Moon Medallion
Moon Medallion – post hardcore / punk / rock from Austin, TXhttps://moonmedallion.bandcamp.com/Head Change – melodic, heavy jam-rock band from Omaha/Lincolnhttps://www.facebook.com/p/Head-Change-Band-61573537634230/Moon Pigeons – goth rock / dark wave / alt rock band from Omahahttps://www.instagram.com/moonpigeonsomaha/Escape Goat – Omaha hard rock / metal https://www.instagram.com/the_escapegoatband/
Porch Light
Minneapolis five-piece Porch Light’s year ahead has a collection of big, unabashed rock tunes, full of riffs that announce themselves and choruses that reach and grab. All of them are songs meant to be played on stage, by five people without bells or whistles. It’s an approach that’s taken them far — the five-piece have reached over a million monthly Spotify listeners and sold-out headline shows across the country before their debut project hit the market. They are all over this year’s festival circuit playing Summerfest, Yacht Club, Hinterland, Lollapalooza and Shaky Knees. They also are setting out on the road this. Fall for the ‘Hush Tour’, spanning across 30+ dates including shows at the Troubadour, Bowery Ballroom and more.
Improvement Movement
Improvement Movement, the social betterment campaign/prog-rock quartet/non-denominational cult from Atlanta, GA, have made a new record just for you and your modern day malaise. It’s called Your Perfect Real Life, because, well, there’s a lot going right these days, right? Arriving August 21, 2026 via ATO Records, Your Perfect Real Life is prismatic, angular, jumpy, and eccentric. It’s sure to inundate your ears, corporeal form, and spiritual body with equal parts unadulterated bliss and realist catharsis, or, in other words, as much good as you can reasonably feel these days. Set in a world of chaos where the news seems to be perpetually recounting stories of planes falling out of the sky, urban wildfires, the uncanny nature of a southern snowfall, and schlepping ads that feel plucked from a sci-fi movie, Your Perfect Real Life makes an earnest case for embracing life’s relentless unpredictability. Animated by the band’s baroque take on the angular harmonies of grunge, the record’s eleven tracks sprawl and simmer, enlivened by the Improvement Movement’s novel employment of dynamics, sticky melodies, four-part harmony, and a treasure trove of experimental instruments. If you’ve ever found yourself enraptured by the lush harmonies of Fleet Foxes, the theatrics of early Genesis tracks, or the candid intimacy of Art Garfunkel, Improvement Movement may be for you. Improvement Movement is a democracy, and so they say, “things move slow.” That may be true for the internal machinations of the band, but their output has been quite regular. Each member of the band, who have largely been eschewing definition, are songwriters and instrumentalists who have spent the better part of a decade in the fertile DIY scene in Atlanta, GA. In that time they’ve been swirling, relatively undisrupted, in their own primordial ooze and rubbing elbows with folks from the no wave, punk, improv, and free jazz scenes. “Atlanta is about as DIY as it gets,” they say. “We’ve got some of the most killing musicians in the world all spread out on these kinds of islands of urbanization. There’s always something new.” That said, the band hasn’t been in Atlanta much lately; they were on the road relentlessly over the last two years, supporting Unknown Mortal Orchestra, Iron & Wine, Houndmouth, and Khurangbin. When it came to making a new record, the slog of touring had to be reckoned with. “It was a gauntlet, trying to live day by day. There was no room for anything with too much premeditation.” “We all have a disposition where we’d like to be positive,” they say, noting how their 2024 sophomore pursuit Slump focused in on the minutiae of personal friendships, relationships, and the noble pursuit of right relation. Your Perfect Real Life takes a wider view, reflecting on timely yet universal themes of mundanity, futility, fear, and acceptance. The band took a uniquely holistic approach to composing its songs, describing how they sought to write from their instruments in a way that could reflect the synergy they found playing live night after night. The collective effervescence of sharing and making art in community is one of the most life-affirming experiences we have. It makes sense that a band set on bridging our brutal realities and the catharsis of art-making is so plugged into that source. With Improvement Movement in our ears, we may as well keep pushing that rock up the hill, singing in unison. Don’t delay, join today!
