Horace Green
Horace Greene is a band that has done some things. Here is one of the things they did: they released an album. Actually, they released two albums. The first album has 12 songs and it came out in 2016, it is called “Early American Ice Cream”. The second album also has 12 songs and it came out in 2018, it is called “The Diamond Engine”. Both albums came out on June 1st – crazy. There is also this other EP they released, called “Live from the Algoma Club” – its a live album – three songs. That one came out in 2020 (not on June 1st). Here is something interesting that happened after “The Diamond Engine” came out: it got over half a million streams on Spotify. Unexpected. In January of 2025, following 7 years of tireless touring, Horace Greene unveiled “Nighttime Boi” – a shimmering new single off their upcoming full-length album. This marked the start of a new chapter for the band. Exciting. By June of 2025, hot on the heels of “Nighttime Boi”, the “Summer of Cream” had begun. The definitve climax to the tour was August 15th, when the band released a nearly 7-minute single called “Cream” – a hypnotic, funk-laced voyage that cemented their flair for bold, magnetic songwriting. Creamy. Horace Greene got nominated for a WAMI award after “The Diamond Engine” came out. WAMI stands for: Wisconsin Area Music Industry. Informed. Horace Greene has done other things besides releasing music – they have played shows (performances in front of live humans/dogs). Here are some of the places in which those shows have occurred: Milwaukee’s Summer Soulstice Festival, Mile of Music, The Anderson Japanese Gardens, Ledgestone Vineyards, Tosa Tonight, and Mid West Music Fest. Horace Greene has played about 200 shows, which is a 3-digit number. Accurate. Horace Greene sometimes plays shows with other bands. Here are some of the other bands they have played with: Post Animal, Bombino, Proxima Parada, Mo Lowda and the Humble, Miles Nielson (with Rick Nielson), Laney Jones, Stay Outside, Early Eyes, and Easy Honey. Fun. Horace Greene has done music videos for three songs: “Fevers”, “Midnight Fuse”, and “Nighttime Boi”. Visual. Horace Greene has also done live music videos for three songs: “We Could Be Lovers”, “Sunflower Silo”, and “Love Me Again”. These videos provide the visual component to that “Live from the Algoma Club” EP we discussed earlier. Raw. Horace Greene does short videos too, in an effort to further destroy your attention span. “Rollin’ with Roland” is a short-form video series where the band writes, records and publishes a new beat in under 3 hours. In 2023, the Rollin’ with Roland series got so popular on Instagram that it attracted the attention of the Roland company themselves, all the way over in Osaka, Japan. This resulted in an official Instagram collaboration with them on several different videos. Global. Horace Greene does not do all things. Sometimes other people do things. Here are some of those other people, and the things they have done: Honeytone Studio recorded/mixed “The Diamond Engine”, and Gavin Lurssen mastered it. Gavin Lurssen also mastered other people’s albums, like the Foo Fighters, George Harrison, Bruno Mars, and Queens of the Stone Age. Back to Horace Greene now. Chris Gehringer mastered “Nighttime Boi”. Max Hauser filmed the “Nighttime Boi” music video and also the “Live from the Algoma Club” sessions. Nate Lehner filmed the “Midnight Fuse” music video. Casey Nelson filmed the “Fevers” music video. There are other people who did things too, they are also important. Love. Horace Greene is doing things. Horace Greene is playing shows, creating new music for a new album in 2026, making videos with an inanimate drum machine, updating this website, and chugging whole milk right from the carton. Empowered. Horace Greene will continue to do things. Futuristic.
