Housewares
Dragged Into Sunlight
In a world where everyone knows everything, Dragged Into Sunlight evoke intrigue and mystery.Since 2006, Dragged Into Sunlight have built a reputation for their dark, atmospheric, and often disturbing sound, combining heavy, pulverising riffs with raw, abrasive vocals and intricate arrangements. The collective explore themes of violence, despair, and the macabre, blending the extremity of black metal’s dissonance with the weighty,oppressive spirit of doom. Their compositions are best characterised by a relentless,chaotic atmosphere, often eschewing traditional death metal song structures in favour of long, immersive tracks that defy genre standards.Dragged Into Sunlight’s sonic warfare is accompanied by an equally obscure and mystifying live performance, delivering striking, minimalist visual aesthetics in the cover of darkness. The band’s enigmatic and ritualistic approach to their stage presence further enhances their dynamic sound. https://draggedintosunlight.bandcamp.com/ Mizmor Mizmor is a one-person heavy music project that started in 2012 as a way to express the mental and spiritual anguish of A.L.N., the project’s creator. The project is a fusion of black metal and doom metal that explores existential themes such as purpose, cause, self, and god. The content comes from a broken, confused, and embittered heart, and is a fight for survival when reason and foundation have crumbled. A.L.N. began writing Mizmor while losing his faith in Christianity, which had been a paradigm shift that left him feeling ruined. For example, the song “Inertia, an Ill Compeller” from 2016 was written during a time when A.L.N. felt ideologically ambiguous and was questioning whether being alive was enough. https://mizmor.bandcamp.com/ meth. – powerviolence / black metal / screamo from Chicago https://methil.bandcamp.com/ Living Conditions – punk / hardcore / post-hardcore / screamo from Omaha https://livingconditions.bandcamp.com/ Amolador – Death Metal from Lincoln, NE
American Aquarium
For nearly two decades, American Aquarium have pushed toward that rare form of rock-and-roll that’s revelatory in every sense. “For us the sweet spot is when you’ve got a rock band that makes you scream along to every word, and it’s not until you’re coming down at three a.m. that you realize those words are saying something real about your life,” says frontman BJ Barham. “That’s what made us fall in love with music in the first place, and that’s the goal in everything we do.” On their new album The Fear of Standing Still, the North Carolina-bred band embody that dynamic with more intensity than ever before, endlessly matching their gritty breed of country-rock with Barham’s bravest and most incisive songwriting to date. As he reflects on matters both personal and sociocultural—e.g., the complexity of Southern identity, the intersection of generational trauma and the dismantling of reproductive rights—American Aquarium instill every moment of The Fear of Standing Still with equal parts unbridled spirit and illuminating empathy. Recorded live at the legendary Sunset Sound in Los Angeles, The Fear of Standing Still marks American Aquarium’s second outing with producer Shooter Jennings—a three-time Grammy winner who also helmed production on 2020’s critically lauded Lamentations, as well as albums from the likes of Brandi Carlile and Tanya Tucker. In a departure from the stripped-down subtlety of 2022’s Chicamacomico (a largely acoustic rumination on grief), the band’s tenth studio LP piles on plenty of explosive riffs and hard-charging rhythms, bringing a visceral energy to the most nuanced and poetic of lyrics. While American Aquarium bring a lived-in intimacy to all of The Fear of Standing Still, songs like “Cherokee Purples” encompass a particularly tender emotionality. A wistful reminiscence of all the charmed and wild summers of Barham’s youth, the track unfolds in so many gorgeously detailed images (kudzu vines and fireflies, menthol cigarettes and Big League Chew), each rendered with a loving specificity that lingers in the listener’s heart. “‘Cherokee Purples’ came from me making a tomato sandwich in my kitchen, and immediately getting taken back to all the summer days when we’d get dropped off at my grandmother’s so my parents could go to work,” says Barham. “It’s crazy how something as simple as a tomato sandwich with Duke’s Mayonnaise can take me to a whole other world, but to me it’s almost like a talisman of where I’m from and how I was raised.” Meanwhile, on “The Curse of Growing Old,” American Aquarium look to the other end of the life spectrum, conjuring a life-affirming mood despite the song’s excruciating honesty. For Barham, the sharing of hard truths is indelibly tied to his sense of devotion to American Aquarium’s audience—and to his belief in rock-and-roll as a singularly unifying force. “All I really want to do is put words to the emotions that most people have a difficult time expressing on their own,” he reveals. “No matter what that emotion is, when you put it into a song and then get to those moments when a whole bunch of people are singing that song all together, it makes you see that you’re part of something bigger than you ever realized. That’s when you can really affect people’s lives, and to me this record is another stepping stone to making that a reality.”
