INIKO
INIKO Premium VIP Experience Package Includes: One general admission ticket Early entry into the venue Access to a bespoke Music & Poetry Cypher with INIKO Exclusive meet & greet with INIKO Personal photograph with INIKO on the Awakening the Empire set Specially designed INIKO record bag Exclusive merchandise item Official meet & greet laminate; autographed by INIKO Priority merchandise shopping Limited availability INIKO Meet & Greet Package Package Includes: One general admission ticket Early entry into the venue Exclusive meet & greet with INIKO Personal photograph with INIKO on the Awakening the Empire set Specially designed INIKO record bag Exclusive merchandise item Official meet & greet laminate; autographed by INIKO Priority merchandise shopping Limited availability Iniko (they/them) is a genre-defying artist and spiritual storyteller signed to Audio Angel Music Group in partnership with Columbia Records. With a voice that sounds both ancestral and futuristic, Iniko creates music that transcends time, blending soul, trap, alternative, and celestial frequencies into a sound uniquely their own. Their gold-certified anthem “Jericho” catapulted them into global consciousness, laying the foundation for their debut project The Awakening which is a bold and unflinching journey through revolution, divinity, and rebirth. The project features songs like “The King’s Affirmation,” a viral proclamation of self-worth that became a mantra for millions, and “Yosemite,” a powerful declaration of Iniko’s role as a protector of the world and a voice for the meek and the damned. With the deluxe edition of The Awakening, Iniko reveals an even more audacious side, introducing tracks like “God Body”—a fiery trap-drill anthem where they boast about their god-like nature with a rawness and intensity that first captivated fans during their viral On The Radar performance. Whether singing, rapping, or channeling emotion through silence, Iniko’s artistry is deeply spiritual, deeply human, and deeply needed. They are the voice of a generation learning to embrace their truth, their power, and their higher calling. Iniko isn’t just an artist but they are a portal, a movement, and a reminder that we are all divine.
nightlife
Dubbed “one of the most exciting bands in the alternative scene right now” by MTV, nightlife tests rock music’s boundaries by weaponizing retrofuturism, golden-era soul, and modern rock sensibilities to make a soulpunk sound that drips with groove, catharsis, and swagger. the band burst onto the alt underground in 2021 with a thesis statement in “new low,” a rose-colored, disco-tinged take on the thick, bottom-heavy post-hardcore popularized by bands like Issues, Sleep Token, and Bad Omens in the late 2010s. every song they’ve released since has sent a shockwave through the rock & r&b communities, seamlessly blending different forms of current r&b and soul into their ever-evolving sound & leading Kerrang! Magazine to call them “one of the artists shaping rock music right now.” The band has quickly built a reputation as a show-stopping live act, bringing their unique approach to tours with the likes of Rain City Drive, Outline in Color, FOXCULT, and more. powered by guitarists Julian Lofton (he/him) & Dan Macon’s (he/him) fluid basslines and drummer Isaiah Walker’s (he/him) pocket-based beats, nightlife’s rhythmic backbone meets vocalist Hansel Romero’s (they/them) dynamic style and experimental production to create music that feels alive – that scratches an itch only nightlife can.
Diva Bleach
Diva Bleach is a “sparkly pop-rock” duo consisting of bassist/vocalist Sydney Roten and Brie Ritter from Phoenix, Arizona. Wearing their hearts on their sleeves, Diva Bleach shares stories of heartbreak, loss, friendship and more through their music. Music has always been an important part of their lives, taking music lessons at the same school and then ultimately teaming up to create Diva Bleach in 2021. The band has appeared at Zona Fest on the main stage with Portugal, The Man and has played alongside bands such as The Front Bottoms, Poolkids, Twin XL, Sundressed and more. The duo has now joined the InVogue Records family and are set to tour this spring with Young Rising Sons and 44 Blonde, and will be on the Sad Summer Festival tour this summer.
Carver Jones & The American Dreamers
Messiahvore

Tripping Daisy
Tripping Daisy emerged from Dallas, Texas in 1990, quickly establishing themselves as one of the most dynamic and innovative forces in the alternative and psychedelic rock scenes. With original members Tim DeLaughter on vocals and guitar, Mark Pirro on bass, Wes Berggren on guitar, and Bryan Wakeland on drums, the band carved out a distinctive sound that resonated with fans and critics alike. Their debut album, Bill (1992), made an immediate impact by selling over 20,000 copies locally and catching the attention of major labels. This early success paved the way for their breakthrough with I Am an Elastic Firecracker(1995). Featuring the hit single “I Got a Girl,” which went Gold in the U.S. and Platinum in Canada, the album firmly established Tripping Daisy’s reputation for delivering infectious, boundary-pushing music. The band continued to evolve with Jesus Hits Like the Atom Bomb (1998), an album that has since achieved cult status thanks to its experimental edge and innovative production. Their self-titled album, Tripping Daisy (2000), stands as a poignant capstone to their original run, marking the legacy of their groundbreaking work even in the wake of founding member Wes Berggren’s untimely passing. Over the years, Tripping Daisy’s music has not only captivated audiences in concert but has also made its mark on popular culture—featured in films such as The Craft, Basquiat, and Saturday Morning Cartoons, and on television through appearances on Beavis and Butt-Head and Late Night with Conan O’Brien. Their energetic live performances and enduring stage presence have left a lasting impression across North America and beyond. Now, as they celebrate the 30th anniversary of I Am an Elastic Firecracker with an Anniversary Tour in 2025, Tripping Daisy continues to honor their storied past while forging a path toward the future with new recordings and fresh energy. Frontman Tim DeLaughter’s creative journey also extends into his work with The Polyphonic Spree—a project that has further underscored his innovative vision and contributed to memorable collaborations with music legends. Hailing from Dallas and proudly signed to Good Records, Tripping Daisy remains a vital and inspiring chapter in the history of alternative rock, continuously inviting new generations to experience the magic of their music.
Funk Trek

