The Rocket Summer
Celebrating 20 years of “Hello, good friend.” The Rocket Summer will perform the seminal sophomore album as well as an additional set of songs from each album to date. Dubbed “a master of creating anthems” by Paste Magazine and named by Alternative Press as “100 artists you need to know”, multi-instrumentalist, songwriter and producer, Bryce Avary, better known as The Rocket Summer has been a musical force since exploding onto the scene as a teenager in the early 2000s. With several albums in his growing discography debuting in top Billboard Alternative charts, Avary recently returned with the ever evolved electrified full-length album, shadowkasters, then followed with the stripped down acoustic rooted single, Don’t Be Yourself, which were both named by Rolling Stone as “Songs You Need To Know”. Having performed at Glastonbury, Austin City Limits and Summer Sonic, embarking on sold out headline tours around the world while sharing stages with artists such as Paramore, Goo Goo Dolls, Onerepublic, Switchfoot, Third Eye Blind, All Time Low and more, fans have flocked to Avary’s optimistic and exuberant song craft, polymath instrumental live show, and the fan community it inspires – an atmosphere which can be heard captured on the live album, His Instruments and Your Voices. “We’re not talking simple acoustic solo stuff here. The music Bryce makes as The Rocket Summer is lush, explosively catchy and artful power pop that hints at a new Brian Wilson or Prince in the making. Keep an eye out on this one. – Austin City Limits .com”
Nada Surf
Moon Mirror, Nada Surf’s new record, has everything fans love and expect from them. Bittersweet anthems that begin quietly but explode into soaring harmonies? Check. Songs that are play-on-repeat heart punches? Check. Songs that are poetic and thought-provoking while also being absolute belt-at-the-top-of-your-voice-with-the-windows-down masterpieces? Check. It’s all here. Nada Surf is Matthew Caws, Daniel Lorca, Ira Elliot, and Louie Lino. Moon Mirror, their first for New West Records, was produced by the band and Ian Laughton at Rockfield Studios in Wales. Moon Mirror is a thrilling and moving leap forward for Nada Surf. The songs on the album are true to the human experience—as meaningful and mysterious and sometimes absurd as it is. There’s love, yes, but also grief, deep loneliness, doubt, wonder, and hope. These are not the songs of a band in their 20s. There is hard-won wisdom here, and hard-won belief in possibility—the kind that comes from falling down and getting back up. “Give Me The Sun” (“I’m looking for something/ I can’t say exactly what”), “Second Skin”(“I’m tired of living in this second skin/ I want to let everything in”), and “Moon Mirror”(“connect me to something”) grapple with being present and open, paying attention, and seeking connection in a world that feels alienating with its everything-all-at-once-ness. “In Front of Me Now” is a song against multi-tasking and sleepwalking through the one life we have. The song asks, “Why wasn’t I present? I could have been living,” and shows us a transformation in the chorus: “Today, I do what’s in front of me now.” I don’t know about you, but I need this reminder as much as ever. Nada Surf has been working together for decades, and they’re consistently excellent, but they always surprise me. That’s what great art does. For nearly 30 years, Nada Surf has been a part of the soundtrack of my life. Our lives. I fell hard for the band over Let Go in 2002, and following that, The Weight Is a Gift, in 2005. Those songs are lodged in my body, someplace they’ll never be extracted from. So are songs from The Proximity Effect, Lucky, The Stars Are Indifferent to Astronomy, and Never Not Together, which was my favorite record of 2020. Moon Mirror will take its place among the others, in heavy rotation. Four years ago, during lockdown, I was listening to Nada Surf one morning. My son, then seven years old, was quiet, and then he said, “They sing a lot about love.” What he said next has stuck with me: “It protects you.” Love protects you. If you need convincing, I think Moon Mirror will do just that. Lucky, lucky us to have had Nada Surf’s music with us for all of these years, and lucky, lucky us tohave these new songs now, right when we need them most. —Maggie Smith
Carver Jones & The American Dreamers
The Arcadian Wild
The Arcadian Wild is a four-piece indie folk/pop group from Nashville, TN. Ledby songwriters Isaac Horn and Lincoln Mick and Bailey Warren on fiddle, The Arcadian Wild confidently inhabits and explores an intersection of genre, blending the traditional with the contemporary. Combining elements of progressive bluegrass, folk, and formal vocal music, The Arcadian Wild offer up songs of invitation; calls to come and see, to find refuge and rest, to journey and wonder, to laugh and cry, to share joy and community and sing along. The band’s 2023 album Welcome marks the start of a captivating new chapter for the genre-bending trio, who returned to the studio with renewed purpose and insight after devoting the last few years to a series of critically acclaimed singles and EPs. Like much of the band’s catalog, the album blurs the lines between chamber folk and progressive bluegrass, drawing on everything from country and classical to pop and choral music with lush harmonies and dazzling fretwork, but this time around there’s a rawness to the writing, an embrace of candor and simplicity that cuts straight to the heart of things like never before. The result is perhaps the most arresting collection yet from a band known for its ability to stop listeners dead in their tracks, an exquisitely beautiful celebration of community, connection, and the power of belonging that feels tailor-made for these challenging times.
