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METHOD:PUBLISH
X-WR-CALNAME:One Percent Productions
X-ORIGINAL-URL:https://onepercentproductions.com
X-WR-CALDESC:Events for One Percent Productions
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200706T210000
DTEND;TZID=America/Chicago:20200706T235900
DTSTAMP:20200705T203843
CREATED:20200527T140009Z
LAST-MODIFIED:20200603T113218Z
UID:8308-1594069200-1594079940@onepercentproductions.com
SUMMARY:Waxahatchee Livestream - Saint Cloud
DESCRIPTION:We invite all ages to tune in each Monday in June for a different performance from Waxahatchee!\n\nJune 1: American Weekend\nJune 8: Cerulean Salt\nJune 15: Ivy Tripp\nJune 22: Out In The Storm\nJune 29: 7\n
URL:https://onepercentproductions.com/event/waxahatchee-livestream-saint-cloud/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/05/WaxahatcheeWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200710T200000
DTEND;TZID=America/Chicago:20200710T235900
DTSTAMP:20200705T203843
CREATED:20200703T223045Z
LAST-MODIFIED:20200704T024914Z
UID:8338-1594411200-1594425540@onepercentproductions.com
SUMMARY:Disney Trivia
DESCRIPTION:Friday\, July 10 at the prestigious Waiting Room Lounge\, D & C Trivia Projects presents: Disney Trivia!\n\nAll ages event and free to attend\nDoors at 7 game time at 8\n\nThe magical world of Walt Disney trivia is back! Covering everything from the silent era to now.\n\nHosted by Dave Campbell & Chris Metry\n\nGet your teams together of 4 people max. We will gather up all of the score cards at the end of each round and tally up the points on an excel spreadsheet. Plus we will have floor judges who will aid us in making sure everyone is competing honest. No cell phones or electronic devices or allowed to be in use during gameplay.\n\nPrizes from The Waiting room\, Midwest Elite Concerts\, Omaha Steaks\, PwP Live and more.\n
URL:https://onepercentproductions.com/event/disney-trivia-2/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/png:https://onepercentproductions.com/wp-content/uploads/2020/07/disneytriviaweb.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200711T210000
DTEND;TZID=America/Chicago:20200711T235900
DTSTAMP:20200705T203843
CREATED:20200611T160019Z
LAST-MODIFIED:20200624T140934Z
UID:8325-1594501200-1594511940@onepercentproductions.com
SUMMARY:The Guhmi's - Friendship Awards
DESCRIPTION:Candy Shop Records Presents “The Guhmi’s” \nAward show for our friends and fans with debut performance of Voyager\nand performances from Sozen. \nWe will be giving out awards to all that show! So come have a good\ntime and see what award you are up for? \nIs it best music video?\nBest outfit of the year?\nso many options! \n
URL:https://onepercentproductions.com/event/the-guhmis-friendship-awards/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/png:https://onepercentproductions.com/wp-content/uploads/2020/06/TheGuhmisWeb.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200723T200000
DTEND;TZID=America/Chicago:20200723T235900
DTSTAMP:20200705T203843
CREATED:20200310T150047Z
LAST-MODIFIED:20200414T163325Z
UID:8259-1595534400-1595548740@onepercentproductions.com
SUMMARY:Reverend Horton Heat
DESCRIPTION:Loaded guns\, space heaters\, and big skies. Welcome to the lethal littered landscape of Jim Heath’s imagination. True to his high evangelical calling\, Jim is a Revelator\, both revealing & reinterpreting the country-blues-rock roots of American music. He’s a time-travelling space-cowboy on a endless interstellar musical tour\, and we are all the richer & “psychobillier” for getting to tag along.\n\nSeeing REVEREND HORTON HEAT live is a transformative experience. Flames come off the guitars. Heat singes your skin. There’s nothing like the primal tribal rock & roll transfiguration of a Reverend Horton Heat show. Jim becomes a slicked-back 1950′s rock & roll shaman channeling Screamin’ Jay Hawkins through Buddy Holly\, while Jimbo incinerates the Stand-Up Bass. And then there are the “Heatettes”. Those foxy rockabilly chicks dressed in poodle-skirts and cowboy boots slamming the night away. It’s like being magically transported into a Teen Exploitation picture from the 1950′s that’s currently taking place in the future.\n\nListening to the REVEREND HORTON HEAT is tantamount to injecting pure musical nitrous into the hot-rod engine of your heart. The Reverend’s commandants are simple.\n\nAnd no band on this\, or any other\, planet rocks harder\, drives faster\, or lives truer than the Reverend Horton Heat. These “itinerant preachers” actually practice what they preach. They live their lives by the Gospel of Rock & Roll.