GlizzyFest 2025: Day 2
with Taebo, Snake Lucci, Boa, Bobo Thuh Breadboy, Cody Moon, DredayMackoveli, SRT-KG, Loretta Litt, KNR, Jay Lively, Jinx, $ellar Boiz, Mac Knight, Soft Lines, Imaginary Friends, Soda spill, Burn the witch hunters, SJ23 & Brodie1, Rysie, Sellar boiz Decent Dogs served from 4pm – End of Show!
BARONESS RED & BLUE TOUR
Baroness recently surprised Philadelphia-area fans with two performances of the Red Album and Blue Record in their entirety, with both shows sold-out within minutes. The band now brings “The Red & Blue Tour” to The Waiting Room on May 24th. The trek sees the GRAMMY-nominated Baroness revisiting the monumental tracks that established them as one of the most innovative bands of their generation. From the psychedelic-laden “Isak” to the ethereal melodies of “The Sweetest Curse,” the special evenings with the Savannah-born outfit promise to be one of the most captivating tours of the year. The tour will feature a variety of exclusive tour-only vinyl with newly crafted John Baizley artwork, as well as a selection of Red and Blue themed merchandise. “In December, for our annual Philly pre-holiday show, we performed our first two full length albums: Red and Blue,” John Baizley shares. “It was a great experience, unearthing the deeper cuts from those records that had faded from our setlist and it offered a rare opportunity to play some of those songs for the first time ever outside the studio. While I’ve personally never been overly interested in the pure nostalgia of past records, we’ve always found it illuminating to bridge the gap between present and past Baroness by learning and updating/rearranging our earliest material. After the overwhelming and positive response from the Philadelphia shows (and while we’re busy writing our next record) we’re looking forward to taking Red and Blue on the road and sharing the experience with old and new friends alike.” The Red Album (2007) and Blue Record (2009) laid the foundation for what was to come over Baroness’ 20-year-plus career. These two albums introduced the band’s distinctive style, combining crushing heaviness with melodic intricacy, and paved the way for the ambitious scope of Yellow & Green, the GRAMMY-nominated Purple, the grandeur of Gold & Grey, and the expansive creativity of STONE. About Baroness Founded in 2003, Baroness is John Baizley (vocals/guitar), Gina Gleason (guitar), Nick Jost (bass) and Sebastian Thomson (drums). The Philadelphia-meets-Brooklyn foursome have released six full-length albums: STONE (2023), Gold & Grey (2019), Purple (2015), Yellow & Green (2012), Blue Record (2009), and the Red Album (2007). Throughout their career, they’ve garnered widespread acclaim, with the band’s albums regularly featured on year-end best of lists, and 2017 seeing their first GRAMMY® nomination. On their most recent album, STONE, Pitchfork said they “remain one of the most remarkable and capable bands at the intersection of heavy metal, hard rock, and psychedelia.” Brooklyn Vegan described the 10-song collection as “Baroness at their most alive and direct,” while Revolver added: “STONE… is a wild ride, full of triumphant sludge metal, and soaring, shoegazing progressive rock.”
*CANCELED* Julien Baker & TORRES
THE NEW OUTLAWS Listen: For some of us, maybe even most of us, it’s been a rough year. As I write these words, it’s mid-November in Chicago, the warmest autumn on record, and the bad news keeps coming. Family and animals and homes washed away in the rural south. A wildfire season that never ends. Too much water in some places, not enough in others. Back in my home state of Texas, pregnant people, some barely out of childhood, are dying for lack of medical care. And Lord have mercy if you, or someone you love, is an undocumented immigrant, or if you’re trans, queer, poor, Black, and the list goes on (and on and on). Sometimes it feels like the whole damned world has made up its mind to destroy itself once and for all. So I feel it in my bones when Julien Baker sings, That it can’t get much worse depends on who you’re askin. Maybe you feel it, too, and maybe you could use the good company of this much-anticipated country album by critically acclaimed artists Julien Baker & TORRES (aka Mackenzie Scott). Send A Prayer My Way has been in the works for years. Imagine two young musicians playing their first show together at Lincoln Hall, a much-loved venue here in Chicago. It’s January 15, 2016, and bone chillingly cold outside, especially for a couple of southerners. When the show is over and they’re shooting the shit, one singer says to the other, “We should make a country album.” This is the origin story and the beginning of a collaboration between two artists already admired for their spare, elegant lyrics as well as the courage to share their struggles with those who love their music. I’ll lay my cards on the table from the get-go: Send A Prayer My Way is a damn fine country album, written and sung in the best of the outlaw tradition—defiant, subversive, working class, and determined to wrestle not only with addiction, regret and bad decisions, but also with oppressive systems of power. These are songs about wrapping up a long shift and driving home bone tired, just hoping for a little weed and a quiet place to put your feet up; or falling off the wagon (again) and wondering if this time it will finally drag you under the wheels; or thinking that bad decisions are the only decisions you know how to make. Mercifully, this is only the beginning of the stories TORRES and Baker are determined to tell. Because these are also songs about radical empathy and second chances, and third chances, and while there’s plenty of struggle and regret in here, there’s also humor and defiance. There is clarity in time’s passage, at least sometimes, and whatever grace some of us can muster often comes from taking the irreverent, and much funnier, low road. And in this way, Send a Prayer My Way reminds me of Lucinda Williams’s Happy Woman Blues (1980), or Loretta Lynn singing about The Pill in 1975. So listen: Whatever your story—if you’ve been staying up late and sleeping in, dodging calls from old friends and wondering how many times you can break your own heart through every fault of your own; if you’ve been missing work, or skipping school, or blowing past deadlines like they’re four-way stop signs on the highway to hell; and most especially, if you’re feeling afraid for your life, or the lives of those you hold most dear—I hope you will find some comfort in these twelve songs. I hope you will put a little sugar in the tank and let these two singers love you all the way to hell and back. Because here’s the thing about going to hell and back: You came back. Elizabeth Wetmore
STEPHEN STANLEY
Singer / songwriter Stephen Stanley makes music with immediate emotional impact, revealing a depth of talent that comes from years of devotion to his craft. At the age of nine, the Mansfield, Georgia-based artist learned to play his mother’s guitar after suffering an accident that rendered him deaf in his left ear, and quickly uncovered an innate musicality and remarkable gift for melody. By age 13, he’d added piano and drums to his repertoire, in addition to writing songs and leading worship at the church where his father served as a pastor. Over the last decade, Stanley has honed a distinct and dynamic voice as a musician, bringing both raw emotion and a profound sense of purpose to everything he creates.
