Genre: Concerts

Hardcore Homecoming

Featuring Emo Kids Club, an Omaha Native emo tribute band covering, emo, pop punk, and hardcore classics. With local support from Neo Sol and Petty Beige! Formal attire is highly encouraged but not required!   Doors open and 7pm and Show Starts at 8pm! $10 Advance and $16 DOS. All ages!   Sponsored By The other Atlas Tattoos And Decent Dogs which will be serving hotdogs outside during the event!

Mike Baggetta & Eli Winter

Each show features solo sets from each artist, with special guests, throughout The South & Midwest this November. Join us for an intimate night of new songs and new sounds. _____   About Mike Baggetta:   “Mike Baggetta is a player of immense subtlety across all dimensions, working with an impressive palette of tones … distilling Robert Fripp’s loopscapes with hints of John Fahey.” -The Wire, UK   “…A terrific player, capable of weirdly elegant fretwork, shivery Tom Verlaine-esque tones, freeform freakouts and crunchy fuzz, shifting from one zone to another with a naturalness and ease.” -Aquarium Drunkard     About Eli Winter:    “Here, the Chicago-based wunderkind—an accomplished writer with storytelling bonafides beyond the guitar—merges the mythos of his native Texas with jazzy, explosive bombast, like a cowboy on DMT.” — Pitchfork   “Eli Winter’s second turn as bandleader unfolds like a sky bleeding exhaust fumes, alternating pedal steel waltzes and jazz-burnt fuzz bombs. The record starts with an ecstatic riff on a Don Cherry and Ed Blackwell tune and doesn’t really let off the gas.” — NPR

Patrick Wolf

Patrick Wolf released his first E.P. at the age of 19, a groundbreaking debut of classical, folk, and electronic music that set the pace for a stellar decade, releasing seven self-produced and solely written albums and performing multiple laps around the globe on tour, amassing an ever-growing and dedicated, spellbound audience. A viola, piano, dulcimer, harp, lyre, and tenor guitar player, Patrick’s decade of critically acclaimed work, touring, joining Patti Smith’s band, collaborations with Florence Welch, Marianne Faithful, Angelo Badalamenti, and rapid, stellar ascent led to a sudden retreat from the industry where a decade of personal trial ended with a renaissance and reconnection with his work and vocation, documented in a feature film biopic documentary slated for release at the end of this year, executive produced by Tilda Swinton. Last year, he released his seventh album “Crying the Neck”, an end-of-summer folkloric odyssey set in the landscape at the end of the East of England where Wolf lives and works. The album’s success brought him back to his North American audiences; for his first tour in over 13 years, he embarked on a ten-week tour driving himself from east to west coast, where he discovered not only his fanbase had been waiting all that time, but a brand new one had grown in his absence in the States. The success of last year’s tour brings Patrick back to North America this year with “The Tour of the Beast”, this time an extensive East to West coast and back again routing with a coinciding 7” single and release campaign, launching two new songs to the States and ringing in the next era of Patrick Wolf. The first, a bombastic harpsichord banger and outsider anthem “The Beast”, partly inspired by conversations had in the meet-and-greets of last year’s tour and a hymn of solace, initially written as a response to Camus’s “The Myth of Sisyphus”, a lyre and vocal lullaby called “The Laughing Dove”.

DOOM GONG

Formed in 2022 in Louisville, Kentucky, U.S.A. by 7 music school nerds, DOOM GONG has made a name for themselves internationally with their own home-baked genre, Denim Psych – a hodgepodge of psychedelic rock, jazz fusion, prog rock, bedroom pop, lo-fi, contemporary classical music, as well as blood, sweat, and a lot of denim.  Having amassed a catalogue of 3 rock opera-esque LP’s (DOOM GONG, Dream Behemoth and MEGAGONG) and 1 Live album (Live at the Whirling Tiger) in only 3 years, DOOM GONG has quickly become a mainstay of the psych scene in the U.S. and abroad, having performed their enigmatic and seamless live shows alongside the likes of Amyl and the Sniffers, The Black Angels, BADBADNOTGOOD, Allah Las, King Buffalo, Bass Drum of Death, Death Valley Girls, HOLY WAVE, among many others. The denim assemblage also performs at many national and regional festivals across the continent including Treefort Music Fest (US), Sled Island (CAN), Offbeat Music Fest (US),  Purple City Music Festival (CAN), Big Stomp (US) Back Alley Ballyhoo (US), Swampfest (CAN), Expansion Psychedelic Festival (US), Moonshiners Ball (US), and Jorts Fest (US). With another 6 albums in the chamber, a European tour coming summer of 2026 and the rest of the world soon after; DOOM GONG isn’t done yet, not by a long shot. THE GONG RINGS ON

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