WEEDEATER
The Koffin Kats
The Koffin Kats Koffin Kats are a psychobilly trio from Detroit, Michigan. Fusing the swing of classic rockabilly with the hot-wired energy and ghoulish imagery of Misfits, this band proves that high-octane psychobilly is still alive and kicking in the American midwest. Koffin Kats were formed in 2003 by lead singer and upright bassist Vic Victor and guitarist/vocalist Tommy Koffin, who had been part of the Motor City punk scene for some time before trying their hands at the doom-struck twang of their punk-rockabilly fusion. The trio released their first album, simply titled “Koffin Kats”, in 2004, and hit the road in support of the record. Since then, the Koffin Kats have maintained a busy tour schedule, frequently gigging on the West Coast as well as closer to home, and have released 10 full length albums and 2 EP’s, the latest of which was 2024’s “Higher Lows”. https://www.facebook.com/koffinkats/ The Rumours – (rock n roll / punk rock from Waterloo, IA) https://therumours.bandcamp.com/ Carrie Nation & the Speakeasy – (dark-psychedelic-speedfolk band from Wichita, KS) https://carrienationandthespeakeasy.bandcamp.com/
Blanket of M
sunn O)))
For nearly 30 years, SUNN O))) – Stephen O’Malley and Greg Anderson – have pushed the boundaries of heavy music,straddling the worlds of the avant-garde and rock to forge a style instantly recognisable as their own.Now, SUNN O))) return with their first album of new material since 2019’s acclaimed Pyroclasts. Their tenth album –their debut for new label Sub Pop – demonstrates the duo’s mastery of time and space, light and dark, and theirwillingness to evolve their unmistakable sound into bold new forms.The eponymously titled SUNN O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood(HuM, Tar, Sunny Day Real Estate, Liz Phair). This location would prove crucial to the recording process.“The vast tracking room had big windows looking out on trees,” says O’Malley. “We could go hiking and be out in thewoods, spend time outdoors. That became a big part of it.”“It was very inviting and very comfortable there,” adds Anderson. “There was no stress, no worry about the timelineor anything like that. We just let ourselves go, and let the music come out.”“On this album for the first time all of the instrumentation was performed by Greg and I,” says O’Malley. “All of therecords have our leadership and direction, of course, but this time around, it was almost like this crucible of ideas thatwas really at the core of what we’ve been doing.”Recording exclusively as a duo should not be interpreted as SUNN O))) limiting or restricting themselves. To thecontrary, it has opened up new possibilities for their music.The six compositions on SUNN O))) are expansive and panoramic yet finely detailed, reflecting the arboreal setting inwhich they were recorded. Opener “XXANN” enters with howling feedback before crunching into what might at firstseem familiar territory – until one registers the sound of water trickling beneath. “Mindrolling” likewise incorporatesfield recordings, as does “Glory Black”, which in addition introduces piano, by turns sonorous and delicate, into themix, lending the already formidable piece a hushed, solemn feel. The Newcastle-forged originators of black metal geta shout out in the title of “Does Anyone Hear Like Venom?” which seems to position Cronos, Mantas and Abaddon asdeep listeners, attuned to their Tyneside surroundings in much the same way as SUNN O))) are to the forest enfoldingBear Creek Studios. Throughout the album, the interplay between O’Malley and Anderson attains fresh heights oftelepathic intensity as they shape a music that itself breathes the bracing, earthy air of the Pacific Northwest.In October 2025 SUNN O))) released the first fruit of a new deal with celebrated US label Sub Pop in the form of a maxi12” featuring “Eternity’s Pillars”, “Raise The Chalice” and “Reverential” – three monumental tracks from the samesessions that produced the new album. The alliance with Sub Pop makes perfect sense, as Anderson explains.“We decided that we should approach Sub Pop, after I’d had some great conversations with Jonathan Poneman,” hesays. “So I called him up and before I could get the words out of my mouth, he said, ‘We’d love to do it. Tell me whatyou guys need.’ He was really excited and supportive.”All of which adds up to a fully immersive experience, uniting sound, word and visual into something that is undeniably,completely SUNN O)))
Chasing Chance
