Genre: Alternative/Indie Rock

The Growlers

The Growlers have carved out their own mythos in modern rock—a sun-drenched fever dream  of surf, psych, garage, and California weirdness. At the center is founder and ringleader Brooks  Nielsen, whose unmistakable voice and twisted pop sensibility have guided the band from dive bar misfits to cult legends.  Now, after six years away from the road, The Growlers return for their first world tour since  2019, with dates spanning Australia, the UK, Europe, and North America. The comeback arrives  alongside two brand-new singles,  “Crisis” and “Feel My Funk,” signaling a bold new chapter for  the band while staying true to their unmistakable sound and unshakable spirit. 

Magnolia Park

VIP Packages Include:  – One (1) General Admission Ticket- Mini Game w/ Magnolia Park- Meet and Greet w/ Magnolia Park- Photo Op w/ Magnolia Park- Limited Edition Magnolia Park Plush- Souvenir Laminate w/ Lanyard- Signed Foil Tour Poster- Early Entry- Crowd Free Merchandise Shopping MAGNOLIA PARK – vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, drummer Joe Horsham and bassist Vincent Ernst – have never been ones to settle for subtlety. Since forming in 2018, the Orlando, Florida-based quintet have repeatedly proven themselves to be one of the most exciting and forward-thinking groups in the underground, spinning a chameleonic, genre-spanning sound that incorporates punk, hard rock, hip-hop and metalcore into a dizzying, multisensory experience. Blazing onto the scene with an insatiable social media work ethic and prolific musical output, their popular Halloween mixtapes, multi-part Eater EP series and full-length debut, Baku’s Revenge, cemented them not only as a playlist and For You Page favorite for millions of listeners around the world, but a must-see live act on tour with A Day To Remember, From Ashes To New and the inaugural Summer School tour (where they served as a headliner). They’ve also graced the stages of major festivals like Reading and Leeds, When We Were Young, Sonic Temple, Louder Than Life, Welcome To Rockville and Riot Fest, plus the revived Warped Tour stops in D.C., Long Beach and Orlando. Making their way back overseas, in 2026 the band have European performances slated at Download Fest, Rock Am Ring, Rock Im Park, and more. The fivesome have unleashed their most ambitious effort yet: VAMP (Epitaph Records), a neo-gothic concept album rich in world-building and gripping storytelling. Culling influence from the band’s favorite anime including the long-running Vampire Hunter D, along with inspiration from iconic works like Star Wars, Dracula and Joseph Cambell’s legendary monomyth, Vamp unravels an ominous journey through Nocturne Nexus, where rulers and rebels battle with the future hanging in the balance. “The most exciting thing about this band is how everyone elevates everyone else,” Roberts says. “I’m just so glad that we’re all able to do that and come out with great music and great vibes and feel like we’ve accomplished something special. That’s the whole mission: to make sure that at the end of the journey, we’re better than we were in the beginning.”  

Beachmont

BEACHMONT is the electrifying new project from Berklee Alum Josh Polack (formerly of Mom Rock) and Tyler Savoie, joined on stage by Will Chiles, Josh Wurz, and Dan Sivachenko, blending the nostalgic flair of the 80s with high-energy live performances. Known for their award winning theatrical stage antics and self produced, sax/synth-driven sound, the Nebraska-born, Nashville-based duo has shared stages with the likes of KT Tunstall, Living Colour, and Train, and was recently crowned American Songwriter Magazine’s Road Ready winners.

GOOD TERMS

Good Terms released Burnout less than a year ago—a record that dismantled any preconceptions of who they are and what they sound like. The band dove headfirst into every unorthodox influence imaginable, putting every musical option back on the table. Burnout is anxious, hopeful, confused, angsty, joyous, loving, regretful, pissed, wistful, sincere, and cathartic. It juxtaposes moments that feel like the sonic recreation of the “dread meme” with others that feel like the triumphant ending of The Land Before Time. The album will have you clearing your sinuses from extreme levels of stank face, dusting off your old air guitar, wanting to do spin kicks in your living room, reconnecting with your younger self, and wishing you’d taken an extra bite of your crazy aunt’s special brownie. It’s mosh-ready, 420-friendly, and hell-yeah-brother approved. Then on a spring day this May, magic happened. Progress exploded onto the scene, landing heavy radio spins on SiriusXM, editorial playlisting across all major streaming platforms and quickly amassing 1M+ streams globally in just 4 months.  “Progress” immediately grew to number 1 across all platforms and became the new staple and lost leader for Good Terms.  “Progress” explores the emotional challenge of perseverance when on the brink of burnout. The song was inspired in part by vocalist Brian McShea and fiancée Stephanie Raynor, who lost their home earlier this year in the California wildfires. Their story captured national attention, and the outpouring of love and support reminded the couple—and their extended Good Terms family—of the importance of community. Good Terms are poised to take on their debut headline HIGHWAY TO HELL YEAH BROTHER North American tour throughout February and March 2026, a moment that is now built on now years of supporting tours for Hawthorne Heights, Emery, Youth Fountain, Driveways, Boys Of Fall and more.

