Lucero
Celebrating 20 years of “Nobody’s Darlings”, Lucero will play the album in its entirety followed by a set of songs from the band’s catalog. It would be difficult to find a band that is more self-aware than longtime touring band Lucero. Since forming in Memphis in the late 90’s, Lucero’s base musical hallmarks have remained similar to the band’s initial sound established with their first record The Attic Tapes. In the history of their expansive discography, Lucero has evolved and embraced everything from southern rock to Stax-inspired Memphis soul, whilst simultaneously maintaining their distinctive sonic foundations. Years later, dedicated fans of the group still flock to hear the band’s punchy driving rhythms, punk-rooted guitar licks, and lyrics that evoke the whiskey drenched sentimentality of Americana singer-songwriters.
VALGUR
Valgur es un duo musical y performático conformado por los hermanos Elizabeth y Hugo Valdivieso (Oaxaca, México). En su obra se plantean narrativas que se desprenden del realismo mágico y la ciencia ficción. – Valgur is a musical and performance duo made up of siblings Elizabeth and Hugo Valdivieso (Oaxaca, Mexico). Their work presents narratives inspired by magical realism and science fiction.
No Resolve
Award-winning active rockers NO RESOLVE covered a potent single for the 2021 ongoing pandemic that offers solace for anyone struggling with hard times. NO RESOLVE signed a 2020 multi-album deal with Noise Machine with “Never Back Down” as the first release. Grammy-nominated, platinum-selling producers B.J. Perry and John Pregler head the label. NO RESOLVE’s modern rock with grunge roots takes influence from bands including Papa Roach and Three Days Grace. In recent years, the band has grown hugely. The quintet has numerous accolades: Their latest feature with State Of Mine went to #1 on Billboard Hot Hard Rock Songs, SiriusXM’s Octane had “Never Back Down” in full rotation, while terrestrial radio drove multiple singles to the top 50 on the Active Rock Charts; NO RESOLVE has 35+ million streams and over 400,000 monthly listeners on Spotify. NO RESOLVE first scored with the 2012 EP A New Beginning, then dropped 2013’s “Get Me Out,” which the Detroit Red Wings played during playoff games. “Get Me Out” has 150 million-plus plays on YouTube. Their first full-length, Unity, dropped in 2017 with the hot singles “Love Me To Death” and “What You Deserve.” Unity debuted at #45 on the iTunes Rock chart; #10 on Billboard’s Heatseeker chart and was highlighted on Amazon’s Hot New Releases. Expect NO RESOLVE’S anticipated new music in 2022.
WRATH
THIS PERFORMANCE IS AGES 18+ A Night of Rock Bands & Dubstep DJs METEORIK and THE SILENT FLAME WITHIN present: WRATH an explosive night where the energy of live rock collides with the raw power of dubstep. This is more than just a concert. It’s a full-scale sonic storm designed to shake the ground beneath your feet and ignite the crowd into pure chaos. The Rock Feel the surge of adrenaline as hard-hitting rock bands take the stage with shredding guitar riffs, thunderous drums, and commanding vocals. They’ll set the tone with pure, unfiltered energy that lights the fire for the night ahead. The Bass When the guitars fade, the dubstep DJs step in to push the energy into overdrive. Expect filthy bass drops, spine-crushing wubs, and relentless beats that turn the floor into a war zone of sound and movement. The Collision What happens when these two worlds collide? WRATH. One night, one stage, two unstoppable forces. This isn’t about choosing between rock or bass it’s about experiencing both at maximum intensity, back-to-back, all night long.
SHLUMP
THIS PERFORMANCE IS AGES 18+ Michael Petzel aka Shlump grew up in California’s Bay Area, learning the guitar at age 9 and falling in love with music at first through the energy of metal and punk. Developing a taste for electronic music in high school via Aphex Twin, Squarepusher, and Warp Records, he began to jump into music production, combining drum loops with recordings of his guitar. After being blown away the sub bass in his intro to dubstep, Coki and Cluekid’s “Sensi Dub”, and experiencing his first west coast electronic music festivals, Michael’s love for bass music bloomed and he began to to develop his signature sounds as he dedicated himself to his music career. Infusing elements of classic dubstep with west coast flavor with otherwordly sound design, Shlump has pioneered his unique “Alien Bass” sound, creating a vibrant galaxy of bass filled with forward thinking nuance and massive waves of low end. His live sets take audiences across the continent on a psychedelic spaceship ride through Shlump’s universe, visiting high energy devastating supernovas of bass and voyaging into depeer realms filled with the cosmic twinkle of sonic stardust. Shlump has abducted the ears of a wide range of electronic music fans with releases on Wakaan, Deadbeats, Circus Records, Deep Dark & Dangerous, along with collaborations with and remixes for artists such as Liquid Stranger, LSDream, and Doctor P. He has showcased his Alien Bass sound at festival stages such as Lollapalooza, Bonnaroo, Shambhala, Bass Canyon, and many more. While at home, Shlump enjoys skateboarding, hiking, and spending time with his kittens and family In between exploring the auditory mysteries of outer space.