\n\nFrom the High-Octane Spaghetti-Western Wall of Sound in “Big Sky” — to the dark driving frenetic paranoia of “400 Bucks” – to the brain-melting Western Psychedelic Garage purity of “Psychobilly Freakout” — The Rev’s music is the perfect soundtrack to the Drive-In Movie of your life.\n\nJim Heath & Jimbo Wallace have chewed up more road than the Google Maps drivers. For twenty-five Psychobilly years\, they have blazed an indelible\, unforgettable\, and meteoric trail across the globe with their unique blend of musical virtuosity\, legendary showmanship\, and mythic imagery.\n\n“Okay it’s time for me to put this loaded gun down\, jump in my Five-Oh Ford\, and nurture my pig on the outskirts of Houston. I’ll be bringing my love whip. See y’all later.” – Carty Talkington Writer/Director\n\nRev your engines and catch the sermon on the road as it’s preached by everybody’s favorite Reverend. Don’t forget to keep an eye out for the 11th studio album from REVEREND HORTON HEAT\, boldly titled Rev\, due out January 21st.\n
URL:https://onepercentproductions.com/event/reverend-horton-heat-4/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/03/ReverendHortonHeatWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200724T200000
DTEND;TZID=America/Chicago:20200724T235900
DTSTAMP:20200705T203843
CREATED:20200625T170001Z
LAST-MODIFIED:20200625T152602Z
UID:8334-1595620800-1595635140@onepercentproductions.com
SUMMARY:Nevermind (A Nirvana Tribute) Unplugged
DESCRIPTION:Nevermind is the premier Nirvana tribute band in the Midwest and has been blowing fans away for almost 5 years. This show perfectly captures the essence and spirit of the 90’s iconic grunge masters with great presence and fury behind each crafted song.  Come relive your youth and rock out in your best flannel with us. \n
URL:https://onepercentproductions.com/event/nevermind-a-nirvana-tribute-unplugged/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Waiting Room 6212 Maple St. Omaha NE 68104 United States;X-APPLE-RADIUS=500;X-TITLE=6212 Maple St.:geo:-96.0086419,41.285218
CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/06/NevermindWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200731T210000
DTEND;TZID=America/Chicago:20200731T235900
DTSTAMP:20200705T203843
CREATED:20191122T170009Z
LAST-MODIFIED:20200414T163341Z
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SUMMARY:Randall King
DESCRIPTION:Humble beginnings\, a cultivated work ethic and the influences of classic country legends\, synchronized together in perfect harmony\, make up singer-songwriter from the West Texas Plains\, Randall King.\n\nGrowing up a fourth generation hay-hauler\, many of King’s songs are written and inspired by his deep southern heritage and family roots.\n\nKing was raised listening to the rich and soulful\, classic country voices of Keith Whitley\, George Strait and Alan Jackson\, to name a few\, which helped create King’s musical style into what many have described as neo-traditional country. “Randall King remains to the heart and soul of country music\, but no doubt brings his own unique brand to the genre\,” says hit songwriter Mark Nesler (co-writer of “Just To See You Smile” by Tim McGraw\, “You Look Good In My Shirt” by Keith Urban).\n\nWith a sound rooted in tradition and songwriting that showcases honesty\, conviction and authenticity\, King connects with fans on all emotional levels. “Randall King has a great voice that sounds classic\, yet is fresh and as a songwriter he actually has something to say – be it something that touches your heart or something simple and fun that makes you wanna get out and raise some hell.” said multi-award-winning and critically acclaimed singer-songwriter Anthony Smith (co-writer of “Run” & “Cowboys Like Us” by George Strait).\n\nUnlike the west Texas wind\, King is a grounded and talented singer-songwriter who is sure to stay. “There’s a lot of people that want country music to come back around\, and there’s a lot of people that will say you have to sell out and play radio hits to make it. I think for me I want to make my stamp as an artist with this record\, that I can be me and still make an impact across the country.\n
URL:https://onepercentproductions.com/event/randall-king-2/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2019/11/RandallKingWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200811T200000
DTEND;TZID=America/Chicago:20200811T235900
DTSTAMP:20200705T203843
CREATED:20191021T160023Z
LAST-MODIFIED:20200317T160546Z
UID:7744-1597176000-1597190340@onepercentproductions.com
SUMMARY:John Moreland
