AM/FM
Rewind AM/FM pressed play for the #Totally80s Dance Party in May 2013. Growing up in the 70s and 80s, the guys in AM/FM were excited to bring audiences all of the fun 80s music they grew up listening to and playing. In 2022, the band welcomed Jadyn Cree Olesen, who took over as Lead Singer. Jadyn’s versatile voice and style opened up the playlist options for AMFM. Pause In 2024, Jadyn auditioned for Season 27 of NBCs “The Voice.” Michael Buble saw and heard what we already knew and took Jadyn under his wing for what would become an incredible run on the show. Week in and week out, Jadyn wowed the judges and audiences with her powerful, spot on performances. After finishing 5th Overall in the competition, Jadyn is back performing with AM/FM, working on her first album of original material, and the band sounds better than ever! Fast Forward AMFM has performed at major area music festivals, including HEAR G.I., Capital City Ribfest, Celebrate Lincoln and FrogFest as well as Lincoln and Omaha clubs like The Royal Grove and The Waiting Room…and warmed up the stage for the likes of Gin Blossoms, David Cook, Blue Oyster Cult and Hairball.
Slumbering Sun
Slumbering Sun – Slumbering Sun is a powerful new melodic doom entity formed by members of underground mainstays Temptress, Destroyer of Light and Monte Luna. Their resulting sound explores broader melodies and sonics than their other bands, inspired as much by Celtic folk standards as by doom in the vein of Warning, even with hints of the classic 90s heft of Soundgarden and Alice In Chains. doomgaze / post-doom / doom metal from Austin https://slumberingsun.bandcamp.com/ Insomniac – A band that exists between this world and the next. A bouncing ball on the sound and rhythm of the universe. An aural guide. Writing their songs in the frequency of the earth, the Atlanta-based quintet’s sound casts the light on the magic and strange beauty in the balance between unconsciousness and dreams. heavy psychedelic rock / doom from Atlanta https://insomniacvibes.bandcamp.com/music/ Weaving Shadows – 4 piece Existential Dread Inducing Sludge/Doom from Nebraska https://weavingshadows.bandcamp.com
EXECUTION DAY
Missing Singer
“Missing Singer” is a music project featuring two longtime members of the Omaha-based band Normandy Invasion.
Wic Whitney
Are you gay? Do you believe in god? Are you mysteriously attracted to humanoid cartoon animals? Well, Wic Whitney answered yes to two of those questions. Hi, my name’s Jadè, I’m Wic Whitney’s dying house plant. 2025 was a busy year for Wic, opening for the Nicotine Dolls on two separate cross-country tours, headlining his first tour in the summer and dropping his first full length project “Foolhardy” in the Fall. All of which went exceedingly well, or so he told me while putting the finishing touches on his grandmother’s casserole (see below). His eclectic genre-full combination of hip-hop, folk, and funk is held together by his soulful vocals and thoughtful lyricism that entices the listener to take a breath and be present in whatever feeling life is throwing their way. He’s also a sensational lay. With a heart that doctors call “too large”, Wic puts his whole foot into the unique charismatic sound he creates, and it shows in both his live performance and his online presence. Amassing hundreds of thousands of followers and millions of views and streams there’s just something about this grey eyed dandy with sleep apnea that people like. In 2026, Wic started strong with a show at Chicago’s famous Lincoln Hall and will be performing at Chicago Pride Fest before hitting the road for his headlining tour in July. As a plant, I need three things to live : sunlight, water, and feel-good music. Wic Whitney gives me exactly two of those things. If I’m not alive in the coming months may life be merciful to you and may Wic Whitney have gained another fan. Mona’s Chicken Dorito Casserole • 2 1/2 cups diced chicken • 1 1/2 cups chicken broth • 1 can cream of mushroom soup • 1 can cream of chicken soup • 1 (4oz.) can chopped green chilles • 1 lb bag Cheddar cheese, grated • 1 (8 oz) Doritos, crushed Mix all ingredients except Doritos and cheese. Cover bottom of greased 13×9 inch baking dish with 1 cup chips. Layer in order: 1/2 chicken mixture, 1/3 cheese. Top with chips and remaining cheese. Bake at 350° for 45 minutes.
Criteria Record Release Show
The Body
The Body is a prolific musical force whose creativity is matched only by the astonishing weight of their sound. Duo Lee Buford and Chip King have established their own musical language that reimagines how rhythm, dynamics, and sonics can shape or dismantle song structure. Over the course of two decades, the duo has consistently challenged assumptions and defied categorization, redefining what it means to be a heavy band. On their new album, The Body are again pushing limits and testing the boundaries of the studio to explore the extremes and microtonality of distortion to find its maximal impact. I’ve Seen All I Need To See is The Body at their most incisively bleak, a towering monolith of noise. I’ve Seen All I Need To See marks both a return and departure for The Body. In contrast to the electronic-centric instrumentation and production-heavy arrangements of previous albums and Buford’s work in Sightless Pit, this album is focused on their core live sound: Buford’s booming, resolute drums paired with King’s obliterated guitar and howl. Following albums with extensive guest performances and acclaimed collaborations with Thou, Uniform, Full of Hell, and more, I’ve Seen All I Need To See is almost entirely the core duo. Guests vocalist/pianist Chrissy Wolpert and vocalist Ben Eberle are used very sparingly. Course, bristling distortion contorts every instrument, with samples of spoken word, cymbals, toms and King’s already noxious tone emerging from layers of feedback. The myriad of tonal interplays, captured in detail, has a movement all its own. The Body, together with engineer Seth Manchester of Machines With Magnets, capture the complexities of distorted sound in stunning detail. The clarity and the cacophony exceed anything they’ve created before, morphing desolate, festering soundscapes into an exhilarating sonic universe.
Kurt Vile And The Violators
Released in God’s year of 2026, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record, made in the comfort of my own zone.” Largely self-produced, with assists from Adam Langellotti, keys wiz Matthew Jugenheimer, drummer Kyle Spence, guitarist Jesse Trbovrich, and longtime Violators boardsman Rob Schnapf, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass, son the haters, and put on for the City of Brotherly Love — and in true Kurt Vile fashion, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.”
Night Moves
Yes Ma’am & Little Foot
Born from the swamps and underpasses of the American South, Yes Ma’am merges Depression Era blues, Jazz and Bluegrass with instrumental virtuosity and the raw, emotional storytelling of early punk rock. Matt’s soulful voice and authentic stage presence have made him a muse for the traveling community and solidified his legendary status as street-corner royalty. His sound has shaped a generation of musicians, whether he’s performing solo or with a rotating ensemble of folk punk’s finest. Yes Ma’am is a force that demands attention. Little Foot is alternative folk music coming at ya from tombstone AZ.