EXHUMED
EXHUMED – metal / brutal death metal / death metal / deathgrind /goregrind from San Jose, CAhttps://exhumed.bandcamp.com/JARHEAD FERTILIZER – death metal / grindcore from Ocean City, MDhttps://jarheadfertilizeroc.bandcamp.com/SAVAGE MASTER – satanic heavy metal Louisville, KY https://savagemasterofficial.bandcamp.com/ MOLDER – Pus riddled death metal from Joliet, ILhttps://molderil.bandcamp.com/ TRAFFIC DEATH – Violent punk crossover from Des Moineshttps://trafficdeath.bandcamp.com/music
Up In Irons: A Tribute To Iron Maiden
Bright Eyes
Bright Eyes has partnered with PLUS1 so that $1 per ticket goes to supporting the Poison Oak Project, and their work advancing equity for LGBTQ+ people, with a particular focus on supporting the trans community. Bright Eyes began in 1995 in an Omaha basement as a recording moniker for a then 15-year old Conor Oberst’s work with producer/multi-instrumentalist Mike Mogis. Mogis and composer/arranger/multi-instrumentalist Nate Walcott became fully fledged members in 2006. Over the last two-plus decades, as Bright Eyes has released one after another time capsule LP’s – urgent dispatches from transcendent, fleeting eras of our collective lives – they’ve also simultaneously been assembling a robust, mature, narratively cohesive discography. Bright Eyes’ impact and influence has been significant throughout pop-culture, appearing in countless films and television shows, their songs covered by dozens of artists including Lorde, The Killers, Mac Miller, Phoebe Bridgers, Jason Mraz and beabadoobee, and sampled by rappers like Young Thug and Lil Peep. ​For a band that’s often been perceived as an outlier, the depth, breadth, and impact of the Bright Eyes canon is remarkable.
Gay Cum Daddies
Emily Raff
Graham Hunt & Prize Horse
Graham Hunt can’t stop making records. Since 2019, the Madison, WI-based songwriter has been amassing a dense catalog of singular music at a pace rivaled only by the quality of the output itself. Now already on his sixth album, American Pyramid, Hunt pushed himself out of his comfort zones, eschewing the homespun, computer-oriented explorations of his previous work and instead entering Minnesota’s legendary Pachyderm Studio with an eight-piece band to try and capture a different side of his boundless creativity. The result is an album that stretches out musically and lyrically, with Hunt using his surrealist spin to dissect both the traditions of American indie rock as well as the unnerving detachment of the American experience itself. American Pyramid arrives barely a year after Hunt’s 2025 album, Timeless World Forever, the final release in a trilogy of records and a capstone on a significant part of his life. “I knew I was going to be moving from this house where the home studio is, so I gave myself the limitation of making those three albums that specific way, and then I knew I’d do something different,” he explains. “Part of me felt like I could live in that house and make an infinite amount of records there with the same process forever, but for a long time I’d also had this vision for tracking an album live with a band in a studio–I knew that’s how I wanted to make the next record even before I wrote any songs for it.” Hunt’s innate creative restlessness has always served him well but it wasn’t enough to simply record the songs with a group rather than alone: he even self-imposed limitations on the writing process itself, choosing to avoid demoing on the computer or even fleshing out the songs beyond simple iphone voice memos. “I wanted to keep it to just chords and melody and then figure out the rest with a group of people in a live room studio setting, I just hadn’t done it like that in a very long time.” And this would be no ordinary live band, instead a group of eight fellow multi-instrumentalists, each an impressive creative in their own right, all assembled to help Hunt see his vision through. “I was thinking about all the people who have played in my band in all its different iterations over the years, and I just wanted to try and get as many of them involved as possible,” he explains. “We only did two rehearsals before we went into the studio and everyone ended up swapping instruments and changing roles throughout recording. That sort of helped to recreate some of the feeling of what I do when I’m making music with the computer, but executed with a full band.” — Minneapolis’ Prize Horse make “a fuzzy, dreamy form of alt-rock that manages to be heavy and spaced-out at the same time” (Stereogum). The trio’s debut album, Under Sound, embarks their musical evolution which takes flight with ethereal, fuzz-laden tones departing from the grittier layers of their previous 2021 Welder EP.
Bayway
Exhorder
Formed in 1986, Exhorder’s journey has proven exciting, yet tumultuous. Fraught with euphoric peaks and crippling valleys throughout its existence, the band debuted that summer with the do-it-yourself demo recording, “Get Rude”. Swiftly building a strong local following in the New Orleans punk rock scene, Exhorder entered a legitimate 24 track studio in 1987 and crafted their controversial classic demo, “Slaughter In The Vatican”. However, as fate would have it, the band broke up for the first time in early 1988 due to internal struggles. A reformation ensued later that year, and Exhorder set out once again to pursue its vision. The band soon signed with Mean Machine Records, but the label dissolved before the band’s debut could be completed. Following a series of lineup shifts, a second full-length entitled “The Law”, and multiple hiatuses, the band finally relaunched itself in 2017. In the years that followed the relaunch of the band, Exhorder has toured extensively in both the United States and Europe. The reputation the band has carried as a force onstage continues to grow. With a new release in association with Nuclear Blast completed and was released in 2024, Exhorder are plotting another busy year performing worldwide.https://www.exhorder.com/ No/Más – hardcore / crust / grindcore from DC Phantom (Phantom G.D.L) is a young band from Guadalajara, Mexico, that has quickly established itself as one of the most solid and promising acts in Latin American metal. Their sound, rooted in relentless speed/thrash metal and a dark aesthetic, has allowed them to connect with international audiences and gain increasing recognition within the global scene. Intoxicated -Thrash/death metal from FL
Pink Fuzz
Pink Fuzz – Pink Fuzz is a brother/sister led three-piece out of Denver made up of singer/guitarist John Demitro, singer/bassist LuLu Demitro.https://pinkfuzz.bandcamp.com/
Gimme Gimme Disco
THIS EVENT IS AGES 18+ If you can’t get enough of ABBA, boy do we have THE dance party for you! We are a DJ based dance party playing all your favorite ABBA tracks, plus plenty of other disco hits from the 70s & 80’s like The Bee Gees, Donna Summer, Cher, & so much more. So honey honey, take-a-chance and you’ll be dancing all night long. Grab tickets, put on your best disco attire, bring your friends, and have the best night of your life!