DESCRIPTION:Over the last half a dozen years or so\, John Moreland’s honesty has stunned us––and stung. As he put hurts we didn’t even realize we had or shared into his songs\, we sang along. And we felt better. But there has always been far more to Moreland than sad songs. Today\, his earthbound poetry remains potent\, but in addition to his world-weary candor\, Moreland’s music smolders with gentle wisdom\, flashes of wit and joy\, and compassion. And once again\, as we listen\, we feel better.\n\n“I can’t dress myself up and be some folk singer character that I’m not really\,” Moreland says. “I figured\, I can’t dress up these songs and try to sell them that way. All I can do is be me.”\n\nOut February 2020\, his latest album LP5 proves John Moreland has gotten really good at being John Moreland––thank God. A masterful display of songwriting by one of today’s best young practitioners of the art form\, LP5 is Moreland’s finest record to date. The album’s experimentations with\ninstrumentation and sounds capture an artist whose confidence has grown\, all without abandoning the hardy roots rock bed and the lyrics-first approach Moreland’s work demands. “I feel like just this year\, in the past few months\, I’ve reached a point where I feel like I know what I’m doing here now\,” he says. “And I feel comfortable with it.”\n\nThere was a time when Moreland thought LP5 may not happen. Wary of expectations and his cemented status as a writer’s writer and critical darling\, the Tulsa\, Oklahoma-based Moreland found writing difficult at best––and completely undesirable at worst. “I’m hesitant to talk about it because I know people don’t want to hear some dude complaining that his dream of being a successful musician came true\, but there are things about it that you don’t expect that can mess you up\,” Moreland says. “One of the results of that was I really didn’t want to write songs for a couple of years.” He pauses and sighs. “One of the ways I got back into liking music again was to let go of the idea that every time I’d go mess around with an instrument\, I’d have to be writing a really good song. I just gave myself the freedom to go into my little music room every day and mess around with different instruments and different sounds. It doesn’t have to be anything. It doesn’t have to result in anything.”\n\nMoreland points to that liberating rediscovery as a major influence on the sonic choices that shape LP5. There is no grand or alarming stylistic departure here––just different textures and background layers that add muscly new dimensions to Moreland’s heretofore instrumentally sparse recordings. The record also marks Moreland’s first time working with a producer. He chose Matt Pence. “I wouldn’t say that he pushed me into trying anything that I didn’t already want to do\, but I think I came in with a lot of ideas that I found interesting but didn’t know how to execute. Matt was great at expanding on those things\,” Moreland says.\n\nFor Moreland\, falling back in love with music also coincided with an even more personal change. “This past year\, I’ve been getting into mindfulness and being kinder to myself\,” he says. “I was really on that wave when I started writing these songs. I guess it shows.”\n\nIt does show––beautifully. Album opener “Harder Dreams” is a clear-eyed confession\, not of wrongdoing\, but of disbelief in a life defined by unworthiness and threatened by damnation. Echoing percussive punches make the music sound like a transmitted message\, fighting its way through the atmosphere. Punctuated by keys and fuzzy guitar\, “Terrestrial” picks up on the same idea\, and delivers the kind of killer line we’ve come to expect from Moreland: “As a child I repented my nature\, till as a man\, I repented my past.”\n\n“It goes back to being kind to yourself\,” Moreland says. “Part of that process for me was realizing all the ways I have been taught or learned to be cruel to myself or to hate myself through my life. A big source of that was church for me. They teach you that you’re bad and you have to repent for what you are. Now\, I feel like I’ve grown up\, and I repent for that––because that was a sin against myself.”\n\nSlow-burning blues song “A Thought is Just a Passing Train” quells worry with the truth: “I had a thought about darkness. / A thought’s just a passing train\,” Moreland sings. His gravelly voice\, capable of both hushed devastation and rock-anthem growls\, sounds more powerful than ever. “Learning How to Tell Myself the Truth” is both wry and gorgeous––a rare combination Moreland is\nuniquely suited to perfect. “I Always Let You Burn Me to the Ground” unfurls into a plea and admission\, while harmonica-rich “Let Me Be Understood” looks backward with new eyes and embraces enlightenment. Two instrumentals offer meditative pauses: “Two Stars” plays like a lilting acoustic guitar lullaby\, while “For Ichiro” breaks with expectations to revel in mesmerizing keys and trills.