Austin Snell
Austin Snell Meet & Greet Package Includes: One general admission ticket Early entry into the venue Exclusive meet & greet with Austin Snell Personal photograph & autograph opportunity with Austin Snell Access to a preshow acoustic performance Official meet & greet laminate; autographed by Austin Snell Discount on general merchandise Priority merchandise shopping Limited availability
Jeremy McComb’s Honky Tonk Circus
The Jeremy McComb Honky-Tonk Circus Tour Presented by Blue Ice Vodka Get ready to take a trip back in time with the “Honky-tonk Circus” Tour. The ultimate 90’s country music experience! Fronted by Jeremy McComb, a powerhouse entertainer and Nashville artist/songwriter, this tour brings the best of 90’s and early 2000’s country music to the stage in a way that’s anything but a tribute band—this is a full-on, high-energy throwback. Jeremy McComb has earned his place in the music world with relentless work and undeniable talent. Having written songs for artists like Tracy Lawrence and projects that have sold over 6 million copies, McComb’s songwriting success even includes contributions to movie soundtracks, one of which was Grammy-nominated. But it’s not just about the songs—it’s about the show. With his trademark grit and energy, Jeremy leads this tour with the same passion and authenticity that has built him a loyal fanbase across the US and Europe. (120+ Tour dates a years) The Honky-tonk Circus isn’t just a performance; it’s a masterclass in live entertainment. Expect an incredible stage show that transports fans back to the days when country music was at its peak—complete with all the unforgettable hits, heartfelt lyrics, and honky-tonk vibes that defined the era. This is a one-of-a-kind experience for 90’s country lovers who want to relive the music that made them fall in love with country music. Join Jeremy McComb and his band on the road for a tour that celebrates the timeless spirit of 90’s country music—no gimmicks, just pure, authentic country with an unmatched live show!
Paul Cauthen – Live & Acoustic
Paul Cauthen is a true force of nature. His ability to captivate audiences with his soulful sound and larger-than-life personality has become lore amongst those that have witnessed it. Also doesn’t hurt to have a generational set of pipes to top it all off. Hailing from East Texas, Cauthen embodies the spirit of the Lone Star State, earning a reputation for doing things his own way. Born into a family of preachers, Cauthen’s upbringing heavily influences his deep-rooted connection to music. With a voice that resonates with raw emotion, he aims to transport listeners, inviting them on a journey through love, heartbreak, and the pursuit of personal freedom. Cauthen has continued to explore new sonic territory fearlessly, while unapologetically defying expectations and creating music that resists categorization.
Willow Avalon
Originally from Georgia and now based in Nashville, Willow Avalon’s musical journey began with her first word, “Elvis.” Raised by her mother and grandmother in a small Southern town, she grew up playing piano in church and taught herself guitar at age 12, using songwriting as both an escape and a means of self-expression. After independently releasing her debut single Drivin’ in 2021, she quickly caught the industry’s attention, leading to a deal with Atlantic Records/Assemble Sound in 2023 and her EP Stranger in 2024. Her debut album, Southern Belle Raisin’ Hell (January 2025), cemented her as one of country music’s most compelling new voices, blending classic country, Americana, and rock influences. She has performed on The Late Show with Stephen Colbert and CBS Mornings, as well as festivals like Hangout, C2C, and Lollapolooza (2025), bringing her electrifying presence to global audiences. With a sharp wit and rebellious spirit, she has shared stages with legends and rising stars alike, including Zach Bryan (July 2025), Bob Dylan (June 2025), Cage the Elephant, Paul Cauthen, and Charles Wesley Godwin. Solidified by sold out headline tours in both the US and the UK, as well as hundreds of millions of views across social content, Willow Avalon is redefining what it means to be a modern Southern storyteller. Raised in the Appalachian foothills of northern Georgia, Christian Hayes grew up surrounded by southern storytelling. His grandfather — a poet by profession — encouraged him to begin writing in a journal at 7 years old, sparking a habit that would eventually take Hayes to Nashville. A veteran of the US Navy Reserve, Hayes began applying the discipline of his military training to his work as a songwriter, amassing more than 900 original songs by his mid-twenties. Five of those songs appear on Last I Love You, his debut for Capitol Records. Produced by Lukas Bracewell and steeped in Hayes’ unique version of American roots music, Last I Love You features the viral single “LILY” (which racked up more than 3 million streams before the EP’s official release), the anthemic “Black Gold,” and a mix of effortless melodies, cinematic folk and rowdy, barn-burning Americana.
