Gay Cum Daddies
Emily Raff
Graham Hunt & Prize Horse
Graham Hunt can’t stop making records. Since 2019, the Madison, WI-based songwriter has been amassing a dense catalog of singular music at a pace rivaled only by the quality of the output itself. Now already on his sixth album, American Pyramid, Hunt pushed himself out of his comfort zones, eschewing the homespun, computer-oriented explorations of his previous work and instead entering Minnesota’s legendary Pachyderm Studio with an eight-piece band to try and capture a different side of his boundless creativity. The result is an album that stretches out musically and lyrically, with Hunt using his surrealist spin to dissect both the traditions of American indie rock as well as the unnerving detachment of the American experience itself. American Pyramid arrives barely a year after Hunt’s 2025 album, Timeless World Forever, the final release in a trilogy of records and a capstone on a significant part of his life. “I knew I was going to be moving from this house where the home studio is, so I gave myself the limitation of making those three albums that specific way, and then I knew I’d do something different,” he explains. “Part of me felt like I could live in that house and make an infinite amount of records there with the same process forever, but for a long time I’d also had this vision for tracking an album live with a band in a studio–I knew that’s how I wanted to make the next record even before I wrote any songs for it.” Hunt’s innate creative restlessness has always served him well but it wasn’t enough to simply record the songs with a group rather than alone: he even self-imposed limitations on the writing process itself, choosing to avoid demoing on the computer or even fleshing out the songs beyond simple iphone voice memos. “I wanted to keep it to just chords and melody and then figure out the rest with a group of people in a live room studio setting, I just hadn’t done it like that in a very long time.” And this would be no ordinary live band, instead a group of eight fellow multi-instrumentalists, each an impressive creative in their own right, all assembled to help Hunt see his vision through. “I was thinking about all the people who have played in my band in all its different iterations over the years, and I just wanted to try and get as many of them involved as possible,” he explains. “We only did two rehearsals before we went into the studio and everyone ended up swapping instruments and changing roles throughout recording. That sort of helped to recreate some of the feeling of what I do when I’m making music with the computer, but executed with a full band.” — Minneapolis’ Prize Horse make “a fuzzy, dreamy form of alt-rock that manages to be heavy and spaced-out at the same time” (Stereogum). The trio’s debut album, Under Sound, embarks their musical evolution which takes flight with ethereal, fuzz-laden tones departing from the grittier layers of their previous 2021 Welder EP.
Bayway
Exhorder
Formed in 1986, Exhorder’s journey has proven exciting, yet tumultuous. Fraught with euphoric peaks and crippling valleys throughout its existence, the band debuted that summer with the do-it-yourself demo recording, “Get Rude”. Swiftly building a strong local following in the New Orleans punk rock scene, Exhorder entered a legitimate 24 track studio in 1987 and crafted their controversial classic demo, “Slaughter In The Vatican”. However, as fate would have it, the band broke up for the first time in early 1988 due to internal struggles. A reformation ensued later that year, and Exhorder set out once again to pursue its vision. The band soon signed with Mean Machine Records, but the label dissolved before the band’s debut could be completed. Following a series of lineup shifts, a second full-length entitled “The Law”, and multiple hiatuses, the band finally relaunched itself in 2017. In the years that followed the relaunch of the band, Exhorder has toured extensively in both the United States and Europe. The reputation the band has carried as a force onstage continues to grow. With a new release in association with Nuclear Blast completed and was released in 2024, Exhorder are plotting another busy year performing worldwide.https://www.exhorder.com/ No/Más – hardcore / crust / grindcore from DC Phantom (Phantom G.D.L) is a young band from Guadalajara, Mexico, that has quickly established itself as one of the most solid and promising acts in Latin American metal. Their sound, rooted in relentless speed/thrash metal and a dark aesthetic, has allowed them to connect with international audiences and gain increasing recognition within the global scene. Intoxicated -Thrash/death metal from FL
Pink Fuzz
Pink Fuzz – Pink Fuzz is a brother/sister led three-piece out of Denver made up of singer/guitarist John Demitro, singer/bassist LuLu Demitro.https://pinkfuzz.bandcamp.com/
Gimme Gimme Disco
THIS EVENT IS AGES 18+ If you can’t get enough of ABBA, boy do we have THE dance party for you! We are a DJ based dance party playing all your favorite ABBA tracks, plus plenty of other disco hits from the 70s & 80’s like The Bee Gees, Donna Summer, Cher, & so much more. So honey honey, take-a-chance and you’ll be dancing all night long. Grab tickets, put on your best disco attire, bring your friends, and have the best night of your life!
Authority Zero
Authority Zero has never been called “negative.” Even during a pandemic, they kept their collective chin up, put their heads down and wrote what could be called their career album. Released in June 2021, Authority Zero’s album “Ollie Ollie Oxen Free” takes a line from hide and seek to encourage fans to leave the COVID-19 depression behind and celebrate life. During the pandemic, singer Jason DeVore saw families torn apart by political views and COVID-19. Now that the divide has somewhat subsided, it’s time to come out and be yourself again. “The phrasing in the title track stems from the idea of ‘come out, come out, wherever you are,’” says DeVore, who co-writes with bassist Michael Spero. “It encourages a focus on the positive side of 2020, while still maintaining awareness of the hardships and detriment of it all. People have been trapped within themselves, depressed inside of their houses and otherwise. We’ve been separated both politically and mentally between the left and right, which is very apparent. It’s a focus of come out, feel free and feel a sense of confidence to live with an unheavy heart and mind again.” The title track rattles those cages with DeVore’s encouraging lyrics, the frenetic blur of Christopher Dalley’s urgent drumming and Spero’s bass, coupled with guitar licks true to the playing style of returning guitarist Brandon Landelius. With its updated sound, “Ollie Ollie Oxen Free” fits in with Authority Zero’s catalog, DeVore says. “It’s more of the times of 2020,” he says. “We really tried to focus more on the positive side of things that came from the pandemic, rather than the negative that came out of it. “We inflect lyrics and music in an uplifting manner. We wanted to shine a light at the end of the tunnel.”
King ISO
VIP includes early entry, meet and greet, signed poster and picture with the tour package
Congress The Band
Congress The Band is one of the Southeast’s most exciting emerging rock acts bring a new wave of rock music out of the Carolinas. Based in Charleston, South Carolina, the band has built a fast-growing reputation for turning every stage – whether a packed venue, a college town, or a full festival field into an all-out rager. With vocals from William Bennett, guitar work from Daniel Guy and Lukas Mishustin, locked-in grooves from Rob Farmer on bass, and explosive drums from Jett Seawell, Congress delivers a dynamic performance that feels both modern and timeless. Their music pulls from indie rock, Americana, and classic Southern roots, creating an anthemic sound that resonates across generations. In just a short time, Congress has grown from a local Charleston favorite into a regional touring force. Selling out venues from Athens to Charlotte to Chicago to New York City. The concerts have become known for heartfelt crowd connections, big-chorus singalongs, and a level of passion that leaves audiences lined up hours before each show After releasing their debut record, Wasted While I’m Young, Congress The Band has continued to build a loyal following on the road. With a packed touring schedule and no signs of slowing down, the band is poised for their biggest year yet.