\n\nMoreland wrote “When My Fever Breaks” for his wife. He started the song when the two were dating\, then finished it three years later. The track is a tribute to the trust and comfort that come with being loved well. “It took me a long time to write it\,” he says. “It was hard to figure out\, how do I write the\nkind of love song that I am comfortable with?”\n\nAchingly beautiful “In the Times Between” was inspired by Moreland’s friend Chris Porter\, a singer-songwriter who died on the road in 2016. Moreland wrote the song about two weeks after Porter passed\, when the pain was still heavy and constant. Line after line captures moments Porter’s presence is felt––as well as his absence.\n\nWith its winsome singalong chorus and big organ chords\, “East October” is a striking highlight. The song’s title nods to Porter\, whose song “East December” reframed time as progress from east to west. Moreland’s song asks tough questions with tender persistence.\n\nWhen pressed about the hard-won wisdom and peace that seem to define LP5\, Moreland is characteristically both direct and humble. “I definitely am wiser than I was five years ago––I guess anybody would hope to be wiser than they were five years ago\,” he says with a laugh. “But I do feel more mellow. Settled. I don’t feel as antsy or think I’ve got to prove myself anymore. I feel really comfortable and free to just do what I want to do.”\n
URL:https://onepercentproductions.com/event/john-moreland-2/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2019/10/JohnMorelandWeb-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200813T203000
DTEND;TZID=America/Chicago:20200813T235900
DTSTAMP:20200705T203843
CREATED:20191217T160002Z
LAST-MODIFIED:20200313T192347Z
UID:7963-1597350600-1597363140@onepercentproductions.com
SUMMARY:The Floozies: Dayglow Funk Tour
DESCRIPTION:Just outside the jazz mecca of Kansas City springs liberal oasis Lawrence\, Kansas—separated only by the waves of wheat from the epicenter of the electronic music revolution in Colorado. From Lawrence\, it would logically follow that an act could rise to prominence fueled by the swing of Basie\, the birth of Charlie Parker’s bebop\, and the wild frontier of electronica. Born in funk and bred in the digital age\, live electronic duo The Floozies have burst onto the scene at a time when the industry needed them the most.\n\nBrothers Matt and Mark Hill share the stage just as easily as they share a musical brain. Without a setlist\, and without a word between them\, Matt’s guitar is in lockstep with the thud of Mark’s kick. Endless looping and production builds the raw scenery upon which palm muted chugs\, searing solos\, and wobbling bass paint their dazzling array of colors.\n\nWell versed in everything from Chris Cornell to Kavinsky\, the sonic vision shared by the brothers eschews contemporary electronic influences in favor of broader\, deeper tastes including Zapp & Roger\, Lettuce\, and Amon Tobin. That wide-angle view of a century of popular music allows the Hills to remix Toto and The Dead—in the music you can hear reverence for the giants of the past\, all the while producing wildly futuristic tunes for the masses to dig now.\n\nWhen the pendulum swung as far as it could away from live instrumentation to laptops\, The Floozies rose up to the challenge\, swinging as hard as they could in the other direction with neck-snapping\, knee-breaking funk so dirty that the gatekeepers stood up\, wiped themselves off\, and took notice. A bold live show full of sonic exploration and unbreakably deep pocket grooves has landed the brothers on stage with luminaries of the jam world Umphrey’s McGee as readily as electronic elites STS9 and Big Gigantic. Soldout shows across the Country\, huge festival appearances at Bonnaroo\, Electric Forest\, High Sierra\, Summercamp\, Wakarusa\, Camp Bisco\, Summerset\, Bumbershoot\, and headlining Red Rocks showshavecontinuedto cementthe duo’s ascent.\n\nThe Floozies are bringing the funk back\, and they’re right on time.\n
URL:https://onepercentproductions.com/event/the-floozies-dayglow-funk-tour/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2019/12/FlooziesWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200815T200000
DTEND;TZID=America/Chicago:20200815T235900
DTSTAMP:20200705T203843
CREATED:20200114T150022Z
LAST-MODIFIED:20200625T150832Z
UID:8053-1597521600-1597535940@onepercentproductions.com
SUMMARY:Anna Burch