Hayden Pedigo
Hayden Pedigo: man, myth, master of disguise; un-picker, finger-picker, absurdist, perfectionist. An innovator of the instrumental genre, challenger of the stereotypical, son of a truck-stop preacher. His new album, ‘I’ll Be Waving As You Drive Away’ is, Hayden reflects, not a straightforward solo guitar record, but in a sense “a micro-dose psychedelic album.” Unafraid to push the parameters of American primitive, the walls of the album’s world are fuzzed-up and glimmering. Pedigo’s trademark, highly skilled guitar compositions, more intricate than ever, are augmented by influences he’s never been able to achieve on previous records, drawing strongly from the uncanny psychedelia of larger-than-life culture in the American South, so often bigger, stranger, more unnerving than fiction. Throughout ‘I’ll Be Waving As You Drive Away’, moments of genre-defying, unapologetic exuberance are carefully balanced with delicacy and intricacy.
Bri Bagwell
Texas Female Artist of the Decade, Bri Bagwell, is a force to be reckoned with from her rousingly fun live performances to trailblazing recordings garnering her twelve #1 singles on Texas Country Radio and counting. With multiple Female Vocalist of the Year awards, Bri is making waves with her music drawing national attention. People Magazine raves, “Bagwell increasingly finds her name being mentioned amongst country music truth-tellers such as Ashley McBryde and Morgan Wade.” Her latest album, Corazón y Cabeza (Heart and Head), has already spawned three #1 singles, “Trenches,” “Free Man,” and “Hello Highway,” the latter inspiring her 2023 summer tour across 10 states and Mexico. Performing over 120 shows a year, Bri has shared the stage with a long list of esteemed artists, including Willie Nelson, Miranda Lambert, Robert Earl Keen, Kacey Musgraves, and Dwight Yoakam. Catch Bri Bagwell live on tour or listen to her latest podcast, ONLY VANS, at www.bribagwell.com.
Ouija Macc
Ouija Macc was born and raised in Las Vegas, where he found escape in art from an early age. In an uphill battle, art became a survival mechanism. While others looked up to superheroes, Ouija idolized Insane Clown Posse and Three 6 Mafia—an influence that helped shape the raw, unfiltered style he’s known for today. His debut release, TRASHFIRE (2017), was recorded across makeshift setups from New Jersey & Brooklyn to Pennsylvania. Gritty and lo-fi, it marked his emergence as a solo artist and led to his signing with Insane Clown Posse’s Psychopathic Records. From there, GUTTERWATER exploded onto Billboard, iTunes, and especially the Juggalo world-stage. Ouija’s story is steeped in survival—felony charges, addiction, and brushes with death. But through it all, he’s remained fearless and brutally honest in his music, painting a world of struggle, chaos, and resilience. His albums (DARCC PLANET, PSYCHO BABBEL, DIRTBAG,FALLEN ANGELIC, and more) reflect that duality: horrifying yet hilarious, aggressive yet uplifting, sad but undeniably alive. Whether he’s recording, touring, directing videos, or designing merch, Ouija brings his own mythos to every medium. With millions of streams and a devoted cult-like fanbase, Ouija Macc and Chapter 17 are seemingly unstoppable. The future is bright—but thankfully, the music is DARCC.
