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Mammoth and 1% Present:

The Mavericks

April 19

8:00 pm

$40 ADV / $50 DOS / $75 RESERVED

Doors at 7 PM

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Any band that manages to survive three decades, seeing its core members go from young adults to veteran musicians is bound to have its swings and cycles.
The Mavericks, the eclectic rock and country group known for crisscrossing musical boundaries with abandon, has gone through three distinct phases since it was founded in Miami in 1989. An initial period of heady success marked by big hits and critical acclaim in the ‘90s. A long hiatus starting 2003 when the musicians each went their own way. And finally, a triumphant reunion in 2012 which held long enough for them to recently celebrate the band’s 30th anniversary.
Now, The Mavericks are releasing a new album that ushers in the fourth phase of their evolution.
“It’s like we’ve had three different lives,” says Raul Malo, the band’s lead singer and songwriter, “and now this is a whole new beginning. We’re sort of going into uncharted territory. I’m looking forward to it and I’m kind of nervous about it too. It’s certainly a new adventure.”
On August 21, The Mavericks officially launch that adventure with the debut of their first-ever, all-Spanish album, released on the band’s own Mono Mundo label. Entitled simply En Español, it is produced by Malo and the band’s long-time collaborator Niko Bolas (Neil Young, Prince, Sheryl Crow). The line-up includes Malo’s fellow Miamian and charter bandmember, Paul Deakin on drums and vibraphone, as well as veteran Jerry Dale McFadden, who joined in 1993. Eddie Perez, a Mexican American guitarist from Los Angeles, is the band’s youngest and newest member, becoming a Maverick in 2003.
The band readily embraced the all-Latin concept, as a team. “It’s a communal project in many ways,” says Malo, “even though I’m leading the charge,” Although all 12 tracks are in Spanish, as the title suggests, the collection represents a diversity of musical styles and cultural traditions, from tender boleros to brassy mariachi to reimagined Afro-Cuban classics. Seven of the tunes are familiar gems drawn from the vast Latin American songbook, while five are originals written or co-written by Malo.
Like the band’s entire body of music, this one album cannot be boxed into a single category. The songs are as diverse as Latin America itself, and as cohesive as the ideal of the American melting pot. To season this rich musical paella, The Mavericks add their signature country/rock/Tex-Mex flavors and a refreshing spontaneity to the mix.
En Español flips the band’s usual fusion formula, which adds a striking assortment of genres – salsa, ska, norteño, mariachi, and much more – to its sturdy rock/country base. Now, the foundation is solidly Latin with streaks of irreverent rock and twangy guitars running through it, all branded with the unmistakable Mavericks style.
“This album, to me, celebrates all those cultures that are so beautiful and so vibrant,” says Malo, who was part of the diverse ensemble known as Los Super Seven in the early 2000s. “I’m proud of this record for that. I think it’s a very inclusive record. Because this story is not just my story, it’s the story of a lot of Latinos.”
The idea for an album consisting entirely of Latin music has been percolating in Malo’s mind for several years. The concept crystalized toward the end of the band’s extended separation, during which Malo was performing and making albums as a solo artist. But even when he was on his own, he never conceived of recording an all-Spanish album without his band.
“I was doing this solo stuff and I thought, ‘If The Mavericks ever get back together, I would love to do this project with them. I think The Mavericks would make a great album in Spanish.’ “
In 2012, the band finally did get back together, and started touring and recording as a group again. In 2019, they celebrated their 30th anniversary with a successful tour that was unfortunately interrupted earlier this year due to the coronavirus pandemic.
While the tour was suspended, work on the new album continued.
The inspiration for this labor of love is rooted in the immigrant experience of the band’s founder. He was christened Raúl Francisco Martínez-Malo Jr., the son of Cuban exiles who was born and raised in the stimulating immigrant environment of Miami’s Little Havana.
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