DESCRIPTION:LONG BEARD\nMeans To Me is the second full-length under Leslie Bear’s moniker\, Long Beard\, and her first since 2015’s Sleepwalker. Throughout the record\, Leslie explores what constitutes a home — how it extends beyond the physicality of a roof over your head to the comfort of another person. A sense of self\, stability or security.\n\nThe last four years between records mark a particularly significant and transitional time for Bear. A career move led her back to her hometown in New Jersey long after her friends and peers moved away\, resulting in feelings of stasis and nostalgia that shape the album. Reflections on the past are evident in tracks like album single “Sweetheart”\, in which Bear considers a past love\, where they are now\, and her life in relation to theirs.\n\nBear’s sophomore album shows a growth and maturation in sound from her debut. Co-produced with Craig Hendrix (Japanese Breakfast)\, the record occupies a dreamlike space that weaves between shoegaze-tinged guitars and upbeat\, jangly pop. While still loyal to Leslie’s signature ethereal\, melodic guitars and haunting whispered vocal delivery\, the fully realized arrangements demonstrate a stunning clarity throughout the album.\n\nThe perfect amalgamation between Bear’s ambient-textured loops met with the pristine production and pop stylings of Hendrix’s playing can be heard in album standout “Snow Globe.” The combined reversal effects\, seamless transitions\, and heartbeat percussion are the language of Means To Me.\n\nWhat Bear has created with Means To Me is not only a mirror for herself\, but also a means for the listener to reflect on what home means to them. Whether Bear has defined a home for herself is left to wonder\, as she leaves us with these final lines before the album crescendos into an explosive distorted instrumental and slowly fades: “driving down through our state lines while you dream\, I’m thinking of a name to go by.”\n\nANNA BURCH\n\nWhen Anna Burch introduced herself on her 2018 debutQuit the Curse\, it was with a concentrated wash of energetic\, serotonin-boosting pop. Jangly guitars\, blithe vocal harmonies and an occasional undercurrent of grungy fuzz all converged in seemingly straightforward songs that hid their complexities under sunny hooks. The impact of the songs was immediate and exciting\, presenting narratives of confusion and upheaval with melodies so bright it was hard to do anything but smile. Two years later\, Burch’s followup If You’re Dreaming takes us down a different path than its predecessor\, shedding some nervous energy in favor of a deeper exploration of an internal world.\n\nAfter months on the road in support ofQuit the Curse\, Burch disappeared for a while.The long stretches of touring had been broken up by only a few weeks off here and there\, and a month spent writing in Berlin between European dates. The time she did get to spend at home in Detroit was disrupted by several unexpected housing changes\, adding to the transient feelings brought on by constant touring. When things finally stabilized\,Burch encamped into a slow\, thoughtful and intentional writing process for what would become the second album. Days were spent playing guitar\, exploring unconventional chord changes\, ruminating on song structures and allowing her subconscious to wander until lyrics materialized. Though about half of the songs were already written\, this time was dedicated to taking a closer look at the loose ends of three years of ideas and seeing if there were common threads that held them together.\n\nIf You’re Dreaming was tracked with producer Sam Evian in his home studio in theCatskill mountains of upstate New York. Where the first album had been a rush of inspired songwriting followed by a drawn-out process of arrangement and mixing\,Burch and Evian worked with self-imposed time limitations to establish a sharper focus and get to the core of the new songs. The work was swift but somehow more relaxed\, locking into a groove of tracking the basic elements and then expanding on the arrangements with overdubs and auxiliary instrumentation. The end goal was to present not just an assortment of new songs\, but craft an album that moved dynamically through an interconnected emotional arc.\n\nWith recurring themes of isolation\, weariness and longing\, these songs deliver that emotional arc with a delicate but uncompromising execution. Burch’s intrinsically catchy songwriting dials down the urgency of her debut a notch\, taking a turn towards airy\, jazz-voiced chords\, floating reverb and an expansion of the sonic palate with unexpected instrumentation. The soft-rock bass grooves and understated saxophone lines of “Not So Bad” push an impressive pop structure into exciting new territory\, and the sweetly melancholic “Tell Me What’s True” centers around muted electric piano\, its languid but metered vibe recalling the gentler side of Carole King.\n\nThe nuance of arrangements that could sometimes get buried onQuit the Curse rises to the surface on patient\, opulent tunes like “Every Feeling” and in the twelve-string guitar hooks of “Party’s Over.” The album drifts dreamily as much as it hones in with a sharper clarity on some of Burch’s most personal songs.\n\nEven at its most introverted\, If You’re Dreaming is always warm and present. It’s a deliberately drawn chapter of Burch’s work\, trading in the wild-eyed and sometimes neurotic party hopping of Quit the Curse for a more solitary walk after midnight. Daring and clear-headed\, these songs cut deeper in their subtleties. If You’re Dreaming moves with intention\, taking its time revealing new layers of sophistication and growth inBurch’s always charming song craft.\n\n
