgo (2025), evolving from a long-lost cult discovery into a full-time band. Their third album since reuniting, Chimera, out April 9, 2027, finds the band looking forward rather than backward. The songs move between pensive balladry and bounding hip-hop, racing shoegaze and springtime pop, with contributions from friends including billy woods, Mei Semones, Korea Girl, Abby Sage, Cotillon, Mirra Maze, Hugh Pascall, and Clarion’s Saya Oliva. Across these shifting sounds, Chimera finds Panchiko exploring who they want to become, balancing the excitement of the present with the uncertainty about what lies ahead. It’s a record that embraces new possibilities while holding onto the unconventional spirit that started it all. Panchiko is Andy Wright (keyboardist and producer), Owain Davies (vocalist and guitarist), and Shaun Ferreday (bassist), alongside Robert Harris (guitarist) and Jon Nellen (drummer). ABOUT SHE’S GREEN: Minneapolis band she’s green describe themselves as “moss music”. Inspired as much by J.R.R. Tolkien and Hayao Miyazaki as by Slowdive and the Cocteau Twins, the band — consisting of Liam Armstrong, Zofia Smith, Raines Lucas, Kevin Seebeck and Teddy Nordvold — aim to create their own musical and visual world defined by dreamy fantasy, emotional openness and sonic depth. In 2023 she’s green released their debut EP, Wisteria, which included the viral hit “Mandy,” and in 2025 they released the follow-up EP, Chrysalis. It builds on the shimmering shoegaze and dream-pop of Wisteria, with ever more irresistible melodies and deeper songcraft. “We wanted to expand the scope of what we did with the first EP, and see how far we could push either side of the music — whether it’s harsh and jarring or it’s inviting and warm,” Armstrong says. And as they win over fans everywhere they go with their authentic, loving approach to their sound, it’s clear that this huge year for she’s green is only the beginning.
Jeremy Mercy
Justin Bloss is an alternative/folk/americana singer songwriter based out of Tulsa, OK. Drawing inspiration mostly from literature, his songs read as dark poetry often telling stories of war, drugs, and nature’s battle with humanity. With multiple tours opening for John Moreland and American Aquarium, along with the release of an EP and full length album titled Claymore in 2024 and 2025, the goal moving forward remains the same: to write, record, and perform. A solo singer songwriter, devoted to the craft, refusing to leave anything unsaid.
Head of Femur ‘Bend the Light’ Record Release
The Arcadian Wild – Make It Out Alive Tour
The Arcadian Wild is an indie folk/pop group from Nashville, TN, led by songwriters Isaac Horn, Lincoln Mick and Bailey Warren, The Arcadian Wild confidently inhabits and explores an intersection of genre, blending the traditional with the contemporary. Combining elements of confessional pop, folk, progressive bluegrass, and formal vocal music, The Arcadian Wild offer up songs of invitation; calls to come and see, to find refuge and rest, to journey and wonder, to laugh and cry, to share joy and community and sing along.
Willi Carlisle – Golden Dragon Buffet Tour
With a heavy-duty catalog of new material for a career first double album, The Universal Bubba marks a half dozen releases for folksinger Willi Carlisle and reaches new heights with the added accelerant of first time producer Tyler Childers. In an all-time DIY effort, Childers and his band convened to a makeshift home studio nestled in the Bywater District of New Orleans for two weeks to cut 17 tracks that expand Carlisle’s sonic scrapbook and capture the off-kilter characters living in his songs. “I think this one goes to outer space,” says Carlisle. “I think this is the widest range of influences that I’ve ever had. It touches on funk, it touches on Americana, Cajun, oldtime, and experimental music.” With Childers’ band behind him, Carlisle embraced the freedom to wander across genres both familiar and new, testing out instrumentation and toying with the surreality of traditions being turned on their head. “It feels like getting drunk at the Civil War reenactment, or cruising at the cattle auction, or doing molly at the square dance,” says Carlisle. “It’s the first time I’ve ever used synthesizers and double electric guitars. There’s also more fretless 19th century style banjo on it than any record I’ve ever made.” Exploration aside, Carlisle’s mission as a folksinger largely remains the same – documenting the stories and struggles of the people and balancing the humor and hope of existence. “I want to make a universal folk music. Songs for all kinds of weirdos,” says Carlisle. “With the idea that there is nobody that doesn’t have folk songs and everyone deserves folk songs. I want to write songs that prove the old weird America didn’t go anywhere, that we are living and dying for it everyday. I believe there’s noble work to do in that context. That if we feel despair, we don’t need to because there’s so much good work to do.” A top candidate for encapsulating the energy of The Universal Bubba, “Gas Station”is a driving recollection of life on the road with a sing-along chorus. Created largely on the fly and beginning with Childers’ jokingly referring to a knife-fight, the end result was Carlisle’s only co-write with his producer on the record. “We sat in a circle with pen, paper, instruments,” says Carlisle, “Tyler suggested, ‘goodle days’ instead of ‘good old days.’ We kept shaping verses, agreeing that my choruses were working. Suddenly I realized, this was a co-write! But the red light was already on. We were co-writing and recording at the same time. Wild as hell.” Of the anarchist anthem “The Master’s Hammer”, Childers wanted a pure, essential folk song ringing out with harmonica, banjo and three part harmonies. ”I was trying to boil my ideology down into something I can sing for my friends,” says Carlisle. The title tracks sprawl gloriously in two parts, giving praise to do-it-yourselfers that corral the cosmos into being. Carlisle sings for “booty shaking rock and rollers” and “small town hellraisers” and “unofficial mayors” the world over. Taking on a project of this size with Tyler Childers as debut producer requires hard work, camaraderie and supreme self confidence. Undeterred by the challenge and grounded in his beliefs, Carlisle has proved that it really does “take a Universal Bubba doin’ it for themselves.”
River City Rejects
The Album Party performs NIN + DEVO
ONE NIGHT ONLY! The Album Party performs Nine Inch Nails’ Downward Spiral + DEVO’s Q: Are We Not Men? A: We Are Devo. Not to be missed is an opening set by the one and only DJ Crabrangucci — join us for this electric halloween bash! Costumes encouraged!