Nevertel
THE OTHERS EXPERIENCE VIP PACKAGE includes: One standing GA ticket with early entry to the floor Exclusive production Q&A with the band Professional photo opportunity with Nevertel A VIP exclusive Nevertel merchandise pack One exclusive propaganda poster autographed by Nevertel One commemorative laminate and lanyard Tour merchandise shopping opportunity before doors VIP check-in and priority lane into the venue before doors THE TRAVELER EXPERIENCE VIP PACKAGE includes: One standing GA ticket with early entry to the floor Professional photo opportunity with Nevertel A VIP exclusive Nevertel merchandise pack One exclusive propaganda poster autographed by Nevertel One commemorative laminate and lanyard VIP check-in and priority lane into the venue before doors Leading with an emphasis on quality in everything they do, Nevertel – Jeremy Michael (vocalist), Raul Lopez (rapper/guitarist/producer) and Alec Davis (guitarist) – have honed a distinctly modern genre-blending sound that fuses elements of hip-hop, nu-metal and alternative rock. Touting influences from established acts such as Linkin Park and Bring Me The Horizon, the group draws in listeners with riveting melodic choruses, hip-hop infused verses and bombastic EDM-style breakdowns. Even before they were Nevertel, they were just a bunch of childhood pals bonded by their shared love of music. “We’ve all been best friends since high school and have been in and out of bands together,” Jeremy explains. However, as often happens with school-aged friendships, they eventually drifted apart – until music intervened yet again. “It wasn’t until years later, after seeing Linkin Park at the 2014 Carnivores Tour, Raul called me and Alec about starting another band.” Though the trio is long past their high school days, they still bond over the interests they shared as kids. “What brought us together was our love for music and video games. We would play video games to stay close and keep in contact about the band. Music and gaming have been instrumental to our growth and bond as brothers.” Now, after two albums, two EPs, and a slew of singles out in the world, Nevertel has racked up over 60 million global streams to date (and over 900K a week) while fostering an online community of over 600K social media followers. A testament of their dedication to their craft and commitment to their fans, the band has performed at festivals like Welcome To Rockville, seen radio support from SiriusXM and earned recognition across all major DSPs, with a placement on Spotify’s All New Metal, Kickass Metal, and Hard Rock playlists. “Our mission is pretty simple: to make music that saves and inspires people to make great changes in their lives.” While they pour their hearts into their work, at the core of it all, they do it for the tight-knit group of childhood best friends they once were. “If we could inspire that same 13-year-old kid we once were to follow their dreams and chase their passions then I’d say our mission is being accomplished.”
The Urge
The Urge is an alternative rock band based in St. Louis, Missouri. Their music combines several genres, including hardcore punk, heavy metal, ska, reggae, funk, rock, and rhythm and blues. Consistent touring throughout the 1990s earned the band a reputation for high-energy live performances. Early career (1987–1994) The Urge was originally formed in 1987 by Webster Groves High School classmates Jeff Herschel (drums) and Karl Grable (bass), and Pat Malecek (guitar) of Saint Louis University High School. The band went through two singers before recruiting Steve Ewing for vocal duties in late 1987. Their first album was released on August 12, 1989, the cassette-only Bust Me Dat Forty, followed a year later by the LP Puttin’ the Backbone Back on August 9, which featured the addition of saxophonist Jordan Chalden who joined the band at the end of 1989. After Herschel left the band in May 1994 and Malecek left a few months later to pursue other career paths, guitarist Jerry Jost and drummer John Pessoni, both from Christian Brothers College High School, who had previously played together in other bands including Life Without Wayne and The Stand, joined the lineup. Frequent touring with 311 increased the band’s fan base. Success and first breakup (1995–2002) In 1995, the band independently released Receiving The Gift of Flavor. Regional radio play of songs “Brainless”, “All Washed Up”, and “Violent Opposition”, as well as successful album sales, brought the band to the attention of Epic’s Immortal imprint, which reissued the LP in 1996. After constant touring with the likes of labelmates Korn and Incubus, Master of Styles was released in 1998, containing the hit “Jump Right In” (featuring singer Nick Hexum of 311), as well as the singles “Closer” and “Straight to Hell”. “Jump Right In” can be heard in an episode of MTV’s Daria and MTV’s The Real World. Following the release of Too Much Stereo in mid-2000, and contributing their song “It’s My Turn to Fly” to the 2000 animated film Titan A.E., the band toured for nearly a year before calling it quits. In late December 2001, the band went their separate ways due to musical differences. Present On October 21, 2003, the band announced their reunion with their shows at The Pageant on December 23 and 25. The Urge later on played several reunion shows before they disbanded again in 2005. On July 15, 2011, The Urge confirmed that they would be reforming to write new music. Their new single “Say Yeah” debuted immediately following the announcement at Pop’s live on the radio. Their first show back together was Pointfest 29. During the live radio interview, the band discussed with Donny Fandango that the new music will be entirely new material, and will not be the abandoned album “Escape From Boys Town” from 2001 (which they currently have no plans of resurrecting). The band released their seventh studio album, Galvanized on November 22, 2013. On October 1, 2018, Chris Pinkert reported that the St. Louis Blues had partnered with The Urge to create a new goal song for the team. The song, eventually titled “The Blues Have the Urge”, was implemented for the start of the 2018–19 NHL season and was played following each Blues goal at home, immediately after organist Jeremy Boyer played the traditional organ rendition of “When The Blues Go Marching In”. For home wins, the song is also played immediately following the final horn (replacing Blur’s “Song 2”), followed by an instrumental version as the NHL Three Stars are announced.