Jordana

Jordana’s music has always possessed a unique sense of place. You can hear the stillness of a Kansas bedroom on her 2020 debut Classical Notions… Humid late night New York walks on her double EP Something To Say To You. There’s the kaleidoscopic otherworldliness of Summer’s Over, her collab release with TV Girl. The unmistakable sunshine of LA on 2024’s Lively Premonitions. But on her new semi self-titled project, Jordanaland, the 25-year-old songwriter has officially crafted a place all her own.  “Jordanaland is definitely an escape from Americaland. It looks a lot like LA in the videos…for some reason. Weird,” muses Jordana. “But it’s wherever you want it to be, just close your eyes.” Recorded with her friends Charlie Kilgore & Julian Kaufman of offkilter pop group MICHELLE, the EP drops Jordana in her most brightly-colored surroundings yet. Mixed by a pair of Grammy Award winners in Olli Jacobs (Kendrick Lamar, Taylor Swift, beabadoobee) & David Pizzimenti (Ella Mai, Ed Sheeren, Travis Scott), these songs soar with a sonic confidence that has previously only made occasional appearances in her discography. “Pop music was definitely the goal,” says Jordana. “Self assured, confident pop. I think the evolution came from becoming more comfortable with my voice, a more established sound, and also looking up to artists who let it all out in that way. I was pretty intimidated at first, because I love MICHELLE. They’re powerhouses. So I tried leaning into their energy, and I’m in love with what we made.” Of course, if her catalog is any indication, this might simply be a pitstop in a world of pop, but it’s a fully realized one. And in Jordanaland, she’s running for president. And she’s ruling with a very adorable iron fist.  ndeed, the blissfully absurd title-track is where she shines brightest, turning a campaign slogan into a huge refrain: “Jordana, you can-a.” Meanwhile, the EP artwork is a take on a revolutionary war photograph, depicting the founding of her namesake homeland, complete with its own flag. But don’t let the whimsy fool you. Here she touches on some of her most honest subject matter yet. “Still Do” is a study in the begrudging love we maintain for the people who let us down. “Like That” is a reminder of the promises we make to others about caring for ourselves. “Hard Habit To Break” is about struggling with alcoholism. It’s not all sunshine and rainbows in Jordanaland.  “Some of the songs were appropriate at the time given certain life events, others were me revisiting feelings,” says Jordana. Jordana has come a long way from that still Kansas bedroom in 2020, reinventing herself and her surroundings multiple times over. “It does feel liberating,” says Jordana, of her reputation as a genre chameleon. “There’s no expectation for me, or at least no expectation I’m paying attention to. I get to try new things all the time. It’s kind of like going to a theme park and seeing a bunch of your favorite rides and running over to each of them in excitement — each ride offers so many different feelings and experiences, that it’s so hard to choose only one to ride for the rest of the day.” If you want to find her today, she’s riding a dazzling rollercoaster named Jordanaland. Tomorrow? We’ll have to wait and see where the journey leads.

Carver Jones & The American Dreamers

22-year old singer-songwriter and Omaha, NE native Carver Jones always felt an undeniable pull towards music. After turning down a college basketball scholarship, Carver with his two best friends, hopped in an Van and hit the road. With no particular destination in mind other than to “see the Country,” the boys have performed on the streets and in venues of cities all across America over the past three years, seemingly gaining a lifetime of experience in the process. Having released his debut EP, CARV, in February 2024, Carver introduced his three-act AMERICAN DREAMERS EP with Vol 1 last Summer and Vol 2 this Spring. After playing a sold-out headline show in his hometown in late May, he and the band have relocated to Nashville to continue the story. On the back of the release of his latest single, Carver announced that he will be hitting the road this Fall to support 54 Ultra on his sold out US Tour. AMERICAN DREAMERS: Vol 3 is due out this Winter. 

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