Arcy Drive: The Pit Tour
VIP PACKAGE INCLUDES: One (1) GA ticket to the show Pre-Show Storytime/Q&A with Arcy Drive One (1) – Two (2) Song Acoustic Set from Arcy Drive Early Entry to the venue One (1) exclusive merch item Early access to the merchandise table Please arrive 60-minutes prior to doors to participate in the VIP experience With time to kill and an attic to jam in, Arcy Drive, a group of four good buds from Northport, New York began forming their scratchy but spirited sound. Traveling in a 1989 Toyota van, they shared their music locally which they coined “Attic-Rock.” After a summer in their hometown and newfound passion of playing live, the four renovated an old school bus and began touring the US before their first official release. Many dive bars and music halls later, their “Barefoot Tour” landed the band a new cult following. So far, the group has released a live album, ‘Attic Sessions’, a studio EP ‘Beach Plum’, and 7 new singles into the release of their debut studio album ‘The Pit’. They have amassed over 20 million combined streams and sold-out headline shows in NYC (Bowery Ballroom), LA, Boston, Chicago, Nashville, Philly & more – including sets at Bonnaroo, Lollapalooza, Shaky Knees, Kilby Block Party & more. The debut studio album from the band, ‘The Pit’, will be released on April 18th this year. This project was compiled over months of time spent all over the country. From the abandoned winter on Nantucket Island, to Nashville, to Georgia, to recording at Applehead Studios in Woodstock, NY. This project was produced by 71-year-old legendary producer, Angelo Petraglia (Kings of Leon, Black Keys). It includes a guest appearance by 80-year-old songwriter and frontman of The Lovin’ Spoonful, John Sebastian. ‘The Pit’ consists of 13 tracks that will take you on a journey through Arcy Drive’s lens on the genre of ‘Attic Rock’. Be on the lookout for their biggest touring year yet this Fall!
Franz Ferdinand

Ever since their beginnings, throwing illegal parties in condemned Glasgow buildings, Franz Ferdinand have been defined by a fresh, unfading, forward-facing outlook. A transgressive art-school perspective, but with a love of a big song. A big riff. A big idea. Somewhat contrary. Unafraid to dance. Unafraid to think. Unafraid to fear. Their sixth studio album, The Human Fear, courses with an energy that makes you feel very much alive. Fear makes you feel alive. Awake. A life without fear is a life asleep. Fear is what shows us our humanity. It’s why we search for it in horror films or extreme physical activities. The most life-defining moments are shaped by fear: acknowledging, accepting, or overcoming it. All the good stuff is inseparable from fear. Commencing a relationship. The necessary vulnerability. Ending a relationship. Leaving an institution. Getting on that stage. To overcome fear, whether it’s fear of commitment, leaving an institution, or of isolation… What a buzz. What a reward. While writing these new songs — many of which, beneath the immediacy of their choruses and melodies, allude to some fairly deep-set human fears — Franz Ferdinand released Hits To The Head, a retrospective of the previous 18 years. It sharpened the band’s perspective, allowing them to understand the essence of what made them work, while liberating them from the past. When you know who you are and are comfortable with it, you are free to go somewhere new. At this point in their career, Franz Ferdinand definitely know who they are, and are relishing the vigour that comes with accepting that. There was a lot of writing before any recording. Then editing and arranging. For a swan to glide serenely, the feet have to kick like a motherfucker below the surface. The idea was to have a songbook before anything was recorded. No jamming. Texture, sonics and studio innovation are fine and thrilling, but superficial indulgence without good, solid songs. Then the execution as rapidly as possible at AYR Studios, fuelled by the same agility that defined the songs on Hits To The Head. Few takes. The band in the room, playing together. That indescribable thing that happens when they do. The thrill of recording “The Birds” — one of the first songs they recorded — or thrashing out “The Doctor”’s deliriously energetic riff in about six minutes flat. Many of the vocals are the live takes, and those that aren’t were recorded under piles of coats, pillows and blankets in various bedrooms and cupboards across Paris, London, and Glasgow. At the heart of Franz Ferdinand is the relationship between Alex Kapranos and bassist Bob Hardy. They formed the band while working in a kitchen together, initially as an idea, then dredging Glasgow for accomplices. It is still the ideas which excite them before any of the music is made. Julian Corrie’s presence as a collaborator is also strong on this record. Fingers faster than an arpeggiator. Then there’s the dirt and attitude of Dino Bardot’s guitar and the sharp freshness of Audrey Tait’s beat, both of whom are on a full Franz Ferdinand album for the first time. Maybe this is a set of songs about fear. But maybe all that chat about Human Fear is superfluous. Maybe this is just a set of bangers from an era-defining band continuing their unquestionably living legacy. Is that something to be afraid of? Living a life awake. There is nothing that makes you feel more awake than The Human Fear.