C10: Clayjack Horseburn 2 Release Party
The Koffin Kats
Koffin Kats are a psychobilly trio from Detroit, Michigan. Fusing the swing of classic rockabilly with the hot-wired energy and ghoulish imagery of Misfits, this band proves that high-octane psychobilly is still alive and kicking in the American midwest. Koffin Kats were formed in 2003 by lead singer and upright bassist Vic Victor and guitarist/vocalist Tommy Koffin, who had been part of the Motor City punk scene for some time before trying their hands at the doom-struck twang of their punk-rockabilly fusion. The trio released their first album, simply titled “Koffin Kats”, in 2004, and hit the road in support of the record. Since then, the Koffin Kats have maintained a busy tour schedule, frequently gigging on the West Coast as well as closer to home, and have released 10 full length albums and 2 EP’s, the latest of which was 2024’s “Higher Lows”.
The Faint – SOLD OUT
Bad Nerves
The bastard child of a Ramones/Strokes one night stand, Bad Nerves play ferociously fast distorted pop songs and drew acclaim with their previous releases ‘Dreaming’, ‘Baby Drummer’, & ‘Can’t Be Mine’. It would appear to be in the DNA of rock music, particularly punk music, that the music itself happens by some kind of happy accident. Nothing truer could be said of the Essex five piece speed punk band. For frontman Bobby, the formation of the band itself was an unintentional happenstance that just wound up taking off in unexpected but very exciting directions. Did band life choose Bad Nerves or did Bad Nerves choose band life? It’s hard to say. The boys are still reeling from their surprise success. Their self-made, self-funded debut put them in the hearts and minds of the cream of the alternative crop in 2020; from tastemakers such as Dan P Carter to Alyx Holcombe, and from peers like Green Day’s Billie Joe Armstrong to Pearl Jam’s Stone Gossard, Bad Nerves were instantaneously heralded with the poisoned chalice of saviours of a type of punk that promises to never die. They’ve toured with Royal Blood and The Darkness, and have drawn comparisons to Supergrass, the Ramones and Jay Reatard. And despite all that, their pop rock is a unique – and very fast – whack over the head that reminds us all of the future life left in hell-raising loud and fast music. Bad Nerves have been blazing at two hundred miles an hour across the live circuit for a few years now, and are showing no signs of slowing down. Despite the speed and chaotic nature of their music, they have taken great pride in challenging the traditional punk method, by playing tight and trying to replicate the sound of their record in the live setting. “We wanna deliver the songs well,” says bassist Jon. And that’s why people have taken notice. Bad Nerves set the bar much higher. One of the band’s most iconic gigs to date was a headliner at Sebright Arms in London in 2022, which was so electric they decided to release a live recording of it. “I’m surprised no one died that night,” says Jon. “That ceiling is so low! I’ve never seen so many people sweat. It was crazy. We were all sick afterwards.” The magic of rock music is in the chaos of the live performance. Bad Nerves understand that. They chase it. They crave it. They know how to create it. “My favourite Ramones record is the live one,” says Bobby. “The stakes are high. That’s what makes it.” The future is loud for Bad Nerves. They proactively seek to make the type of in-your-face, opposite-of-sterile, rock music that the genre was built on. They want to play as much as they can for as long as possible, in the hope of inspiring the next generation, before it’s too late. It feels as though they have arrived just in time.
Husbands
Husbands knows the galvanizing power of an anthemic, hair-raising song. As the co-founding songwriter behind the Oklahoma City indie rock outfit Husbands, Danny Davis has been meticulously crafting emotionally potent tunes about finding your place in the world. His writing always strives to break free from monotony and routine, aiming for meaning and clarity through massive choruses and colorful arrangements. CUATRO, Husbands’ adventurous and triumphant fourth album out Oct. 13 via Cowboy 2.0 and Thirty Tigers, marks a turning point for the band. It’s the first LP written after the departure of longtime bandmate and collaborator, Wil Norton. It’s also an album that Davis made during a time of relative personal stability after quitting his nine-to-five and moving with his wife to Costa Rica. Across 11 arena-filling and richly-produced tracks, the full-length is a document of his growth as a human being and a testament to finding peace in relationships evolving.
M?STIC & Swampz