Dean Johnson
With I Hope We Can Still Be Friends, his debut for Saddle Creek, Dean Johnson makes a pact with the listener: He will sing you his truth in the most heartfelt and charming way possible, if you promise to keep an open mind. The title partly stems from the playful way the Seattle-based singer, songwriter and guitarist communes with his audiences at concerts. “I hope you’re not afraid to talk to me after the show,” he’ll say, sweetly, before launching into “Death of the Party,” the album’s seventh song. Centered on the “energy vampire” archetype — the exasperating windbag we’ve all encountered at some point — its lyrics are at once intellectually biting and unmistakably hilarious. His tender voice rings out like the ghost of Roy Orbison or a misfit Everly brother. Johnson spent years tending bar at Al’s Tavern in Seattle’s Wallingford neighborhood. There, he encountered folks of all stripes; and regulars enthusiastically murmured about his budding musical greatness — There’s the best songwriter in town! Johnson was a kind of local lore, a long-held family secret, before the singer finally broke out in 2023 with his debut album, Nothing For Me Please, at age 50. I Hope We Can Still Be Friends is essentially an anthology that bridges Johnson’s earliest days as a songwriter with his present-day outlook and abilities. There are songs that have been in his setlists for years, and others that will be new to fans. Each of its 11 tracks contains jocular social commentary or lovingly rendered affairs of the heart. The album’s songs about love and relationships offer another way to interpret its title: as a parting thought to an ex. Like all of Johnson’s cable-knit writing, the title is a clever banner for the album’s dual nature, the thing that binds its tragedy and comedy masks. Johnson explains that he didn’t set out to make a concept album. It’s a coincidence that about half of the album’s songs are a bit sardonic, and the other half are more lighthearted. I Hope We Can Still Be Friends floats in a liminal plane between timely and timeless, its minimalist instrumentation elevating Johnson’s affecting voice to new heights. Recorded at Unknown Studio in Anacortes, Washington, the record was produced by Sera Cahoone — the Seattle-based singer-songwriter Johnson describes as a “soulmate sibling.” Overdubbing took place at Seattle’s Crackle & Pop! For the sessions, Johnson assembled a small band of friends including Abbey Blackwell (bass, backing vocals), multi-instrumentalist Sam Peterson and Cahoone (drums, backing vocals), who created a familial tone on the already intimate album. I Hope We Can Still Be Friends, with its sharp observations and stirring personal insights, holds space for both intense reflection and emotional release. You may laugh, or cry or both. In this sense, the album is powerful medicine — a way to both expose yourself to and inoculate yourself against the ugly, absurd, existential and heartbreaking. At its core rests a basic truth that is often difficult to remember or accept: Happiness wouldn’t exist without sadness as its counterpart. On his uncanny ability to so clearly see and then encapsulate humanity in all its messy glory, Johnson offers this core memory, drawn from his childhood on Camano Island in the Puget Sound. “I was raised on a bluff,” he says. “I’m not trying to make it sound dramatic, but I did have a sweeping view.”
The Toasters
Dropkick Murphys
Dropkick Murphys Early Entry Package Includes: • One Premium Balcony or General Admission ticket • Early entry into the venue • Collectible Dropkick Murphys trading card • DKM St. Patrick’s koozie • Dropkick Murphys tote bag • Exclusive merchandise item • Commemorative tour laminate & lanyard • Priority merchandise shopping • A portion of your purchase will benefit the Claddagh Fund https://www.claddaghfund.org Dropkick Murphys proudly remain Boston’s rock ‘n’ roll underdogs turned champions. Since 1996, the boys have created the kind of music that’s meant to be chanted at last call, in packed arenas, and during the fourth quarter, third period, or ninth inning of a comeback rally. Their celebrated discography includes four consecutive Billboard top 10 album debuts (Turn Up That Dial, 11 Short Stories Of Pain & Glory, Signed and Sealed in Blood, Going Out In Style), along with 2005’s Certified-Gold album The Warrior’s Code featuring the double platinum classic “I’m Shipping Up To Boston.” Whether you caught a legendary gig at The Rathskeller (The Rat) under Kenmore Square, found the band by taking the T to Newbury Comics to cop Do Or Die in ’98, discovered them in Martin Scorsese’s Academy Award winning The Departed, or saw ‘em throw down at Coachella (or one of hundreds of other festivals), you’ve become a part of their extended family. Dropkick Murphys’ music has generated half-a-billion streams, they’ve quietly moved 8 million-plus units worldwide and the band has sold out gigs on multiple continents. Dropkick Murphys’ official charity, The Claddagh Fund, has raised millions to support non-profit organizations that are focused on children, veterans and addiction recovery. In 2020, the band was one of the first to embrace streaming performances, starting with their Streaming Up From Boston St. Patrick’s Day virtual performance. It was followed by their landmark Streaming Outta Fenway livestream, which drew more than 5.9 million viewers and held the #3 spot on Pollstar’s “Top 2020 Live Streams” chart. Dropkick Murphys St. Patrick’s Day Stream 2021…Still Locked Down, was #1 on Pollstar’s Livestream chart for the week ending March 22, 2021, logging over 1 million views. Dropkick Murphys returned in 2022 with their first-ever all-acoustic album, This Machine Still Kills Fascists (Dummy Luck Music / Play It Again Sam), and seated theater tour. This Machine Still Kills Fascists–and their follow-up album Okemah Rising–breathe musical life into mostly unpublished lyrics by the legendary Woody Guthrie, curated for the band by Woody’s daughter Nora Guthrie. Dropkick Murphys’ new album For The People rises to its moment: an expression of humanity at a time of relentless dehumanization, a promise of hope in an era fueled by fear-mongering, a declaration of solidarity in an age of disunion, a defiant rebuttal to the charlatans and demagogues who seek to divide us for their own power and profit.
WEEPING
Stigmata Martyr: A Tribute to Bauhaus