HAVOK
HAVOK – Havok is an American thrash metal band from Denver, Colorado. Formed in 2004, their members currently consist of David Sanchez (Vocals/guitars), Mike Leon (Bass), Pete Webber (Drums), and Reece Scruggs (Lead guitar). https://www.instagram.com/havokband/ Narcotic Self – thrash metal from Omaha, NE https://www.instagram.com/narcoticself/ Molten – heavy / groove / thrash metal from Omaha https://www.instagram.com/molten_official_/ Glass Trenches – hardcore / punk from Omaha https://glasstrenches.bandcamp.com
Toxic Authority
Toxic Authority – original punk band which touches on multiple musical genres including: Punk, Metal, Folk, Garage rock, etc from Denver https://www.instagram.com/toxic_authority/ Radiofry – grunge rockers from Colorado https://www.instagram.com/_radiofry/ The Shidiots – 90’s Fat Wreck punk rock from Omaha https://theshidiots.bandcamp.com/ Lazarus Go Home – noisy fuzzed out alternative rock from nebraska https://www.instagram.com/lazarusgohomeband Cope Acidic – noisy (and sometimes spacey) post-hardcore from omaha https://www.instagram.com/copeacidic/
Dying Wish
Mrs. Nezbitt
FELICITY
FELICITY – FELICITY is an Orlando-based “trash rock” band formed in 2013, blending pop-punk, hard rock, and metalcorehttps://www.instagram.com/wearefelicity/Blondo – pop punk from Omahahttps://blondostreet.bandcamp.comLight Speed Highway – indie / pop punk from Omaha, NEhttps://lightspeedhighway.bandcamp.com/
Confined in Flesh
Confined in Flesh – Old school death metal from Kansas City, MO https://www.facebook.com/ConfinedInFlesh/ Manson Lamps – bog sludge doom stoner rock from Omaha feat. former members of Orpheus, Scabby Ghouls & Super Moon! https://www.facebook.com/profile.php?id=61571125720677 Cycles of Entropy – Omaha metal https://www.instagram.com/cyclesofentropy/ The Band That Will Never Break Up party rock from Omaha
Machine Country
INOCULATION + NOXIS
Hatebreed
Hatebreed is an American hardcore metal band from Connecticut, formed in 1994. With unflinching tenacity, the impenetrable heavy metal hardcore factory that is HATEBREED has brought forth yet another iron cast, sonic weapon with Weight Of The False Self. It comes as no surprise that their eighth, full length album is the result of the usual sweat and blood that have cemented HATEBREED’s unique niche in the world of music for over two decades. Renowned for their ability to provide an intense and cathartic release for their fans, HATEBREED challenged their writing style through this album cycle in order to produce material that is exceptionally relatable in a contemporary world flooded with overstimulation, emotional dampening, and lack of social patience. “Weight Of The False Self’ is a perfect representation of HATEBREED in 2020, a fresh onslaught of soon to be classics with all the elements that led you here since day one,” explains guitarist Frank Novinec. A metaphorical weight is carried by almost every individual in regards to their emotional construct. Our experiences shape who we become and over time, gradually produce a heavy burden that we continue to lug along. For many of us, the weight becomes so much that we struggle to get out from underneath, let alone move. It is these struggles that are translated throughout Weight Of The False Self. “Seen or unseen, everyone is carrying a burden. The music we love helps us bear the weight” proclaims vocalist Jamey Jasta. Over the course of over 20 years and 8 albums, the writing process for a band like HATEBREED has stayed safe in its roots, but still reached out and grabbed for crisp and compelling pieces of progressive sound to add to the mix. There are waves of fresh sounds while the massive foundation that houses HATEBREED remains strongly held in place. “On this album I really pushed myself; made myself rewrite things until they were better, until it clicked. I pulled myself out of that comfort zone. In the age of legacy bands having to play so many hits from their catalogue at shows, we love to hear fans request new songs when we’re playing live,” explains Jasta, “we’ve really played into our strengths with this one.” “There’s no shortage of beefy-riffs and adrenaline-fueled-drums on this record. I’m proud to say that we will consistently provide a soundtrack to which you can mosh in your living room and destroy your apartment,” details drummer Matt Byrne. Recording the album once more with the help of ZEUSS, the band experienced a sense of challenge and breakthrough that enabled them to obtain a new level of sound. After working with the band for several years, and while normally spending his time with bands that have a fairly different sound, Zeuss is able to test HATEBREED and expand their already infamous vibration. “It was really great working with Zeuss again on this one. Love the way the guitars sound,” comments guitarist Wayne Lozinak. As time goes on, the quality of production technology only seems to get better and better, creating a safe and productive nest in which albums can evolve and end up with a much cleaner sound; Weight Of The False Self brings early 2000’s era HATEBREED into the new decade. Released on November 27th, 2020 via Nuclear Blast Records, Weight Of The False Self is noted as one of HATEBREED’s strongest, and most memorable albums.