Bright Eyes
Benn Sieff and a Murder of Crows
Join us for an eclectic night of original music featuring Benn Sieff, Jerry Kuhn, Sawyer Martin, and Erika Hall-Sieff — with special guests Absence + Alchemy and Satellite Junction. Benn Sieff’s is known for his musical groups “Silicon Bomb”, “Nightmare”, “Bennie and the Gents” (Omaha Entertainment and Arts Awards Best Cover Band), “The Abducted,” and “The Brainfathers.” He has performed in theater productions as Frankfurter in “The Rocky Horror Show” (Fonda McGuire Award, Omaha Community Playhouse), Johnny Cash in “Ring of Fire”, “Calendar Girls”, and Carmen Miranda in “Christmas with the Crawfords”.
Raddletrap EP Release
Broken Spindles
Pink Fuzz
Pink Fuzz – Pink Fuzz is a brother/sister led three-piece out of Denver made up of singer/guitarist John Demitro, singer/bassist LuLu Demitro.https://pinkfuzz.bandcamp.com/
Congress The Band
Congress The Band is one of the Southeast’s most exciting emerging rock acts bring a new wave of rock music out of the Carolinas. Based in Charleston, South Carolina, the band has built a fast-growing reputation for turning every stage – whether a packed venue, a college town, or a full festival field into an all-out rager. With vocals from William Bennett, guitar work from Daniel Guy and Lukas Mishustin, locked-in grooves from Rob Farmer on bass, and explosive drums from Jett Seawell, Congress delivers a dynamic performance that feels both modern and timeless. Their music pulls from indie rock, Americana, and classic Southern roots, creating an anthemic sound that resonates across generations. In just a short time, Congress has grown from a local Charleston favorite into a regional touring force. Selling out venues from Athens to Charlotte to Chicago to New York City. The concerts have become known for heartfelt crowd connections, big-chorus singalongs, and a level of passion that leaves audiences lined up hours before each show After releasing their debut record, Wasted While I’m Young, Congress The Band has continued to build a loyal following on the road. With a packed touring schedule and no signs of slowing down, the band is poised for their biggest year yet.
Harrison Gordon
Patrick Wolf
Patrick Wolf released his first E.P. at the age of 19, a groundbreaking debut of classical, folk, and electronic music that set the pace for a stellar decade, releasing seven self-produced and solely written albums and performing multiple laps around the globe on tour, amassing an ever-growing and dedicated, spellbound audience. A viola, piano, dulcimer, harp, lyre, and tenor guitar player, Patrick’s decade of critically acclaimed work, touring, joining Patti Smith’s band, collaborations with Florence Welch, Marianne Faithful, Angelo Badalamenti, and rapid, stellar ascent led to a sudden retreat from the industry where a decade of personal trial ended with a renaissance and reconnection with his work and vocation, documented in a feature film biopic documentary slated for release at the end of this year, executive produced by Tilda Swinton. Last year, he released his seventh album “Crying the Neck”, an end-of-summer folkloric odyssey set in the landscape at the end of the East of England where Wolf lives and works. The album’s success brought him back to his North American audiences; for his first tour in over 13 years, he embarked on a ten-week tour driving himself from east to west coast, where he discovered not only his fanbase had been waiting all that time, but a brand new one had grown in his absence in the States. The success of last year’s tour brings Patrick back to North America this year with “The Tour of the Beast”, this time an extensive East to West coast and back again routing with a coinciding 7” single and release campaign, launching two new songs to the States and ringing in the next era of Patrick Wolf. The first, a bombastic harpsichord banger and outsider anthem “The Beast”, partly inspired by conversations had in the meet-and-greets of last year’s tour and a hymn of solace, initially written as a response to Camus’s “The Myth of Sisyphus”, a lyre and vocal lullaby called “The Laughing Dove”.
DOOM GONG
Formed in 2022 in Louisville, Kentucky, U.S.A. by 7 music school nerds, DOOM GONG has made a name for themselves internationally with their own home-baked genre, Denim Psych – a hodgepodge of psychedelic rock, jazz fusion, prog rock, bedroom pop, lo-fi, contemporary classical music, as well as blood, sweat, and a lot of denim. Having amassed a catalogue of 3 rock opera-esque LP’s (DOOM GONG, Dream Behemoth and MEGAGONG) and 1 Live album (Live at the Whirling Tiger) in only 3 years, DOOM GONG has quickly become a mainstay of the psych scene in the U.S. and abroad, having performed their enigmatic and seamless live shows alongside the likes of Amyl and the Sniffers, The Black Angels, BADBADNOTGOOD, Allah Las, King Buffalo, Bass Drum of Death, Death Valley Girls, HOLY WAVE, among many others. The denim assemblage also performs at many national and regional festivals across the continent including Treefort Music Fest (US), Sled Island (CAN), Offbeat Music Fest (US), Purple City Music Festival (CAN), Big Stomp (US) Back Alley Ballyhoo (US), Swampfest (CAN), Expansion Psychedelic Festival (US), Moonshiners Ball (US), and Jorts Fest (US). With another 6 albums in the chamber, a European tour coming summer of 2026 and the rest of the world soon after; DOOM GONG isn’t done yet, not by a long shot. THE GONG RINGS ON