Escape From the Zoo
Escape From the ZooIt’s very rare to find music that makes you think, feel and want to mosh simultaneously, but with Countin’ Cards, Escape From The Zoo has struck the perfect balance between all three. It’s something that the band – the louder, faster, punk project that Days N’ Daze’s Jesse Sendejas co-founded with his wife Veronica – has always done, but never quite to this extent. Much of that is down to the circumstances that led up to the recording of these nine songs – most obviously a global pandemic that allowed for intense self-reflection. That was true for both Sendejas and We The Heathens’ Elliot Lozier, who recorded this album and played bass and drums on it. https://escapefromthezoo.bandcamp.com/ Hans Gruber & the Die Hards Hans Gruber and the Die Hards brand of punk/ska mashes genres together like a toddler eating chocolate cake – with messy intensity for maximum enjoyment. From Boston hardcore to Colombian cumbia, southern gospel to crossover thrash, their live shows are filled with pits, sock puppets, conga lines and confusion – if you are nihilistic enough to jump in feet first. https://hansgruberandthediehards.bandcamp.com/ The MorayFolk-Punk / Protest Folk / Riot Folk / Outlaw Music from Tacoma, WA. https://themoray.bandcamp.com/
Daft Disko
Join us for a night of French House and disco, inspired by the music of:Daft Punk ⋅ Stardust ⋅ Breakbot ⋅ Flight Facilities ⋅ Giorgio Moroder ⋅ Modjo ⋅ Chic ⋅ Purple Disco Machine ⋅ Cassius ⋅ Todd Terje ⋅ Disclosure ⋅ Phoenix ⋅ Soulwax ⋅ Parcels ⋅ Kavinsky ⋅ Mr. Oizo ⋅ Myd ⋅ Fred Falke ⋅ Vitalic ⋅ Le Knight Club ⋅ Justice ⋅ DJ Falcon ⋅ Le Knight Club ⋅ The Bucketheads * Crydamoure Records & More
Heart Attack Man
Most of us fear death, while a small number of us pay no mind to it. Nevertheless, none of us will outrun it. In this respect, it unites us. Exploring our existential fate, Heart Attack Man ponder not just death, but life in between the crunch of palm-muted pop-punk guitar chords and snappy hooks you just can’t shake. As such, the Cleveland, OH trio—Eric Egan [vocals, guitar], Adam Paduch [drums], and Ty Sickels [guitar]—stare down fate with an ear-to-ear smile on their fourth full-length LP, Joyride the Pale Horse [Many Hats Distribution]. “No matter what differences we have, everybody dies,” Eric affirms. “For the album, I wanted to approach the process differently and be more poetic in terms of the subject matter. I was riffing on our acute awareness of mortality. However, the sentiment isn’t, ‘I want to die’ or ‘Everyone I know is dead, and I’m so sad’. It’s more complicated. Getting older, you start grappling with the feelings associated with death and how to contemplate life itself. We’re painting a picture of how complex and nuanced our feelings about death can be.” Since emerging in 2014, Heart Attack Man have consistently sharpened their signature style to knife-point precision with clever lyrics as incisive as their airtight songcraft. This sound naturally progressed across Acid Rain EP [2014], The Manson Family [2017], Fake Blood [2019], Thoughts & Prayerz EP [2021], and Freak of Nature [2023]. Of the latter, Cleveland Magazine urged, “expect to find the high-energy, simmering pop-punk stylings that the band has established in the past few years — just, with more input and new flair.” Brooklyn Vegan christened them “a rare band who feel catchy enough for arenas and punk enough for basements all at once,” and OnesToWatch applauded their “enigmatic instrumentation and cutting lyrics.” Along the way, ceaseless touring shored up a devout audience behind them, and they amassed millions of streams. In 2024, the guys opted to reunite with producer Brett Romnes at “The Barbershop” studio in New Jersey. Musically, they nodded to inspirations as diverse as Hum and Failure as well as Type O Negative, Quicksand, and Unwritten Law. Pushing boundaries, they incorporated different time signatures and coated the soundscape with a thick dose of nineties fuzz. “We returned to the Barbershop with a renewed and rejuvenated appreciation for it,” says Eric. “Getting back in with Brett, it was the perfect meeting of the minds. We all stepped up our game. Musically, we tried things we’ve never done before. We understand what being in Heart Attack Man means and how all of this operates. We upped the energy overall too. We just keep figuring out how to make our band better each year.” “When it comes to this band, it feels like everything we’ve done prepared us for this moment,” he leaves off. “We know what we want to do and who we are. We don’t want to know what life looks like without playing music.”
