*CANCELED* Our Last Night – The Final Tour

Our Last Night was formed in 2004 by brothers Matt and Trevor Wentworth along with childhood friend Tim Molloy. Combining huge melodic choruses, intense breakdowns, and wide ranging vocals they have created their own brand of post-hardcore. Lyrically the band strive to create a message of hope throughout all of their records. With no label and a massive fan base Our Last Night’s DIY approach of self-producing their albums and music videos has become a model for those seeking to make a living doing what they love. Their unique sound and ability to create rock solid covers of todays hits has solidified their success while launching their original music into new realms. Don’t miss them on their 2025 North American Tour – The Double Life Tour !

Keiria Marsha

Hosted by Jus. B Sounds by DJ Devv Feat: Alisa, Ashari and Te’Lia

Tyler Anthony

Nebraska-based singer-songwriter Tyler Anthony delivers a powerful blend of storytelling and melody, crafting songs that feel as lived-in as they are heartfelt. Rooted in raw emotion and real-life experience, his music bridges the gap between soulful Americana, country grit, and rock ‘n’ roll energy. Tyler’s journey as a musician is as authentic as the songs he writes. Raised throwing hay in the Midwest, he found his voice through years of performing, songwriting, and relentless dedication to the craft. His lyrics reflect the highs and lows of love, the lessons of the past, and the path toward redemption—none more personal than his song Wicked Ways, written just days before his wedding as a testament to change, commitment, and lasting love. Known for his dynamic live performances, Tyler has built a reputation for delivering shows that are as electrifying as they are intimate. Whether playing solo or backed by a full band, he brings a raw, no-frills energy to the stage, captivating audiences with his honest lyrics and powerful delivery. His music isn’t just something you listen to—it’s something you feel. With a growing fan base and a sound that stays true to his roots, Tyler Anthony is carving out his own space in the independent music world. Every song is a story, every performance a connection—and for Tyler, that’s what making music is all about.

Emery

Emery is the realest, most relatable band of the era. The undisputed kings of Christian emo have spent two decades creating emotional experiences by blending post-hardcore chaos, melodies, and lyrics that hit way too close to home. They’re the band that makes you scream, cry, and laugh, sometimes all in the same breath. Known for their self-aware humor and ability to turn heartbreak into harmony, and innovative DIY approach, Emery has become a favorite for fans who love music that feels as real and messy as life. Emery keeps it loud, honest, and unapologetically fun. 

Dragged Into Sunlight

In a world where everyone knows everything, Dragged Into Sunlight evoke intrigue and mystery.Since 2006, Dragged Into Sunlight have built a reputation for their dark, atmospheric, and often disturbing sound, combining heavy, pulverising riffs with raw, abrasive vocals and intricate arrangements. The collective explore themes of violence, despair, and the macabre, blending the extremity of black metal’s dissonance with the weighty,oppressive spirit of doom. Their compositions are best characterised by a relentless,chaotic atmosphere, often eschewing traditional death metal song structures in favour of long, immersive tracks that defy genre standards.Dragged Into Sunlight’s sonic warfare is accompanied by an equally obscure and mystifying live performance, delivering striking, minimalist visual aesthetics in the cover of darkness. The band’s enigmatic and ritualistic approach to their stage presence further enhances their dynamic sound. https://draggedintosunlight.bandcamp.com/   Mizmor Mizmor is a one-person heavy music project that started in 2012 as a way to express the mental and spiritual anguish of A.L.N., the project’s creator. The project is a fusion of black metal and doom metal that explores existential themes such as purpose, cause, self, and god. The content comes from a broken, confused, and embittered heart, and is a fight for survival when reason and foundation have crumbled. A.L.N. began writing Mizmor while losing his faith in Christianity, which had been a paradigm shift that left him feeling ruined. For example, the song “Inertia, an Ill Compeller” from 2016 was written during a time when A.L.N. felt ideologically ambiguous and was questioning whether being alive was enough. https://mizmor.bandcamp.com/   meth. – powerviolence / black metal / screamo from Chicago https://methil.bandcamp.com/   Living Conditions – punk / hardcore / post-hardcore / screamo from Omaha https://livingconditions.bandcamp.com/   Amolador – Death Metal from Lincoln, NE  

