Labyrinth

Labyrinth – Thrash Metal band based in Houston, TX. Influenced by classic Thrash Metal [83-94] https://labyrinthrash.bandcamp.com/Chemical Dependency – https://www.instagram.com/chemicaldependencythrash/Raise the Black – brand new thrash/metal band from Lincoln featuring members of Top-Notch Defective

Electric Citizen

Electric Citizen is a Cincinnati-based rock band known for their fuzzed-out riffs, haunting melodies, and electrifying live shows. Since forming in 2012, they’ve carved out a distinct sound, blending vintage psychedelia with heavy rock ‘n’ roll. With three acclaimed albums under their belt, they’ve toured extensively, sharing stages with acts like The Crazy World of Arthur Brown, Pentagram, and Fu Manchu. https://electriccitizenband.bandcamp.com/   Earth Tongue is a heavy psych rock two-piece from Wellington, New Zealand. Their second album ‘Great Haunting’ is out now on In The Red Records. https://earthtongue.bandcamp.com/   Beast Eagle – loud heavy music from Omaha https://beasteagle402.bandcamp.com/   Hollow Citizen- Doom, Stoner, Psychedelic Metal band from Lincoln, NE. https://www.instagram.com/hollowcitizens/

Master

Master – Founded in 1983 and originally based in Chicago, Illinois, Master is one of the earliest bands in the world labeled as Death Metal!  Now based in the Czech Republic, Master is still touring and writing music 40+ years later with brutal metal riffs and crushing blast beats!https://master.bandcamp.com/

Lukas Nelson – The American Romance Tour 

Grammy Award-winning singer, songwriter and musician Lukas Nelson has become one of the most respected voices in music today. In the midst of a landmark year, Nelson released his new album, American Romance, last month to widespread acclaim—his first solo project and first in partnership with Sony Music Nashville. Produced by Grammy Award-winner Shooter Jennings (Brandi Carlile, Tanya Tucker), American Romance cements Nelson as a singular artist and led Billboard to praise, “it brims with the insightful songwriting and grizzled voice he’s known for,” while Forbes calls it “a collection of rich, detailed songs that chronicle restless life lessons and open-hearted adventures” and Whiskey Riff declares, “a masterful effort both sonically and lyrically, and Nelson’s songwriting abilities shine through more so than ever.” Throughout his esteemed career, Nelson has also established himself as a highly sought-after collaborator both in the studio and on the stage, having recently joined forces with The Travelin’ McCourys, to arrange and perform a bluegrass-inspired rendition of Adele’s iconic hit, “Someone Like You,” which featured Sierra Ferrell. Teaming up with rising stars and music veterans alike, Nelson has also worked with Lainey Wilson, Stephen Wilson Jr., Ernest, Miranda Lambert/Pistol Annies and more. He also recently performed at the MusiCares 2025 Person of the Year Gala, where he honored the Grateful Dead by performing “It Must Have Been the Roses” with Ferrell. Known for his captivating live performances, Nelson has sold out countless headline shows and been featured at renowned festivals such as Stagecoach, Ohana Festival, Bourbon & Beyond, and Farm Aid, in addition to appearances on The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live!, The Late Show with Stephen Colbert, The Howard Stern Show, The Joe Rogan Experience and more. Additionally, Nelson co-produced the music for the acclaimed 2018 film A Star is Born, in which he also appeared. The soundtrack won a Grammy Award for Best Compilation Soundtrack for Visual Media and a BAFTA Award for Best Original Music.

Color Green

For the California-based quartet Color Green, playing music together is all about stepping into the unknown. “When we play live, I don’t really know what’s going to happen,” says Noah Kohll, one of the band’s two guitarists and four vocalists. “You really have no idea what you’re going to get with this band, which keeps things fresh for us and maybe makes the live experience special.” In a very short time, they have developed a word-of-mouth reputation as a dynamic and unpredictable live act, grounding their cosmic jams in earthy melodies and drawing from ‘60s SoCal folk-r0ck, ‘70s classic rock, ‘80s underground rock, ‘90s psychedelic dance-rock, and any other sound that catches their ears.   Adaptable onstage and off, Color Green has shared stages with a range of groups that reflect both the sophistication and the wild malleability of their sound, including Fuzz, Kikagaku Moyo, Circles Around the Sun, Hiss Golden Messenger, and the Brian Jonestown Massacre. Yet, because they see boundless possibilities from one note to the next, they anchor their music in the urgent present rather than the distant past. Color Green can be a million different bands without losing their essential hue.   Color Green started out as a very different, much more limited kind of group. “Me and Corey worked together in New York scooping coffee beans for a living and putting them into bags,” says Kohll. “I was living in a basement sublet, and he would come over to write and jam and record.” From those casual sessions came a self-titled EP in 2021, full of spectral jams and offerings up to Jerry Garcia, their spiritual guide. The next year they followed it up with a self-titled full-length via Aquarium Drunkard, with various friends helping to round out the songs. “These things happen in an interesting way,” says Kohll.   After sharpening their attack on the road—playing DIY shows in small towns while opening for some of their heroes—the expanded Color Green began writing songs for what they considered a debut album. “One of us will come in with a riff or an idea, and the others will take it up and let it morph into something completely different,” says Perlmutter. “What we come up with together, I don’t think any of us could do by ourselves. The music we make is always surprising me.” We might spend a lot of time working on something and get nothing out of it, but then in the back of my head I’m thinking, if you take this and add it to that… Sometimes it takes hours to figure out two seconds of a song, but it’s always worth it.”    The aching heart of Fool’s Parade is “5:08,” a moving expression of grief—not moving through it, necessarily, but simply living with it, moment to moment. “What’s it like, on the other side?” they all sing together, as though consoling one another. “Oh, the longing for the space to peer thru.” Inspired by the death of Madden’s father, it is rooted in a Spiritualized show. “I was going through some gnarly personal stuff,” says Madden, “and it was all hitting me at once, all these emotions. I talked my way through some crazy shit, and by the end of the show I had ‘508’ hashed out in my brain. It’s about losing people very close to you and wanting to communicate with them and not really knowing how.”“It’s the quietest song on the record,” says Rose, “but it’s also the heaviest. We all cried while recording it. Everybody’s singing on it, and everybody’s crying on it. Sometimes we’re like, Let’s not play that song tonight. It all depends on how we’re feeling.”

BIB 10 Year Anniversary Show

with MSPaint, Plack Blague, Spine, Glow, Bootcamp, Jeff In Leather, Setback, Vile Desire, Exo Gen  DJ sets by Ladie Muerte & Cvlt Play between bands   Since 2015, BIB have been carving out their own unique identity—perhaps a reflection of their Omaha roots, where they’ve been free from the constraints of a traditional local scene or the weight of long-standing music legacies that often shape major city sounds. Instead, BIB have forged their own path, building a world entirely their own over the past decade. Having toured extensively across the U.S., the U.K., and Europe—and with upcoming shows in Southeast Asia and Japan—BIB bring the same raw intensity of their recordings to their live performances, known for being manic, chaotic, and at times, downright unsettling. All of it done the DIY way. With 10 studio releases and countless shows behind them, BIB are returning to Omaha for the first time in nearly two years to celebrate a major milestone: 10 years as a band.

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