Cheerleader Roadkill
Cheerleader Roadkill, a pop-punk band from the western Chicago suburbs, founded in 2022. Classmates Noel Kovac (guitar, vocals) and Jack Metz (bass), inspired by the sound of 90s pop punk bands like blink-182, Simple Plan, and Sum 41, they began writing songs in Kovac’s garage in July of 2022 and soon turned their attention to finding a drummer. After 6 months of rotating through a handful of drummers, fellow classmate Jesse Ortega (drums) was brought into the fold and solidified the current lineup.
Hot Freaks
Hot Freaks formed in Minneapolis in the early 2010s, releasing their self-titled debut LP in 2013—a collection of bright, danceable indie-pop tracks with a glossy disco sheen and disarmingly vulnerable lyrics. Blending the emotional openness of of Montreal and Voxtrot with flashes of MGMT’s playful charisma, the record captured the band’s tight-knit chemistry and earned them a loyal following in the Minneapolis scene. Though they rarely toured beyond the Midwest, the group—made up of longtime friends whose relationships stretched back over a decade—became a beloved local staple before amicably disbanding in 2015 as members moved on to new chapters. Years later, the internet gave Hot Freaks a second life. During the pandemic, their 2013 single “PUPPY PRINCESS” unexpectedly went viral on TikTok, introducing the band’s heartfelt, humor-tinged indie pop to a new global audience. What began as nostalgia among friends quickly turned into a full reunion as fans discovered the band’s earnest songwriting and infectious energy. Now reconnecting with listeners around the world, Hot Freaks are stepping back onto the stage with renewed momentum—releasing rare material, debuting new visuals, and turning a handful of hometown reunion shows into the start of a much bigger return.
guardin
Guardin is an alternative singer-songwriter from Western New York whose music has inspired countless others through his honest lyrics and creative endeavors. Guardin has toured around the country as a headliner and co-headliner and in support of OliverFrancis, Gnash,Wicca Phase, Guccihighwaters, Lund, and Sewerperson.
Lombardy
Lombardy is a Nashville based Rock N Roll band formed in early 2021. The group consists of Mike Scott (Vocals / Lead Guitar), Jonathan Plevyak (Vocals / Rhythm Guitar), Seth Rentfrow (Bass), & Steve Mascarello (Drums). They were recently named one of the Top 5 bands in the world. The band’s sound is drawn from all different eras of Rock N Roll, including Classic Rock, Outlaw Country, Metal, Blues, and even Psychedelic. Lombardy has captured an old school feel, having recorded their records live in one take, with intense energy, sprinkled with modern production influences. This has created a sound that feels familiar and eclectic, entirely modern, refreshing, and unique on its own.
clovers daughter
clovers daughter is the indie pop/alternative project of Minneapolis-based songwriter Noor Shami. The Palestinian-American artist blends the emotional honesty of Big Thief, the depth of Ethel Cain, and the dreamy textures of The Marías into an intimate yet expansive indie pop sound. clovers daughter’s debut EP, Bittersweet (2025), introduced her introspective approach to songwriting, exploring the push and pull of young relationships through themes of nostalgia, uncertainty, and connection. Later that year, she released her debut album, Am I Worth It?, a 10-track project centered on the aftermath of betrayal and the emotional patterns that linger long after a relationship ends.Her second EP, Fragile Feeling (2026), builds on those themes with a more refined perspective, examining vulnerability, miscommunication, and the complexities of intimacy with clarity and restraint. In under two years, clovers daughter has toured with Darlingside and BabyJake, surpassed 180,000 streams on Spotify, and was named Artist of the Month by The Current in June 2026. With her sophomore album set for an August 2026 release, clovers daughter will bring her dynamic live show across the Midwest on a regional tour starting in August through September.