SPELLLING
Neva Dinova
Neva Dinova’s reinvigorating full-length Canary features a new lineup, fresh perspective and a sound more urgent than anything they’ve created in the past. Recast after 15 years of inactivity and newly energized by a tour offer from longtime Omaha friends Cursive, songwriter/guitarist/singer Jake Bellows started sending demos to drummer Roger L. Lewis and just-recruited bassist Megan Siebe. They began woodshedding new songs, and the latest incarnation of Neva Dinova was born. After an East Coast run, the band returned to Omaha to record Canary at Make Believe Studios. “I’m trying to cover a lot more space in the band now because there’s only one guitar, so I write a little differently in order to cover that space.” (An understatement considering the previous lineups of the band featured three guitarists.) The result is an album that is more focused while still allowing for the occasional Neil Young-inspired guitar solo or unexpected sonic flourish. The songs on Canary were honed on the road allowing for a largely live recording session that captures the visceral energy of the band. There’s a beauty in the imperfections: The subtle buzzing of the amp, the finger noise on the strings and Bellows’s voice rising above all of it in a way that’s distinctly Neva Dinova. Canary is a raw and unfiltered glimpse of Bellows’s psyche and an electrifying batch of songs — unpretentious, empathetic, weathered, and wizened. It also marks a second act for one of indie rock’s most underrated acts.
Elizabeth Moen
Friko
Friko, a trio that’s cemented itself as a stalwart in the Chicago music scene, is frontman Niko Kapetan, and drummer Bailey Minzenberger. Their most recent release, “Crimson To Chrome,” is an anthemic offering, Kapetan’s vocals incendiary. It received glowing praise and attention from Pitchfork, Brooklyn Vegan, and Consequence, who wrote “Friko toggle between loud and quiet, thoughtful and self-deprecating, while never expressing anything less than the unbridled joy of noise.” FLOOD wrote the Chicago-based power-pop group is “certain to stand out among the hundreds of acts gracing the various SXSW stages this year.” And that they did. The band took SXSW 2023 by storm, playing packed showcases over several days that made their Austin-debut a must-see occasion. Bolstered by the unwavering support from Chicago’s music scene, the buzz around new music, and the pure excitement witnessed at SXSW, the interest from labels is voracious and ever-increasing. Friko’s music is complex and dynamic, flickering between explosive rock, chamber pop, and serene sonics. It becomes even more pronounced in their live performances, where a crowd frenzied by wailing guitars finds itself minutes later collectively holding its breath, enamored by hypnotic strings and Kapetan’s emotive vocals. As the band plays out sweeping melodies, held up by thrashing guitar and punchy beats, it feels as if Kapetan sings to you. Crooning about stories you know, memories you had but have somehow forgotten.
Real Estate
A band for 15 years now, with a half-dozen records to its canny name, Real Estate knows how the press cycle inevitably goes: Someone somewhere at last had a realization about what their songs needed to say and how they should sound, so (at least according to brief biographies like this one) they finally made the best album of their career. But here’s the thing: Real Estate has been so consistently compelling for those 15 years, with their coruscant indie rock shuffles perfectly reflecting the spellbinding glow of suburban ennui, that they know when they have done it. That is, they know when they have written songs that shimmer and fetch and radiate despite or because of the gloom lurking in their grooves. It is the gift and curse of self- awareness, of sticking together since childhood. So Real Estate, in turn, needs you to know that Daniel—their sixth full-length album, recorded in an ebullient nine-day spree in RCA Studio A, in Nashville with celebrated producer and songwriter Daniel Tashian—is quite possibly their best album. In 11 compulsively tuneful songs, they connect the uninhibited wonder of their earliest work with the earned perspective of adulthood. What more could you need from Real Estate at 15? — Heaven Schmitt, the front person of Grumpy, keeps their friends close and their exes closer. The keyboardist and bassist are Heaven’s ex girlfriends, the drummer is their ex-husband (the guitar player and Heaven never dated but there was one night when Heaven thought they might kiss but they didn’t). Originally based in Nashville, where Schmitt studied songwriting at Belmont University, before relocating to Chicago, Schmitt released a debut LP called Loser under the Grumpy name in 2020. Although it garnered a cult audience, Schmitt felt that due to a lack of confidence during the recording process the album never truly represented what they thought their band should be. It all fell into place when Schmitt moved to New York in 2022. On the East Coast Grumpy has transformed, leveling up adjacent to a buzzy corner of the Brooklyn scene. The current Grumpy backing band includes Austin Arnold on drums, Lane Rodges on keys, Anya Good on bass, and Diego Clare on guitar. Being in an act with numerous exes isn’t always easy. However, Schmitt feels that it leads to an honest, nurturing dynamic. “I’m really drawn to people who — no matter what they’re going through, or what we’re going through — have a clear baseline of respect and care and love,” Schmitt says of their bandmates.
Cable Network
Cable Network is a rock ’n roll band from Omaha, Nebraska. Their debut, self-titled EP was released in December 2020. Their second record, Cable Network II, was released in January 2022. The band is currently working on their third album. Cable Network is composed of Charlie Ames (vocals, keys), Braden Larsen (guitar), Ben Rickers (bass), Charlie Encell (vocals, guitar), Jordan Opere (vocals, percussion), and Pat Stutzman (drums.) — A product of high school and college friendships, Bad Self Portraits write indie-rock songs that tackle the uncertainties of growing up and finding stability. The band was formed in 2017 in Omaha, Nebraska, and released their latest EP, “Amsterdam”, in December 2023. Bad Self Portraits is: Ingrid Howell (vocals/bass), Cole Kempcke (guitar), Connor Paintin (guitar/keys), and Jesse White (drums/vocals).