REVOCATION
Revocation creates extreme music for extreme times. On New Gods, New Masters, their fifth record for Metal Blade, the quartet–spearheaded by founder/vocalist/guitarist Dave Davidson–delivers nine potent and portentous songs of brutal lyrical and musical significance. Produced by Davidson mixed and mastered by Jens Bogren (The Haunted, Spiritbox), tracks including “Cronenberged” (feat. Jonny Davy of Job for a Cowboy), “Sarcophagi of the Soul,” “Confines of Infinity” (feat. Travis Ryan of Cattle Decapitation) and “Dystopian Vermin” thematically explore AI and its impact on humanity. “I’ve been very fascinated with the development of Artificial Intelligence, and I’m deeply concerned where this could lead humanity,” says Davidson, “whether it’s the slow march towards a technological dystopia or the all-out annihilation of our species.” New Gods, New Masters marks the band’s 20th anniversary. Revocation debuted with 2008’s Empire of the Obscene and subsequently released seven critically acclaimed albums and toured over 25 countries, bringing their technically charged, high-energy extreme metal to North America, Europe, and Asia-Pacific. New Gods follows up 2022’s Netherheaven, where Davidson’s lyrics took hard looks at Catholicism, hypocrisy, politics, the occult and demonic symbolism. Critics raved about Netherheaven, calling it “Revocation’s best record in a decade” and praising the “darkest, heaviest songs of their career.” That album set a high bar, but an even sharper musical and lyrical focus was achieved on New Gods, New Masters, which is deftly captured in the album artwork by Paolo Girardi. “He did an incredible job of bringing the lyrical themes of a bleak techno-nightmare to life,” Davidson says. “The ‘New God’ being birthed from the abyss of teeth and wires was even better than what I envisioned. I absolutely love the color palette he used. He even included some easter eggs from our first demo and first full-length album cover, which adds even more depth and meaning to the artwork for me.” Titling the album New Gods, New Masters reflects his belief about humans’ need to worship various gods. “It seems as if that desire is encoded in our DNA. As science and our understanding of nature and the universe as a whole, increases, the religions of the old gods start to become obsolete,” believes Davidson. “However, I believe we’ve replaced our old gods with new ones, worshipping technology and creating a cult-like idolatry of innovators.” Revocation, unafraid to upend musical and lyrical tropes with forward-thinking and sounding approach, with songs that excoriate society’s addiction to phones (‘Sarcophagi of the Soul”) and animal experiments that illuminate/replicate societal issues (“Dystopian Vermin”), Davidson’s science-backed observations all the more terrifying for their reality. If technological advances create worse problems alongside “solutions,” Revocation forge ahead, four guys plugged in, fighting existential threats with metal, “waiting to see what the next trial of the human experiment brings.” Music grounds and uplifts the band members-and fans. “I’m proud that I’ve been able to evolve as a musician and songwriter with every release. I never want to stagnate, and I think we’ve achieved real growth with every album,” says Davidson. “I’m also extremely proud that I’ve been able to keep this band going after all these years; it’s crazy to think of how far we’ve since the beginning.”