Hayes Carll
VIP PACKAGES CAN BE PURCHASED HERE. VIP PACKAGES ARE AN ADD-ON EXPERIENCE AND DO NOT INCLUDE A TICKET TO THE SHOW. We’re Only Human Hayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of us what to do or think. But he is charting out a personal guide for his life, quieting the noise, and sitting with his real voice – the one that’s candid, consistent, and often inconvenient. We’re Only Human is Carll’s tenth album. Like his best lyrics, it is also an understated masterpiece, an honest snapshot of one man’s confrontation and delight with humanity’s biggest and most intimate questions. Where do we find forgiveness for ourselves and grace for others? How do we hold on to peace of mind and stay present? What can we—and should we––trust? And how can we moor ourselves to, well, ourselves, in the midst of confusing, trying times? We’re Only Human offers audiences the chance to listen to Carll as he listens to himself. “I’ve lived outside of myself for so long,” Carll admits. “Distractions, fear, anxiety, insecurity, and the complexity of being human in this world have so often pulled me away from being present or at peace.” “I feel like there’s been a voice riding shotgun all my life, pushing me to do better, but I’ve struggled to listen to it,” Carll says. “The idea behind this record was to do the personal work I needed to do, then codify those lessons in song to serve as sort of breadcrumbs to get me back on the trail if, and inevitably when, I get lost again.” Carll is more than two decades into a celebrated career. Praise from places such as Pitchfork and the New York Times––the latter of which yoked Carll’s ability to tackle tough issues with wry humor to Bob Dylan––punctuate a resume that includes Americana Music Awards and a Grammy nomination. His songs aren’t safe, but many of Nashville’s stars have recorded them, including Kenny Chesney, Lee Ann Womack, and Brothers Osborne. As a solo recording artist, Carll has long-since established himself as one of Americana’s most-played––and most loved––voices. His warm but crackling vocals, wit, and heart dance through wordplay that’s always clever, and never too precious. Through it all, whenever Carll points a finger, it’s most often at himself. As We’re Only Human collects moments of Carll figuring out how to be with himself, the songs feel forthright, hopeful, and timely. In today’s onslaught of instant gratification, rage-baiting headlines, glorified intolerance, and falling empathy, the record is a startling outlier: an artist’s raw, real-life effort to live well—both with himself and others. Carll embraces private epiphanies, and shares them with the world, allowing them to unfold for all to see and share. In the end, Carll’s latest album is a lovingly and purposefully written collection of reminders. “I hope other people find something in it, too” Carll says. “Through it all, I am trying to stay appreciative, knowing that I did what I set out to do: write something that can help me navigate this journey with a little more grace and peace.”
Braxton Keith
With a sound and style honed in the honky tonks of Texas and beyond, Braxton Keith is part of a new generation of country singer-songwriter – one leading a revival of its core creative tenants. Featuring an earnest love of the ‘80s country aesthetic – and all but addicted to the rush of the stage – Keith has spent the last few years of life as a proud road dog, schooling new fans of the timeless power of a revved up band and rich organic twang. But while his what-you-see-is-what-you-get approach remains firmly rooted in tradition, that doesn’t mean he’s staying put. This Warner Music Nashville newcomer lives one state line at a time. “I love the honky tonk country twang and I wouldn’t trade it for anything,” the rising star explains. “But honestly, I’m just thinking about getting up and playing another show. This is just the beginning. This is where the hard work starts.” A proud Texas native who these days splits time between San Antonio and Nashville, Keith was born in Midland, Texas, steeped in country mystique. Learning to play piano from his grandmother – a woman who loved the Cadillac cool of stars like Porter Wagoner – he grew up singing, drawn like a magnet to the sonic storytelling of gritty tunes like “The Carroll County Accident” (an all-time family favorite). Diving deep into the pure-country form, Keith picked up a guitar and soon had a taste for hard twang and tales of the heart, writing his own classically-inspired songs in a grungy, cluttered garage. He never took it seriously until college, when a friend convinced the unknown-but-obvious talent to record one – just so he’d have something to share with his future kids. Leaving school behind to earn his place in Texas’ vibrant live-music scene, Keith and a band of brothers have now been touring nonstop since 2020, racking up untold miles and hundreds of floorboard-shaking shows. Blending throwback-tonk with a sharp, barbed-wire vocal recalling stars like Tracy Lawrence (plus a little borderland buzz of San Antonio Spanish influence), Keith became a regular face in venues all across his home state, and then looked beyond. Relentless nationwide touring and a series of self-released singles and EPs have helped build a solid social media following. He arrived in Nashville for the first time in 2021, and has since been fine- tuning his natural songwriting style – timeless tunes of love, loss and life steeped in the energy and attitude of a Texan dancehall, but made for a wider audience. Featured on taste-making playlists like Spotify’s New Boots and Breakout Country, Keith’s 2024 single “Cozy” leads the way for a new chapter, highlighting the rising star’s fresh take on a classic style. A silky-smooth two-step with an unmistakable vocal tone, the clever, co-written message of warning for a romantic rival sets Keith apart from the pack. More new music is planned for 2025 release, as Keith continues exploring the contours of a uniquely country sound and style. Merging past and present with the timeless edge of a band-leading troubadour, he’ll stay on the road, too, crossing time zones like he’s gliding across a honky tonk floor. “The touring never stops – especially for an artist like me,” he admits. “I hope people have a damn good time when they come out, and I hope the show was great. And if they pick up the record, I hope they get a taste of that.”
