Accessory

Accessory is the Chicago-based solo project of Jason Balla (mem. of Dehd). Their debut album— DUST— confirms Balla as a new voice in experimental pop. He crafts an intimate sculpture of guitar feedback, electronic manipulation and everyday poetry, straddling the line between the digital and the organic. The songs are a constellation of misconnection, desire and the search for certainty in a reality dominated by distraction and defeatism. At a time trending toward AI gloss, Balla employs the dadaist tradition of random chance to incorporate human imperfection and unpredictability into his work. The result? Songs that live and breathe, marked with the fingerprints of process and shaped by emotional undercurrents that flow beneath a calm surface.  

Baile Tumbado

LA PRESIÓN PRESENTA: BAILE TUMBADO 🇲🇽 🥃 🔥 Corridos pa’ pistear 🍻, banda pa’ bailar 💃 Bienvenidos a Baile Tumbado, una noche pa’ las morras, los tumbados y toda la plebada 🤠 Cáiganle con su crew pa’ un pari lleno de corridos tumbados, regional mexicano 🇲🇽, reggaetón mexa 🔥 y puro pinche rolón toda la noche. Ponte tumbado 😎 y ponte bellaka 😈 porque estamos afuera toda la noche 🥃 I   NFORMACIÓN: 📍REVERB LOUNGE 📅 FRIDAY 9.18.26 🎟 $10 PRESALE / $15 DOS 🕘 9PM–1AM 🔞 21+

Bright Eyes

Bright Eyes has partnered with PLUS1 so that $1 per ticket goes to supporting the Poison Oak Project, and their work advancing equity for LGBTQ+ people, with a particular focus on supporting the trans community. Bright Eyes began in 1995 in an Omaha basement as a recording moniker for a then 15-year old Conor Oberst’s work with producer/multi-instrumentalist Mike Mogis. Mogis and composer/arranger/multi-instrumentalist Nate Walcott became fully fledged members in 2006.  Over the last two-plus decades, as Bright Eyes has released one after another time capsule LP’s – urgent dispatches from transcendent, fleeting eras of our collective lives – they’ve also simultaneously been assembling a robust, mature, narratively cohesive discography.  Bright Eyes’ impact and influence has been significant throughout pop-culture, appearing in countless films and television shows, their songs covered by dozens of artists including Lorde, The Killers, Mac Miller, Phoebe Bridgers, Jason Mraz and beabadoobee, and sampled by rappers like Young Thug and Lil Peep.  ​For a band that’s often been perceived as an outlier, the depth, breadth, and impact of the Bright Eyes canon is remarkable. 

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