Yurei
Kash’d Out
Florida based Reggae/Rock band Kash’d Out have been hustlin’ hard since the beginning. After founders Greg Shields (lead vocals) and Jackson Hauserman (guitar) met in a studio session, it wasn’t long before Kash’d Out’s clever lyrics and tasteful guitar riffs were complimented by the unique bass lines of Joey Brohawn, and rhythmic precision of drummer Marshall Hearne. Kash’d Out’s most recent album, “Butter” displays their diversity and mission into their own music path. The band has remained steadfast to originality, yet continues to evolve, revealing different sides to their sound. Kash’d Out is excited to continue touring the country with a high-energy show and a genuine love for sharing the music they’ve made with anyone and everyone!
Carver Jones & The American Dreamers
Kris Lager Presents: The Conduit Live Friendsgiving 2024!
Featuring Matt Cox and Aly Peeler as Special Musical Guests DJ: Mr. West on the 1’s & 2’s Mentalism & Magic by Tricky Trev A night of music, dancing, fun, magic, and more!! A Can’t miss night to usher in the holidays! Friendsgiving 2024! Assembly Of Assassins: Kris Lager on Guitar/ Vocals Joe Donnelly from Gallivant on Bass Matt Wallace on Sax Travis Potter on Trumpet Michael Pujado on Percussion Justin Fischer from Omaha Street Percussion on Drums Alex Olsen on Keys
Dave Hill
Dave Hill is a comedian, writer, actor, and musician originally from Cleveland but now living in New York City, which is great. He has appeared on Unbreakable Kimmy Schmidt, Girls5eva, Joe Pera Talks with You, Inside Amy Schumer, @midnight, Full Frontal with Samantha Bee, The Tick, The Jim Gaffigan Show, and the new U.S. version of Would I Lie To You among other programs. And he plays a Devo-obsessed weed dealer in the new film Drunk Bus starring Ozark’s Charlie Tahan and Will Forte. Dave has also starred in his own TV series, The King of Miami, on the MOJO Network, which was cancelled even though Dave really liked it.
The Arcadian Wild
The Arcadian Wild is a four-piece indie folk/pop group from Nashville, TN. Ledby songwriters Isaac Horn and Lincoln Mick and Bailey Warren on fiddle, The Arcadian Wild confidently inhabits and explores an intersection of genre, blending the traditional with the contemporary. Combining elements of progressive bluegrass, folk, and formal vocal music, The Arcadian Wild offer up songs of invitation; calls to come and see, to find refuge and rest, to journey and wonder, to laugh and cry, to share joy and community and sing along. The band’s 2023 album Welcome marks the start of a captivating new chapter for the genre-bending trio, who returned to the studio with renewed purpose and insight after devoting the last few years to a series of critically acclaimed singles and EPs. Like much of the band’s catalog, the album blurs the lines between chamber folk and progressive bluegrass, drawing on everything from country and classical to pop and choral music with lush harmonies and dazzling fretwork, but this time around there’s a rawness to the writing, an embrace of candor and simplicity that cuts straight to the heart of things like never before. The result is perhaps the most arresting collection yet from a band known for its ability to stop listeners dead in their tracks, an exquisitely beautiful celebration of community, connection, and the power of belonging that feels tailor-made for these challenging times.
Keep Flying
SPELLLING
Neva Dinova
Neva Dinova’s reinvigorating full-length Canary features a new lineup, fresh perspective and a sound more urgent than anything they’ve created in the past. Recast after 15 years of inactivity and newly energized by a tour offer from longtime Omaha friends Cursive, songwriter/guitarist/singer Jake Bellows started sending demos to drummer Roger L. Lewis and just-recruited bassist Megan Siebe. They began woodshedding new songs, and the latest incarnation of Neva Dinova was born. After an East Coast run, the band returned to Omaha to record Canary at Make Believe Studios. “I’m trying to cover a lot more space in the band now because there’s only one guitar, so I write a little differently in order to cover that space.” (An understatement considering the previous lineups of the band featured three guitarists.) The result is an album that is more focused while still allowing for the occasional Neil Young-inspired guitar solo or unexpected sonic flourish. The songs on Canary were honed on the road allowing for a largely live recording session that captures the visceral energy of the band. There’s a beauty in the imperfections: The subtle buzzing of the amp, the finger noise on the strings and Bellows’s voice rising above all of it in a way that’s distinctly Neva Dinova. Canary is a raw and unfiltered glimpse of Bellows’s psyche and an electrifying batch of songs — unpretentious, empathetic, weathered, and wizened. It also marks a second act for one of indie rock’s most underrated acts.
Emo Nite