Primal Descent
THIS PERFORMANCE IS AGES 21+
Trixie Phillips’ Rock N’ Roll Burlesque Show
VIP tickets are the best seats in the house with a guaranteed table and seat; this tier also includes raffle tickets. GA is in the back of the house with limited available seating; seating is first come, first served. Join Trixie Phillips’ and her cast for a night of burlesque and rock n’ roll music! We will be showcasing the vast array of genres of rock that have been popular through time combined with the art of striptease! Don’t miss out on an evening of good music, good fun, and good vibes! Want to join in on the fun? Come dressed in your favorite band t-shirt, as your favorite artist, or anything that screams rock n’ roll to you!
Beast Eagle
Becky Robinson: Night 2
Originally from Portland, Oregon, Becky Robinson is an LA-based comedian, writer, actor, and voice-over star that has gone from viral sensation to a sold-out theater act. You may also know her as the “Entitled Housewife”, the outspoken viral golf character Becky created who co-starred in the two virtual comedy variety specials she self-produced to help spread laughter during the yearlong pandemic. Becky’s explosively unique character antics and viral videos have racked up millions of views across social media and garnered fans across the country (and the country clubs!). In 2022, she released the original song ‘Mama Needs a Claw’ that can be heard on the radio or any major streaming service. Today, the comedian is on her highly anticipated The Beasts In Me Tour. She continues to sell-out around the world with her relatable comedy. In addition to touring internationally as a stand-up comedian, Deadline included Becky in their “The Future Of Funny: 15 Comedians To Watch In 2025.” She was previously named a JFL Montreal New Face of Comedy where her stand-out multi-character performance landed her a sketch show development deal and a number of voiceover jobs with DreamWorks, Nickelodeon and Netflix. In her explosive debut stand-up special, ENTITLED, Becky Robinson comes in hot with her signature high-energy comedy. She dives into the chaos of coming out as a lesbian during the pandemic, the pitfalls of being way too friendly as an adult, and her unapologetic love for Taco Bell. But the night wouldn’t be complete without a full-blown appearance from her iconic character, the Entitled Housewife, who crashes the stage to dish about Trish, the gieurlz, Macabee, Dashell and, of course, SCOTT!!! In November, Robinson hosted her first She Gone Golfing: The Entitled Housewife Tulum Classic that took place at the PGA Riviera Maya and Conrad Tulum sponsored by PXG. Fans were able to escape to paradise with Becky Robinson/Entitled Housewife, for an exclusive Gieurlz getaway to Mexico. Fans had the opportunity to tee off with the Entitled Housewife on world-class greens, then raised a glass and belted out their favorite karaoke anthems in true Gieurlz fashion. All set against the breathtaking backdrop of the Mexico’s Maya Riviera. Becky is the voice of Parker J. Cloud, an exuberant former raincloud on a mission to brighten up everyone’s day, in Nickelodeon’s animated series Middlemost Post. She was also a season regular on MTV’s Wild ’N Out with Nick Cannon where she also put out a Wild ’N Out Stand Up Special. Other appearances include Netflix’s The G Word with Adam Conover. Hulu’s Coming to the Stage, MTV’s Acting Out, ABC’s The Bachelor and Kevin Hart’s sketch series Writer’s Room. As a writer, Becky has written for Comedy Central’s Not Safe, Snoop Dogg’s Joker’s Wild and FunnyOrDie.
The Barbarians of California
Emo Nite
The Toxhards
A cult band in the making, The Toxhards bring a chaotic shot of adrenaline with their rousing live performances and genre-bending songs. With 8-foot-tall pig suits, t-shirt tosses, AirDropping unreleased demos from the stage, constant instrument swapping, and free coffee, The Toxhards have built a rapidly growing and devoted fanbase – many of whom attend shows cosplaying as characters from the band’s eclectic catalog such as “Ængus, The Prize-Winning Hog,” “Satan’s Little Hell Song,” “Beatrice,” “Doombop!” and “Get Creative! Or Get Radicalized!” No two Toxhards shows are ever the same. The Get Destructive Tour promises to be the band’s most ambitious and interactive run yet, featuring a completely different setlist every night, brand-new visuals, and new songs the audience will vote on during the show (the band needs that sweet, sweet market research!) plus all the Toxhard classics fans love to experience live. The Toxhards’ music has racked up tens of millions of streams and views online, with millions more for their comedic bits and skits. Their debut LP Your Neighborhood was released in spring 2025 via Hopeless Records to critical acclaim, and was followed by extensive touring across North America. The Get Destructive Tour marks a new era for The Toxhards, and promises to outdo everything before it.