In January 2019, two Omaha-based bands crumbled. In the vacuum that followed, two members of those fallen bands, John Faist (drums) and Parker Cundall (vocals/energy), reached out to Drake Rader (left guitar) with a goal: create a 5-piece band that simultaneously could be played on radio stations around the world and would not compromise the quality of music each of the members wanted. Their collective vision was one of thousands of fans screaming their lyrics back at them. Thus, Chasing Chance was born. Each of the members wanted so badly for this to be a reality that they patiently wrote music for the entire year while waiting for the right band members to join their cause. As they built up enough material for their first EP, they found time and again that potential band members did not share their commitment – did not share their energy – did not share their vision on what their music should be. After trying out several guitarists, frustration began to set in and they considered a number of paths forward to include biting the bullet and keeping Drake alone on guitar. Enter Robert Klingsporn (right guitar). Having just left a musical project into which he had poured 4 years of his life, he was hesitant to begin anew with band mates that he did not trust. He decided to try out on a whim and reached out to John, with whom he had played shows in previous musical ventures. After seeing the material Chasing Chance had written and after seeing the (frankly) alarming amount of commitment they had, he decided that this was a project worth investing in, and joined on as the second guitarist. The band still lacked a dedicated bassist, though, and despite the band championing to all their musician friends, they found it difficult to find one with both skill and commitment. Enter Pat Austin: Pat is a seasoned musician who was out astray looking for the right fit for such an awesome talent. Pat was introduced to the band when he saw Chasing Chance play their first show. Pat was a later addition, added to the line up after Chasing Chance’s first public outing. CC had a fill in bassist (good friend to the band, Gabriel Prado), but was still looking for someone to fill the position permanently. Pat reached out the band, auditioned, became the best member of the band…the rest is history. Characterized by a sonic hurricane of powerful, pop-punk influenced guitar and drums, Chasing Chance’s music is tempered by catchy vocal melodies that leave listeners humming the songs for days afterwards. One thing is for sure: their music burns with an unerring and infectious passion that will leave you begging for more. Chasing Chance is a band about energy; the band members thrive on feeling music — on thundering drums, chanting vocals, and bass so heavy it shakes your chest. Live shows should be a perfect and elegant performance, not a rote presentation of what you hear on the radio. What better place to experience that with us than at a gig?
Snooze
Snooze: happy heavy mathy band from Chicago Spotify | Instagram | Facebook
Crazy & the Brains
Crazy & the Brains is an American punk band. The band was originally Chrisoph Jesus’ solo project at The Sidewalk Cafe in New York, New York in 2013 (though most of the members are originally from Bayonne, New Jersey). They have toured with Gogol Bordello,The Bouncing Souls, The Bridge City Sinners, Days N Daze, Negative Approach, & The Slackers. Vice has compared them to Rancid and The Ramones. Earlier press also made mention of their use of xylophone in songs, referring to them as “xylo-punks” and noting ” There aren’t a whole lot of punk bands that feature the xylophone”
Ungoliant
Ungoliant – Ungoliant is a 4-piece black metal band from Omaha, NE. Formed in 2018, they have been bringing an old-school black metal approach to venues across the Midwest, opening for bands such as Warbringer, Uada, Panzerfaust, Jungle Rot, Hulder, and more. https://ungoliantamerica.bandcamp.com/VolsungaSaga – Pagan/Viking/Folk Metal from St Paul, MNhttps://volsungasaga.bandcamp.com/Rahvn – Blackened death metal from St Cloud, MNhttps://rahvn.bandcamp.com/Manson Lamps – Bog sludge doom stoner rock from Omaha feat. former members of Orpheus, Scabby Ghouls & Super Moon!https://www.facebook.com/people/Manson-Lamps/61571125720677/
Subhumans
