Oscar Lindsey – Sunshine Tour
You’re my fire / You’re my muse, opens the title track of Oscar Lindsey’s new album, his voice bare, vulnerable and wistful. You’re everything. The harmonica whines. Stakes are set. All that I could lose. Lindsey sees the songs on ‘Sunshine’ as a seminal push into adulthood, describing the collection as “every phase of an early-twenty-something’s fucked-up love story.” Those opening lines relay a lesson hard-learned. To love something so wholly that you fear its end—it’s an internal war we all wage at some point. And Lindsey is no stranger to battling his own brain, “especially when it comes to making decisions,” he says. “I have a me who’s looking out for me, and another me who’s sabotaging my life.” ‘Sunshine’ is less an embodiment of its namesake than a plea for light. Lindsey wrote much of it during Nashville’s historic 2026 ice storm, which exploded transformers across the city, wreaked havoc across the landscape, and left residents in the frigid dark for nearly two weeks. Lead single “Metal Through Her Lips”—a standout track hailed by Ones To Watch as “a complex and entirely captivating work of art” which rapidly racked up more than a million streams—emerged from that odd and trying moment of mandatory hibernation. “I wrote the song in a hotel lobby,” shares Lindsey. “So I had to sing really quietly.” He was going through a breakup, a swirl of interpersonal volatility underscored by natural disaster. He penned his struggles into vivid poetry—She puts ink on her skin, blowin’ sugar in the wind, tastes like cinnamon / She invests her time like a bank credit line that pays her dividends—and enlisted local friends to record upright bass, harmonium, and trumpets. The result is a vibrantly spirited song, spun from a moment that otherwise seemed rather dead. Lindsey descends from a long line of formidable songwriters. His grandfather’s name is listed in the discographies of Pirates of the Mississippi and The Byrds, while stars like Tim McGraw, Faith Hill, Taylor Swift count Lindsey’s parents as collaborators. “I never felt like I had a different childhood,” he says, considering the hitmaking backdrop of his home life. “I was exposed to a lot of music, but it just felt normal to me. I think when you’re young, you look at what your parents do and you’re like, oh, that’s so lame, just because they’re your parents.” Though he’s grateful for their influence in retrospect, Lindsey looked outside his parents’ catalog for inspiration in those formative years. “Around age fourteen, I was completely obsessed with Bo Burnham. I learned all his songs on piano—that was how I started to play.” Lindsey, though articulate, leans far less on verbosity than Burnham. The very sound of his voice, an evocative tenor, does most of the telling—bright and bending at the edges, an earnest wobble at the center, occasionally resolving into an endearing mumble. He sings with an emotional purity reminiscent of indie rock icons like Ben Kweller and Alex G. From gritty indie romps to fragile ruminations, cathartic melancholia to cheeky bops, Oscar Lindsey’s fifth full-length glows with warmth. “Sunshine was what I wanted most in those cold dark winter days when I was writing these songs,” he says. And with this album, he created it for himself—and for us.
almost a.m.
Nashville-based trio almost a.m. is an indie-alternative powerhouse with 2 brothers and a cousin. Originally hailing from Montana, the group has carved out a distinct space in the Nashville scene by self-producing every element of their project—from their synth-driven tracks to their award-winning cinematic visuals. With a sound that bridges the gap between high-energy alt-pop and late-night reflection, almost a.m. treats every release as a complete sensory experience, ensuring the visual world is just as immersive as the music.Now embedded in the Nashville creative underground, almost a.m. is a trio comprised of two brothers and their cousin. While their roots trace back to Montana, their current identity is forged in the high-energy, DIY spirit of Tennessee’s music capital. They aren’t just a band; they are a self-contained production house.Rejecting the traditional industry mold, almost a.m. self-produces every facet of their output. This “all-in-house” philosophy extends from their signature blend of synth-heavy, guitar-driven indie-alt to the direction of their entire visual universe and the design of their immersive live shows. This dedication to the visual medium has earned the group numerous accolades across both music and film festivals, establishing them as a project where the cinematography is as vital as the sound.Building on the momentum of their 2025 EP, Doing Nothing, Going Nowhere, and 2026 singles like “LEMON” and “CAT AND DOG,” and their new upcoming album, “SUN ON MY FACE”, the band continues to refine a sound that captures the liminal space of their namesake. For almost a.m., the goal is a total creative connection, reminding listeners that even in the darkest moments, the morning is always on its way.
Ben Sieff and a Murder of Crows
Wrath Vol. 3
THIS PERFORMANCE IS AGES 18+ Full lineup includes: Meteorik, Unlucki, Plead the Filth, Ruzz Lightyear, Rawlz, Moose, The Silent Flame Within, Simply Andre
Soundtrack
SOUNDTRACK brings the movies you love to life through the songs you’ll never forget. From the high-energy rock of Footloose and Top Gun to the iconic sounds of Back to the Future, Pulp Fiction, and Dirty Dancing, SOUNDTRACK celebrates the unforgettable songs that made the movies legendary. Blending classic hits, throwback anthems, and plenty of nostalgia, SOUNDTRACK delivers a live show packed with familiar favorites, big energy, and songs that make you want to sing along, hit the dance floor, and relive your favorite movie moments. These aren’t just songs from movies. They’re the soundtrack to your life.