American Aquarium

For nearly two decades, American Aquarium have pushed toward that rare form of rock-and-roll that’s revelatory in every sense. “For us the sweet spot is when you’ve got a rock band that makes you scream along to every word, and it’s not until you’re coming down at three a.m. that you realize those words are saying something real about your life,” says frontman BJ Barham. “That’s what made us fall in love with music in the first place, and that’s the goal in everything we do.” On their new album The Fear of Standing Still, the North Carolina-bred band embody that dynamic with more intensity than ever before, endlessly matching their gritty breed of country-rock with Barham’s bravest and most incisive songwriting to date. As he reflects on matters both personal and sociocultural—e.g., the complexity of Southern identity, the intersection of generational trauma and the dismantling of reproductive rights—American Aquarium instill every moment of The Fear of Standing Still with equal parts unbridled spirit and illuminating empathy. Recorded live at the legendary Sunset Sound in Los Angeles, The Fear of Standing Still marks American Aquarium’s second outing with producer Shooter Jennings—a three-time Grammy winner who also helmed production on 2020’s critically lauded Lamentations, as well as albums from the likes of Brandi Carlile and Tanya Tucker. In a departure from the stripped-down subtlety of 2022’s Chicamacomico (a largely acoustic rumination on grief), the band’s tenth studio LP piles on plenty of explosive riffs and hard-charging rhythms, bringing a visceral energy to the most nuanced and poetic of lyrics.  While American Aquarium bring a lived-in intimacy to all of The Fear of Standing Still, songs like “Cherokee Purples” encompass a particularly tender emotionality. A wistful reminiscence of all the charmed and wild summers of Barham’s youth, the track unfolds in so many gorgeously detailed images (kudzu vines and fireflies, menthol cigarettes and Big League Chew), each rendered with a loving specificity that lingers in the listener’s heart. “‘Cherokee Purples’ came from me making a tomato sandwich in my kitchen, and immediately getting taken back to all the summer days when we’d get dropped off at my grandmother’s so my parents could go to work,” says Barham. “It’s crazy how something as simple as a tomato sandwich with Duke’s Mayonnaise can take me to a whole other world, but to me it’s almost like a talisman of where I’m from and how I was raised.” Meanwhile, on “The Curse of Growing Old,” American Aquarium look to the other end of the life spectrum, conjuring a life-affirming mood despite the song’s excruciating honesty.  For Barham, the sharing of hard truths is indelibly tied to his sense of devotion to American Aquarium’s audience—and to his belief in rock-and-roll as a singularly unifying force. “All I really want to do is put words to the emotions that most people have a difficult time expressing on their own,” he reveals. “No matter what that emotion is, when you put it into a song and then get to those moments when a whole bunch of people are singing that song all together, it makes you see that you’re part of something bigger than you ever realized. That’s when you can really affect people’s lives, and to me this record is another stepping stone to making that a reality.”

Escape From the Zoo

Escape From the ZooIt’s very rare to find music that makes you think, feel and want to mosh simultaneously, but with Countin’ Cards, Escape From The Zoo has struck the perfect balance between all three. It’s something that the band – the louder, faster, punk project that Days N’ Daze’s Jesse Sendejas co-founded with his wife Veronica – has always done, but never quite to this extent. Much of that is down to the circumstances that led up to the recording of these nine songs – most obviously a global pandemic that allowed for intense self-reflection. That was true for both Sendejas and We The Heathens’ Elliot Lozier, who recorded this album and played bass and drums on it. https://escapefromthezoo.bandcamp.com/   Hans Gruber & the Die Hards Hans Gruber and the Die Hards brand of punk/ska mashes genres together like a toddler eating chocolate cake – with messy intensity for maximum enjoyment. From Boston hardcore to Colombian cumbia, southern gospel to crossover thrash, their live shows are filled with pits, sock puppets, conga lines and confusion – if you are nihilistic enough to jump in feet first. https://hansgruberandthediehards.bandcamp.com/   The MorayFolk-Punk / Protest Folk / Riot Folk / Outlaw Music from Tacoma, WA. https://themoray.bandcamp.com/

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