The English Beat – SOLD OUT
The English Beat is a band with an energetic mix of musical styles and a sound like no other. The band’s unique sound has allowed it to endure for nearly four decades and appeal to fans, young and old, all over the world. When The English Beat (known as The Beat in their native England) rushed on to the music scene in 1979, it was a time of massive social and political unrest and economic and musical upheaval. This set the stage for a period of unbridled musical creativity, and thanks in large part to the Punk movement and it’s DIY approach to making music, artists like The Beat were able to speak out and speak their mind on the news of the day, as in “Stand Down Margaret”, things that mattered to them and the youth culture, as in “Get A Job”, and universal matters of the heart and soul, as in their classic hits “I Confess” and “Save It For Later”. The Beat first came to prominence as founding members of the British Two Tone Ska movement, with their classic first album “Just Can’t Stop It” fitting squarely in that genre. Along with their contemporaries The Specials, The Selecter, and Madness, the band became an overnight sensation and one of the most popular and influential bands of that movement. However, band leader Dave Wakeling never felt constrained by the movement. The band crossed over fluidly between soul, reggae, pop and punk, and from these disparate pieces they created an infectious dance rhythm. The band’s sound continued to evolve over their three studio albums, through the General Public era (a band formed by Dave with The Beat’s toaster, Ranking Roger), and it has continued its evolution with the forthcoming English Beat album “Here We Go Love”, a PledgeMusic crowd-funded album set for a 2016 release, the band’s first new album since 1982’s “Special Beat Service”. Consummate showman that he is, Dave Wakeling continues to keep The Beat alive and strong, touring the world as The English Beat with an amazing all-star ska backing band playing all the hits of The Beat, General Public, and songs from his new album “Here We Go Love”. You just can’t stop The English Beat!
Umphrey’s McGee
Chicago’s eclectic rock band Umphrey’s McGee has been keeping fans on their toes fornearly 27 years now. Though often pigeonholed into “jam band” circles, Umphrey’s doesn’tfit that traditional mold; and their fans don’t either. Is it prog rock? Song-forward,Beatles-esque arrangements? Be careful, they might hit you with some metal riffs mid-set,too. Amongst 2,500+ gigs and 300 million+ tracks streamed, you-had-to-be-there momentsinclude the band’s performance at the first-ever Bonnaroo and selling more CDs (rememberthose?) than any other act on the bill. A leader in the live music world, Umphrey’s McGeebecame the first group to launch its own single-artist streaming service with UMLive.net,which houses recordings of every gig since 2005. The service has since grown and now lives on through Nugs.net, which is used by the likes of Pearl Jam, Bruce Springsteen, and more. Beyond intimate backstage encounters and ski trips with their most diehard fans, Umphrey’s McGee instituted the groundbreaking “Headphones & Snow cones” program, granting fans access to professional headphones and a soundboard-quality mix to listen wirelessly at shows. At their UMBowl, they empowered the audience to vote on the setlist in real-timeand choose favorite improv themes via text message. In 2017, they stepped into another realm altogether by integrating themselves into the VR Platform Endless Riff. All of the above has earned the band status as kings of the live music scene with standing yearly engagements at iconic venues, their own events in Iceland (Rockjavick) and Mexico (Holidaze), and co-hosting Chillicothe, IL’s long-running Summer Camp festival. In April 2025, Umphrey’s McGee will lead their faithful fans on another bucket list musical adventure: Morockshow will feature three nights in Marrakech, Morocco, marking another signature event in an exotic location. Umphrey’s McGee’s latest release Asking For A Friend showcases more evolved songwriting and thoughtful arranging from a bandcontinuing to grow and mature with their droves of die-hard, longtime fans.
Bilmuri
Mae & The Spill Canvas
VIP TICKET INCLUDES: -General Admission ticket -A pre-show performance with two acoustic songs from both Nick (TSC) and Dave (Mae) -Signed VIP poster -VIP laminate -Photo opportunity / Q & A -Early access to merch
BROOKS NIELSEN (of The Growlers)
Brooks Nielsen, celebrated frontman of The Growlers and now a critically acclaimed solo artist, has firmly established himself as one of the most distinctive voices in independent music. As the frontman and creative force behind The Growlers, Nielsen helped define and popularize the Beach Goth movement—a genre-blurring, countercultural wave that left an indelible mark on modern rock. Over more than a decade, The Growlers built a fiercely dedicated international following, performed at major festivals, and sold out venues around the world. Their celebrated discography and electrifying live shows cemented them as one of the most influential underground bands of the 21st century. In addition to their music, The Growlers also founded and curated the Beach Goth Festival, a groundbreaking event that brought together a wildly eclectic mix of artists—from Patti Smith and Bon Iver to Doja Cat and Mac DeMarco—making it a defining moment in the cultural landscape of the 2010s. Now, as a solo artist, Nielsen continues to push boundaries with the same fearless spirit. Since launching his solo career in 2022, he’s released four records—three of them in 2024 alone. His latest, A Ride I’m Waiting For, features the haunting duet “Without Eyes” with Sierra Ferrell and has been praised for its cinematic scope and emotional depth. On stage, Nielsen delivers an experience unlike anything else. Backed by a powerhouse band—Growlers drummer Richard Gowen, keyboardist Cole Riddle, and guitarists J.D. Carrera and Elyadeen Anbar—Brooks crafts a set each night that’s entirely its own. Drawing from his extensive solo catalog, deep cuts, Growlers classics, and unreleased material, his shows are long, loose, and alive. With no opening acts and performances stretching two and sometimes three hours, fans are invited into a world that feels as spontaneous as it does deeply curated. This Fall 2025 run is Brooks’s most ambitious solo tour to date, featuring first-ever solo plays in small towns, Aspen and Fort Collins, CO; Carrboro and Asheville, NC; Madison, WI; Ferndale, MI; New Haven, CT; St. Louis, MO; Boise, ID; Tulsa, OK; and Nashville, TN. There’s also a rare and intimate upstate New York show at the newly revived Bearsville Theatre in Woodstock—a venue rich with music history. In New York City, Nielsen will headline the legendary Webster Hall for the first time, marking his biggest solo show in the city yet—and in Chicago, he’ll play the iconic Metro, a rite of passage for generations of boundary-pushing artists. The 28-date tour wraps with the now-iconic Helloween shows at the Hollywood Palladium in Los Angeles on October 30 and 31—two surreal, sweat-soaked nights that have instantly become a rite of passage for Nielsen’s most devoted fans. Every year, Beach Rats from across the country—and around the world—make the journey for this once-a-year celebration of the strange and the sacred. It’s more than just a show: it’s a Mecca for the hardcore fanbase, a chance to mix with fellow travelers, share stories from the past, and revel in a night of music, mystery, and magic. If you know, you go.