Origami Angel
Feeling Not Found, the third full-length record from Washington, D.C. duo Origami Angel, is the one—the rare, undeniable piece of work that defines a sound, a moment, a subculture, a band’s position in the continuum of music. Vocalist/guitarist Ryland Heagy and drummer Pat Doherty have been building to this record since they started the band in 2016, growing it quickly into one of the most exciting and volcanic bands in the American punk and emo communities. A 14-track epic recorded with producer Will Yip at his Studio 4 Recording, Feeling Not Found revolves around the deeply modern experience teased in the title: an emotional and spiritual 404 error, a sensation of cellular-level malfunction and data corruption, of being lost in an oblivion of digital information, and the desperate struggle to reconnect to how it feels to be human and whole. “I was looking at America as this digital silicon hellscape,” says Heagy. “What came to me was, in this amalgamation, this sea of randomness, I felt not found, you know? It speaks to where we were as a band, and where I was as a person. For about three years until we finished this album, I was in a very, very lost place in my life, and everything felt very random and unstable.” Heagy and Doherty explore and explode that limbo on a record that demonstrates Origami Angel at the top of their class, cementing their status as a boundary-pushing, breakneck, cross-culture and cross-genre phenomenon. The record is choreographed like a roller coaster, driving seamlessly between sunny easycore jams, crushing metalcore riffing, jazzy indie rock, misty emo, electronic, and so much more. It sounds like precisely what it is, the thing that makes Origami Angel so special: Heagy and Doherty’s twin brains poured out into an audio file, refined but unrestrained, unhinged and profound and in dogged pursuit of a creative expression of their lived experiences. Heagy and Doherty have been working on the material that comprises Feeling Not Found for years, through the time periods of both their previous LPs, 2019’s Somewhere City and 2021’s breakout smash Gami Gang. Those releases (and the intense, infamous live shows that supported them) established Origami Angel as a unique force that interspersed elements of ’90s math and emo with early 2000s pop-punk and easycore to grow something new and contemporary, something that felt as breakneck and relentless and teetering-on-the-edge as this era of human history. But the juxtaposition of the band’s rise in notoriety with the pandemic’s sudden requirement of online-only existence for musical performers fucked with Heagy’s head—a duality that runs through the new LP. “Growing up a DIY kid, a punk kid, it was all about the community, and that’s something that I strived to find,” he says. “Then it was like overnight, we had it, then we didn’t, but it’s growing into this thing that I can’t physically interact with. I just triggered my own personal anxieties and my own mental health was really fucked up by that. I was so puzzled by the way that my brain reacted to it.” All the difficult shit that Origami Angel have tried to work through on Feeling Not Found might not be solved or fixed forever, but there’s a mutual understanding that’s been established along the way, one that provides enough of a reason to keep trying. Heagy’s resolve is clear and powerful: “And I may not feel found, but I’m not as lost as I used to be/And it may not be right, but it’s not as wrong as it usually seems/I can be as here and as real as I want if I want and you’ll never take that away/This out of date software’s here to stay.” Feeling Not Found is out September 27 on Counter Intuitive Records.