Trixie Phillips’ Food & Drink Burlesque Bash
VIP tickets are the best seats in the house with a guaranteed table and seat; this tier also includes raffle tickets. GA is in the back of the house with limited available seating; seating is first come, first served. Join Trixie Phillips’ for her celebration of all things food and drinks related at Trixie Phillips’ Food & Drink Burlesque Bash! This evening will be featuring an array of burlesque artists showcasing their favorite food and drink acts! Join us for a night full of fun and debauchery all themed around the nectars of life. Want to join in on the fun? Come dressed as your favorite food or drink!
NOFX (performed by the Shidiots) + Misfits (performed by Psycho 78)
A special night of punk music!! The Shidiots will perform a full set of NOFX tunes while Psycho 78 does their best Misfits impersonation!! Also, the Sweaty Bettys make their punk rock debut!! The Shidiots:https://www.instagram.com/theshidiots/ Psycho 78:https://www.instagram.com/psycho78_sfsd/ The Sweaty Bettys:https://www.instagram.com/thesweatybettys402
COHEED AND CAMBRIA
MAGE VIP INCLUDES: o Meet and greet with full band o Pro Photo with full band o Early Entry – 1 hour before doors o 1 song performance from Coheed members o Exclusive Cassette Copy of Entities EP Demos o MAGES VIP Laminate and Lanyard o Exclusive Lapel collector Pin o Early access to artist merchandise PRISE VIP INCLUDES: o Early Entry – 30 mins before doors o PRISE VIP laminate and lanyard o 1 song exclusive performance from Coheed members o Early access to artist merchandise Ten albums in, something changed for Coheed and Cambria. As singer, guitarist, and master storyteller Claudio Sanchez began plotting out the sci-fi-inspired New York prog legends’ latest, The Father of Make Believe, he found himself writing more directly about his life and, especially, his career. Amid the wailing guitars, cracking drums, and Sanchez’ powerful voice — centering listeners throughout moments placid and pinwheeling — Coheed devotees will still find plenty of character work and references to the lore. But if you’re new here, there’s no homework required to feel our host’s hopes, fears, battles, and triumphs. Of course, you may get drawn in anyway. Coheed — which includes Travis Stever (lead guitar), Josh Eppard (drums), and Zach Cooper (bass) — emerged in the early 2000s wedged between an emo renaissance and a metal revival. While their peers broke hearts and banged heads, they crafted Game of Thrones-level fantasies around their Amory Wars storyline, which unfurls across 78 planets known as Heaven’s Fence. Eight of the band’s albums thus far (plus a small galaxy of comics and novels) live in this space and so does The Father of Make Believe. It’s just that the sky is cracking, revealing the hand behind the scene. In the past, says Sanchez, “I’ve kept the struggles of my life private. When I can’t express myself in words, I express in worlds.” And yet, as he assumes the role of main character, Coheed are yet again finding new ways to bring us into their universe.
Squirrel Flower
Fly off the handle bohemiennes~ the Squirrel Flower Express is coming your way. Ella Williams returns for her first full band headlining tour in 2 years!!
Pokey LaFarge
For two decades, Pokey LaFarge has walked his own effortlessly cool road as an exceptionally iconoclastic troubadour – forthright, genuine, and markedly keen to put it all out there. Rent Money now sees him pushing forward yet again in what can be safely declared his finest collection to date, both as an heartfelt expression of personal experience and as no-nonsense social commentary. With its twanging guitars, plucky rhythms, and undeniably captivating melodies, the album soars and swings, its joyous refrains belying the inescapable undercurrent of constant worry and angst that permeates these troubled times. As always, the Illinois native deftly traverses the genre boundaries, seamlessly integrating the myriad strains of 20th-century American music with a freewheeling command of earnest songcraft, inspired performance, and subversive creativity. Rent Money stands tall as an indisputable high-water mark for Pokey LaFarge – a defining collection from a one-of-a-kind artist of rare ingenuity and uncommon candor, now as ever, determinedly crafting a sure-footed brand of deeply human music all his own. “People are always going to tell you what they think you should play,” says Pokey LaFarge, “what you should sing about, how you should sound, how you should look, how you should act. And I’ve always just been like, nah. Nope. I’ve just completely gone my own way, and hopefully I’ve been honest and authentic in the process. “I’m just trying to make music that AI can’t replicate. Things are so homogenized right now. That’s what I’m really, really, really resistant to, especially when it comes to music. I’m not going to do it. I’m not going to conform.”