Zepparella – The Led Zeppelin Powerhouse
How to honor the legacy of a band deemed sacred? To tread on holy ground is perilous, and must be done with the intent and spirit of a disciple—Pay attention to the intricacies of the magic, explore the far ends of the innovation, strive for ever-growing ability, and let the purity of the love for the music drive it all. Drummer Clementine is the founding member of ZEPPARELLA. From the beginning of her musical career, her goal has been to be onstage every night. The pursuit of that goal has led Clementine to constantly tour the US and Europe in projects as diverse as Bottom, AC/DShe, The House Of More, The Solid, Francis Bakin, Stars Turn Me On and Beaux Cheveux. She tackles the best rock drumming ever written with her own emotionally powerful style, bringing the Motown influence of the Bonham groove to the forefront. The profound musical connection established with Gretchen Menn (guitar), Holly West (bass), and Anna Kristina (vocals) creates the bond required to do this great music justice. It was under the tutelage of classical guitarist Phillip DeFremery, a student of Andrés Segovia, that guitarist Gretchen Menn began her path on the instrument. Playing with tireless passion and constantly seeking out new challenges, her projects are often unconventional, genre-bending expressions combining elements of classical, rock, progressive, jazz, and metal. On influences, Gretchen has never tired of her initial inspirations—Eric Johnson, Steve Morse, Frank Zappa, and Jeff Beck. But she has loved Jimmy Page’s guitar playing longer than she has played the guitar. It was through the music of Led Zeppelin that she found a gateway into music that resonated deeply with her, creating a love for guitar-oriented music, and, ultimately, the guitar. Bassist Holly West began her musical journey full-steam ahead, and more recently than her stellar playing belies. Her unstoppable will and drive have truly propelled her to this moment and her place in the powerhouse Zepparella. A self-taught bass player, she is also a blossoming vocalist with rich rock pipes. Her time on stage has been well spent, developing an impressive attack, impeccable feel, and a technique which seems to have come completely naturally to her, not to mention her dazzling stage presence and joyful performance style. Her influences span the rock gauntlet, from Clutch and the Rival Sons to Slash, ZZ Top, and of course, the mighty Zeppelin. Singer Anna Kristina is a soulful, fiery, and rocking vocal powerhouse who has stepped into Zepparella’s Plant spot for a second time. Anna was with the band for 5 years, became known for her performance in the band’s 15 million-view “When The Levee Breaks” video, took a 6-year hiatus, and now returns in 2018 to front the band. Her career has spanned acoustic, jazz, soul, rock, and her charisma and power delivers captivating performances every night. About her brilliant harp playing she says: “getting a chance to blow on the harmonica is an added bonus! Plant isn’t just a singer he’s a musician. He brings his blues background and natural percussive feel to his harmonica playing as well and I love getting lost in that. Playing the harp allows me to express on a whole different level and it’s so freeing.” Now more than ever, Zepparella explores their own improvised magic within the framework of Zeppelin’s mighty songs!
Elephant Rifle
Elephant Rifle is a band from Reno, Nevada. They have been toiling in relative obscurity since 2010. Their music draws from ’90s noise rock, ’80s hardcore punk, and ’70s classic rock, with some metal, jazz, and psychedelia, among other things, thrown in as well. Gaytheist – gay / hardcore / noise rock / punk from Portland, OR
Bad Year
Bad Year – pop punk / alternative rock from Milwaukee, WI Soda Spill – pop punk from Omaha Wood Haven – Omaha emo
Cinema Stereo
Hailing from Orlando, Florida, Cinema Stereo is a high energy melodic rock band with an affinity for writing infectious music with an original sound. Cinema Stereo consists of 3 unique individuals: Ian Rayha (Lead Vocals/Keyboard/Bass), Sebastian Borysek (Lead/Rhythm Guitar) and Luke Pate (Drummer). As confident visionaries, Cinema Stereo is greatly influenced by setting themselves apart from those before them, while drawing inspiration from their desire to invoke a passion in others through music. Public Figure – Pop-Alternative Rock from Omaha Las Cruxes -indie / lo-fi rock / shoegaze from Omaha
Creek + Ghostlike
CREEK – Drenched in reverb and melancholy, Creek is an emo band from Denver Colorado drawing on influences including Balance and Composure, Title Fight, and Seahaven. GHOSTLIKE – blends ethereal shoegaze textures with the raw intensity of post-hardcore to create a sound that is both haunting and invigorating. Fans of Holy Fawn, Fleshwater and Turnover will latch onto what the band brings in its composition and live performance. NOWHERE – Post Hardcore songs with Power Violence energy. Punishingly loud, meticulously precise. FACE – Open up your mind, let your fantasies unwind, in this darkness which you know you cannot fight, the darkness of the music of the night.