Eddie Deets Album Release
EDDIE DEETS – ENTER A WORLD OF DARKNESS AND LOW FREQUENCIES AS EDDIE DEETS DELIVERS A SONIC SOUNDSCAPE THAT BRINGS OUT THE CREATURES OF THE NIGHT THAT IS BEST PLAYED ON FULL VOLUME WITH WINDOWS DOWN. https://www.instagram.com/eddie_deets/Day Break Escape – Colorful alt-rock / pop-punkhttps://www.instagram.com/daybreakescape/NoReligion – solo sad boi pophttps://open.spotify.com/artist/20UR5rdWDLYL8NDrv9aIeJIn Bloom – Alternative band from Omaha, NEhttps://www.instagram.com/inbloomne/Oatblood – https://www.instagram.com/oatbl00d/
The Gotobeds
Give me a minute or three to extol the virtues of The Gotobeds, the modern rock and roll sensation that has always sounded like they love to play. Never maligned by having the world’s weight on their backs, The Gotobeds – Cary, TFP, Eli and Gavin – return to the fray with their third full lengther, ‘Debt Begins at 30’. The esprit de corps and anxiety-free joy that permeates their other LPs and EPs remains intact. The octane is high-test, the engine still has knocks and pings and the battery is overcharged. The Gotobeds – as Pittsburgh as it gets, the folk music of the Steel City – have more tar for us to swallow. Debt Begins at 30 is an old-fashioned blast furnace and the liquid iron flows. Debt Begins at 30 is not “pub sop” in any way or shape. Though I never considered The Gotobeds a band that needed assistance from their peers, Debt Begins at 30 features outside contributors on every track. The album’s first single, “Calquer The Hound,” includes local buddy Evan Richards, and Rob Henry of Kim Phuc. “Calquer The Hound” has euphony, a sly bridge, plenty of trademark bash, and a spacey outro. It’s a sanguine album opener, more Al Oliver than Starling Marte. On “Twin Cities,” the lads tap Tracy Wilson, formerly of Dahlia Seed and currently of Positive NO!, to share the vox, and the result is an exuberant pop song proving The Gotobeds benefit from women ruling the scene. “Twin Cities” is more Dakota Staton than Don Caballero. “Debt Begins at 30,” the title trackular, includes the wizardry of Mike Seamans and legend Bob Weston. It’s a brooding romp with tribal beats and slash-and-burn guitar, more Rocky Bleier than Le’Veon Bell. Unsurprisingly, The Gotobeds called partners-in-rock-crime Protomartyr a coupla times, with Joe Casey bolstering “Slang Words” and hook-fiend Greg Ahee shredding on “On Loan.” “Slang Words” is a savory wrecking ball with a crunching bite, more of a soft shell crab sandwich from Wholey’s Market than a 4am slop feast at Primanti Brothers. “On Loan” is an anthemic jangle-fest with high-arcing fret work, more Karl Hendricks (rest his soul) than “Weird Paul” Petroskey. Silkworm guitarist Tim Midyett is tapped on “Parallel,” a grand song that enters a world of whimsy, melodic and uncomplicated, more Jaromir Jagr than Sidney Crosby. The likes of 12XU label boss Gerard Cosloy, Tre Orsi’s Matt Barnhart, the wonderful Victoria Ruiz of Downtown Boys, Pittsburgh wordsmiths Jason Baldinger and Scott MacIntyre, and yours truly strut stuff on other tracks. In my case, I just scream “dross” on “Dross” several times. Good judgment on the part of The Gotobeds to know that’s the best I can do, more Max Moroff than Andrew McCutchen. Anyways, The Gotobeds have quickly reached the veteran stage, but, based upon Debt Begins at 30, their best days are ahead of them. It’s a pleasure to be associated with such an excellent band.