Indigenous
Born and raised on the Yankton Sioux Reservation in South Dakota, Indigenous front man Mato Nanji (Ma-TOE NON-gee) dedicates his latest release Time Is Coming (on Blues Bureau International) to the indigenous youth and all young people on the indigenous reservations. Mato Nanji’s father, the late Greg Zephier, Sr., was a well-known and highly respected spiritual advisor and spokesperson for the International Indian Treaty Council. In addition to this leadership role, he was an accomplished musician and a member of the musical group, The Vanishing Americans. Formed by Greg and his brothers in the ‘60’s, The Vanishing Americans toured nationally and shared bills with such legends as Bonnie Raitt. Besides being heavily influenced by the music his father and uncles were making, Mato was exposed to Greg’s vast collection of blues records by legendary artists such as Jimi Hendrix, Stevie Ray Vaughan and B.B. King. Consequently, Mato embraced and began utilizing his own musical talent at a young age. With the experience, love and wisdom of their father to guide them, Mato, his brother, sister and cousin formed the band Indigenous while in their late teens. After much time invested in practicing and building a following, they began touring extensively across the country. In 1998, they released their award winning debut album Things We Do. The title track’s video, directed by Chris Eyre (Smoke Signals), won the American Indian Film Festival Award and was shown at the prestigious Sundance Film Festival. Indigenous’ music caught the attention of blues icon B.B. King and the young band was invited to play on his annual B.B. King’s Blues Tour in 1999. Sadly, Mr. Zephier would pass away before seeing his children receive this great honor. With momentum gaining, Indigenous’ 2000 sophomore release, Circle, was produced and arranged by Stevie Ray Vaughan’s longtime friend and collaborator, the late Doyle Bramhall, Sr. Three more cds; Fistful of Dirt (2002), Indigenous(2003) and Long Way Home (2005) would follow before the 2006 decision by the siblings to ‘disband’ and pursue their own musical paths but Mato carried on with the Indigenous band name. “Playing with my family for 10 years was a lot of fun, but it was time to grow and keep moving forward.” Ultimately, Mato dedicates Time Is Coming, to the Indigenous youth and all young people on the Indigenous reservations. Of the song says Nanji; “still to this day, the struggle continues to just live in peace. Growing up here on the reservation I’ve seen a lot of broken families…broken homes. I feel our families’ “Tiospaye” are the core of what makes us who we are. Now family and its meaning is not as strong as it used to be for our people…almost non-existent. So I send my heart and soul out to the indigenous children having a tough time in their lives and in their homes. This record is inspired by them and made in their honor. I hope for the best for all. Tomorrow is another day.” Touring in support of Time Is Coming in the summer of 2014, Mato Nanji would once again call on Levi, Douglas and Bronson to hit the road with him. This time, though, would be different. They would be onstage as Indigenous’ rhythm section; Mato and Levi trading leads and solos while Bronson and Douglas provided the strong, stable rhythmic foundation that allowed the two guitarists to ‘tear it up’. As the band made its way across the east coast, the after show buzz was audible. The incendiary chemistry of Mato Nanji, Levi Platero, Bronson Begay and Douglas Platero innate. They are Indigenous.
DAKOTA + ANNALIESE
Bingo Loco
THIS EVENT IS 21+ ⭐ Bingo Loco – The Wildest Bingo Party in Omaha ! Looking for the most outrageous bingo party in the USA or the top-rated bingo show in Canada? Welcome to Bingo Loco, the interactive live event that’s taken North America by storm. We’ve turned traditional bingo on its head—this is a full-blown party rave with DJs, dance-offs, lip-sync battles, confetti showers, and wild prizes you won’t believe. 🔥 Highlights 🌍 Global Hit: After selling out in over 200 cities worldwide, Bingo Loco lands in Omaha for one of its biggest nights yet. 🕺 Insane Energy: High-octane stage show with rave rounds, dance battles, DJs, and confetti explosions. 🎁 Crazy Prizes: From Vegas trips to air fryers, inflatable flamingos, and more. 🎶 Epic Throwbacks: 80s, 90s, and 00s hits—from ABBA to Britney Spears. 😂 Comedian MCs: Hosts bringing nonstop laughs and energy. 📍 General Info ⏳ Duration: Approx. 2.5 hours 📌 Location: The Admiral 👤 Age Limit: 21+ (ID required) ⚠️ Disclaimer: May contain adult content ♿ Accessibility: Contact venue for options 🪑 Seating: Seating: First come, first served. Get your squad together and arrive early to claim the best seats in the house. Each table seats 8-10, so be friendly and make room for others!
Acid Mothers Temple
Acid Mothers Temple – The sprawling universe that is Acid Mothers Temple was formed in 1995 by Kawabata Makoto. Originally titled the Acid Mothers Temple & The Melting Paraiso UFO, the music group is a soul-collective and encompasses musicians, dancers, artists, farmers, channellers, ex-yakuza, mermaid researchers and professional vagrants, the collective has always had at its core a dedication to improvised music. Now with a history of over two decades, and a discography of over one hundred releases (which is not to mention the numerous solo and side-project releases which encompass everything from drone, acid-folk, acapella, to minimalist composition) the group show no signs of relenting in the pace of their creative energy!https://acidmotherstemples.bandcamp.com/Magick Potion – loud psychedelic acid rock from Baltimore, MDhttps://magickpotionband.bandcamp.com/
Taylor Fest