Weedeater
Weedeater are a sludge metal band from Wilmington, North Carolina. Formed in 1996, Weedeater have since released five full-length albums and have performed on multiple tours and festivals around the world. The band is known for their tongue-in-cheek humor, Dixie’s raspy vocals and lyrics based on life experiences, humor and marijuana. https://weedeater.bandcamp.com/music Bask is doom / psychedelic / stoner / sludge from NC https://basknc.bandcamp.com/ Hollow Citizens is a doom / stoner / psychedelic metal band from Lincoln, NE. https://www.facebook.com/hollowcitizens FJ-1 Fury is a early High On Fire worship/cover band from Omaha, NE
Pardyalone
Pardyalone (born as Kalvin Tyler Beal) is a Minnesota-born hip-hop artist with big dreams full of harmonic beats, silvery vocals, and emotional prowess. A 23-year-old lifelong artist, music became a salvation for Pardyalone after his parent’s divorce and heartbreak, leaving him looking for an opportunity to “get uncomfortable.” After finding solace in music, Pardyalone began releasing tracks on Soundcloud and TikTok. Having garnered a fanbase nearing 700k followers on TikTok and millions of views, tracks like “Sincerely, F*ck You”, “Cupid”, and most notably “Not a Home” have cultivated a mass audience of monthly listeners on Spotify. Synthesizer tones are regularly featured on songs like “Addict” and “Inside Out”. At the same time, Pardyalone utilizes piano and soft guitar melodies on “Vampire,” “White Roses,” and “Mission” showcasing his versatility and depth. He weaves his inspirations Bon Iver, Rage Against The Machine, and Lauryn Hill in his lyrics encompassing addiction, love, and heartbreak. Citing how “anxiety and depression isn’t a thing that just goes away, it’s going to be constant,” Pardyalone works through his hardships by “writing about it in different perspectives.” For fans of Kid Laroi, Post Malone, and Juice Wrld, Pardyalone is a rising star who hits their wave of creativity with ease. Pardyalone combines his artistic talents from skateboarding, photography, graphic design, and self-expression to the forefront of his tracks along with his humble upbringing: “I didn’t grow up in the streets,” Pardyalone said. “I went through pessimistic shit and self-inflicted trauma.” Using TikTok to “be a better human,” fans have gravitated to Pardyalone’s velvety vocal fry, heavy cadence, and relatable disposition. The future holds more for Pardyalone like a debut record along with “a lot of diversity” in his music, the likes of rock, pop, and explorative sounds which will be “an opportunity [to show] that I don’t just make sad music,” Pardyalone said. With powerful lyrics and punchy hooks, Pardyalone presents a world where it’s okay to “listen and feel” as the next track begins.
Synth & Soul
Hailing from Omaha, Nebraska, KTE is a singer-songwriter who transforms the intricate thoughts and emotions in her mind into mesmerizing melodies. Best known for her song ‘When Will You Leave?’ KTE has captivated listeners with a sound that seamlessly blends indie pop and indie R&B, she crafts music that is both introspective and deeply relatable. Her ethereal vocals, honest lyricism, and genre-bending production create a sonic landscape that invites listeners into her world—one filled with raw emotion, vulnerability, and self-discovery. — Kayan is an emerging talent from Omaha, Nebraska, with a rich Nepali background, captivating listeners with his unique sound and heartfelt lyrics. Known for his breakout tracks “gogogo” and “idkwhattocallit,” Kayan’s music can be best described as a blend of indie pop, electronic, and alternative R&B. His tracks merge energetic beats with emotive, introspective lyrics, giving him an idiosyncratic sound, seamlessly blending and crossing genres. His music explores themes of self-discovery, love, and the complexities of modern life. “gogogo” showcases his ability to craft high-energy anthems with infectious melodies, while “idkwhattocallit” offers a more introspective look at the complexities of attraction and relationships. Driven by a passion for storytelling, Kayan’s emotive vocals and innovative production sets him apart. His goal is to create timeless music that resonates on a deeper level, transcending trends, and creating distinctive and memorable musical experiences. As he continues to evolve, Kayan is dedicated to pushing boundaries and making a lasting impact on the music industry. — Kethro is a multi-talented artist, equally adept as a Producer, DJ, and Audio Engineer. His live shows have been uncanny as he diligently crafts a new style of Hybrid DJ sets that blend old and new school techniques. His new series of EPs called “The Orhtek series” are set to release under his imprint “Evoleno” in Summer 2025. This imprint represents the dynamic evolution of his enduring passion for Afrofuturism and what he calls “Koyaanisqatsi Techno”.
honestav – SOLD OUT