River City Rejects Record Release
You know ’em – you love ’em — but not this record, YET! Come celebrate the release of your favorite hardcore street punks’ new record.
Noah Gundersen: Rites of Spring Tour – Spring 2027
VIP Pre-Show Acoustic Performance Package Includes: One (1) General Admission Ticket Three Song Acoustic Set w/ Noah Gundersen One (1) VIP Exclusive Tote Bag One (1) Signed VIP Exclusive Screenprinted Poster One (1) Commemorative VIP Laminate and Lanyard Early Entry/Early Merch Shopping (Where Available) ABOUT NOAH GUNDERSEN: Noah Gundersen is an Emmy-nominated American singer – songwriter from the Pacific Northwest, known for crafting deeply intimate songs that linger long after the final note fades. Blending raw vulnerability with poetic precision, his music explores the fragile intersections of love, loss, hope, and the quiet resilience of being human. Since emerging in 2014, Gundersen has built a devoted global following through six full-length albums, a steady stream of EPs and singles, and a reputation for powerful live performances that feel both personal and transcendent. Whether headlining his own tours or sharing stages with acclaimed artists like Emmylou Harris, City and Colour, Beck, Josh Ritter, and Lucinda Williams, he has continued to refine a sound that is unmistakably his own. Now, with his forthcoming seventh LP Rites of Spring, arriving May 22, 2026, Gundersen steps into a new chapter – one that promises to push even deeper into the emotional landscapes that have defined his artistry while inviting listeners, new and old, to come along for the journey.
Panchiko
ABOUT PANCHIKO: Panchiko’s story began in Nottingham in the late ’90s, when four teenage friends combined Britpop influences with home recording, video games, and anime to create their debut album, D>E>A>T>H>M>E>T>A>L. After gaining a little momentum, the band eventually faded into obscurity—until a fan discovered a copy of the album in a local charity shop 16 years later, setting off an online search that ultimately tracked down the group and sparked their reunion. Since then, Panchiko have toured the world and released Failed at Math(s) (2023) and Ginkgo (2025), evolving from a long-lost cult discovery into a full-time band. Their third album since reuniting, Chimera, out April 9, 2027, finds the band looking forward rather than backward. The songs move between pensive balladry and bounding hip-hop, racing shoegaze and springtime pop, with contributions from friends including billy woods, Mei Semones, Korea Girl, Abby Sage, Cotillon, Mirra Maze, Hugh Pascall, and Clarion’s Saya Oliva. Across these shifting sounds, Chimera finds Panchiko exploring who they want to become, balancing the excitement of the present with the uncertainty about what lies ahead. It’s a record that embraces new possibilities while holding onto the unconventional spirit that started it all. Panchiko is Andy Wright (keyboardist and producer), Owain Davies (vocalist and guitarist), and Shaun Ferreday (bassist), alongside Robert Harris (guitarist) and Jon Nellen (drummer). ABOUT SHE’S GREEN: Minneapolis band she’s green describe themselves as “moss music”. Inspired as much by J.R.R. Tolkien and Hayao Miyazaki as by Slowdive and the Cocteau Twins, the band — consisting of Liam Armstrong, Zofia Smith, Raines Lucas, Kevin Seebeck and Teddy Nordvold — aim to create their own musical and visual world defined by dreamy fantasy, emotional openness and sonic depth. In 2023 she’s green released their debut EP, Wisteria, which included the viral hit “Mandy,” and in 2025 they released the follow-up EP, Chrysalis. It builds on the shimmering shoegaze and dream-pop of Wisteria, with ever more irresistible melodies and deeper songcraft. “We wanted to expand the scope of what we did with the first EP, and see how far we could push either side of the music — whether it’s harsh and jarring or it’s inviting and warm,” Armstrong says. And as they win over fans everywhere they go with their authentic, loving approach to their sound, it’s clear that this huge year for she’s green is only the beginning.
Tony Scar: Unplugged and Unhinged
THIS PERFORMANCE IS SEATED GENERAL ADMISSION. NO RESERVED SEATS, FIRST COME, FIRST SERVED. Tony Scar is a comedian and songwriter dedicated to redefining the stigmas surrounding musical comedy. His unique blend of dark yet silly humor and audience interaction has captivated audiences across the nation, earning him a Golden Ticket on Kill Tony. Since his debut performance on the renowned show, Tony’s songs have charmed the Austin comedy scene, securing him stage time in the best venues in the city. He is set to perform on the mega-hit show again at the Intuit Dome in Los Angeles, which will ultimately air on Netflix this summer.
Now That’s What I Call A Metal Christmas
HO HO HO! LFG! Santa’s on his way with a big full sleigh — he’s bringing all you good girls and boys a jam-packed night of metal from all your favorite locals.