Subhumans are one of the most influential bands from the UK Anarcho-Punk scene of the 80’s, filed right alongside Crass and Conflict, and just as relevant today as they were during the darkest days of Thatcher’s Britain. Take your choice in how to label them – Punk, UK82, Crusty, etc, – there lies the attraction and consequent reason for their popularity, the band epitomizes non-conformity and connects with people in many different scenes. Forming in 1980, recording and releasing a series of live and demo cassette tapes on their own Bluurg label, they continued to release music throughout the 80’s – building a powerhouse of a back catalog that completely stands the test of time. Their debut LP ‘The Day the Country Died’ (1983), with its Orwellian influence, is considered by many to be a classic and has sold in excess of 100,000 copies. The second album, ‘From the Cradle to the Grave’, came swiftly the following year (1984), and although the same frenetic pace is in evidence, this marks a significant musical development for the band. In 1985 Subhumans broke up, citing the usual musical differences, although they had managed to release a third, maybe ironically entitled, LP ‘Worlds Apart.’ A final EP was released posthumously in 1986, ‘29:29 Split Vision,’ a further demonstration of how far the band had come musically from their initial leanings. Dick Lucas subsequently joined Culture Shock and then formed political ska-punk band Citizen Fish in 1990, both bands releasing many albums, and still playing today. Subhumans had a couple of reunion shows in the nineties, before a more permanent return for the 21st century, including 2 major tours of the US, the first resulting in the ‘Live in a Dive’ LP. The Subhumans then released a further studio album in 2007, ‘Internal Riot,’ again on Bluurg Records. The band is still passionate and angry, illustrated by Dick saying “Being in a band is the source of most of my passion and drive! The live experience of sharing it with people keeps it ongoing, the release of anger, frustration and initially negative/destructive states of mind is a release from the downward spiral of keeping it all bottled up and it feels positive/constructive as a result.” The band have recently written ten new songs, which Pirates Press Records are thrilled to be releasing, and are embarking on a year of touring in both Europe and North America! First a split with The Restarts before a 12” of their own comes out in October of 2019! The social and political commentary of bands like Subhumans forged a path, along with their contemporaries, for punk to change lives and opinions around the world. Sadly the things they sang about forty years ago are largely just as important now, sometimes more so in an age of Trump and Brexit. We can’t wait to hear more of what they have to say about the current political climate, the immense imbalance of wealth and power, and the causes they hold near and dear to their hearts. — La Pobreska (ska/punk/hardcore from Los Angeles) https://www.instagram.com/lapobreska
Haunt
Haunt was originally formed by Trevor William Church as a musical project to be worked on alongside his existing band Beastmaker; the project was to take on a traditional metal sound as opposed to Beastmaker’s doom metal style. In 2017 Church wrote and recorded Haunt’s debut release, the extended play Luminous Eyes , with Daniel Wilson playing drums for the recording. It was first released digitally, as an independent release, but it later received physical releases from the Shadow Kingdom Records label. In 2018, Church wrote and recorded one single for Haunt, Ghosts . Later that same year, Haunt released their first full-length studio album, Burst into Flame . Daniel Wilson returned to play drums for the album, this time as an official band member. Joining Church and Wilson for the album were Matthew Wilhoit on bass and John Tucker on guitar. Both Wilson and Tucker would stay as permanent members, but Wilhoit would be replaced by Taylor Hollman on following releases. In 2019, Haunt released their second EP, ( Mosaic Vision ) their second studio album, ( If Icarus Could Fly ) and two split albums. ( A Fool’s Paradise / On the Streets Again and Sea of Dreams / The Crystal Temple ). The following year they released their third and fourth studio albums, titled Mind Freeze and Flashback respectively, as well as the Burst into Demos compilation.” Haunt has been featured on the cover of Decibel magazine (February 2020), featured in Rolling Stone magazine and has made numerous “top” lists, such as Rolling Stone’s top 20 metal albums of 2018 (with Haunt at number 12). The band has toured with Municipal Waste, and Toxic Holocaust as well as fellow metal travelers such as Hell Fire and Idle Hands. Haunt’s Spotify plays for 2020 reached 1 million streams. — Intranced (hard rock / heavy metal from Los Angeles) https://intranced.bandcamp.com/