URL:https://onepercentproductions.com/event/anna-burch/
LOCATION:Reverb Lounge\, 6121 Military Avenue\, Omaha\, NE\, 68104\, United States
GEO:41.2854211;-96.0085144
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/01/annaburchWeb-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200829T203000
DTEND;TZID=America/Chicago:20200829T235900
DTSTAMP:20200705T203843
CREATED:20200528T160037Z
LAST-MODIFIED:20200528T154658Z
UID:8310-1598733000-1598745540@onepercentproductions.com
SUMMARY:Keep Pushin' - Music of REO Speedwagon
DESCRIPTION:
URL:https://onepercentproductions.com/event/keep-pushin-music-of-reo-speedwagon/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/05/Keep-Pushin-Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200902T200000
DTEND;TZID=America/Chicago:20200902T235900
DTSTAMP:20200705T203843
CREATED:20200211T150001Z
LAST-MODIFIED:20200413T204953Z
UID:8160-1599076800-1599091140@onepercentproductions.com
SUMMARY:Devin the Dude
DESCRIPTION:Devin Copeland (born June 4\, 1970)\,better known by his stage name Devin the Dude\, is a Houston hip hop artist who started out as a member of the Odd Squad\, later known as the Coughee Brothaz\, a group of rappers signed to Rap-A-Lot Records. \nThe label is notable for being the home of hip-hop artists such as Geto Boys\, Scarface\, and Too Much Trouble. Devin Copeland moved on to become part of Scarface’s Facemob\, who is also a member of the Coughee Brothaz\, before going solo in 1998. \nCopeland has released six solo albums: “The Dude” 1998)\, “Just Tryin’ ta Live” (2002)\, “To tha X-Treme” (2004)\, “Waitin’ to Inhale” (2007)\, “Landing Gear” (2008)\, and “Suite 420” (2010). He also made a number of guest appearances\, including on Dr. Dre’s “Fuck You” in 1999\, and De La Soul’s “Baby Phat” in 2001\, and on Tech N9ne’s “After Party” 2010 off of The Gates Mixed Plate. \nIn 2008\, he ended his 15 year relationship with Houston based Rap-A-Lot Records after he decided not to renew his contract. Later that year\, he signed with indie label Razor & Tie. Devin is currently being distributed by E1 Entertainment\, formerly Koch. Despite being a critical success\, Devin the Dude has not achieved success in the mainstream but continues to be a well-known underground hip-hop artist. The “New York Times” has called him “A brilliant oddball with a spaced-out flow.” \nIn addition\, he has been called “Rap’s best-kept secret” and “Your favorite rapper’s favorite rapper.” In 2007\, he appeared in a documentary titled “Screwed In Houston” produced by VBS/Vice Magazine that details the history of the Houston rap scene. \n
URL:https://onepercentproductions.com/event/devin-the-dude-3/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Waiting Room 6212 Maple St. Omaha NE 68104 United States;X-APPLE-RADIUS=500;X-TITLE=6212 Maple St.:geo:-96.0086419,41.285218
CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/02/DevintheDudeWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200904T200000
DTEND;TZID=America/Chicago:20200904T235900
DTSTAMP:20200705T203843
CREATED:20200609T161650Z
LAST-MODIFIED:20200609T161650Z
UID:8318-1599249600-1599263940@onepercentproductions.com
SUMMARY:Darkwood Release Show
DESCRIPTION:
URL:https://onepercentproductions.com/event/darkwood-release-show/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Waiting Room 6212 Maple St. Omaha NE 68104 United States;X-APPLE-RADIUS=500;X-TITLE=6212 Maple St.:geo:-96.0086419,41.285218
CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/png:https://onepercentproductions.com/wp-content/uploads/2020/06/Screen-Shot-2020-06-08-at-11.57.40-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200908T200000
DTEND;TZID=America/Chicago:20200908T235900
DTSTAMP:20200705T203843
CREATED:20200227T180047Z
LAST-MODIFIED:20200416T175041Z
UID:8227-1599595200-1599609540@onepercentproductions.com
SUMMARY:Paa Kow
DESCRIPTION:Having toured internationally\, sharing stages with both African and American luminaries including Kojo Antwi\, Amakye Dede and Victor Wooten\, Ghana born drummer and composer\, Paa Kow\, (pronounced Pah-Ko)\, blends rhythm and artistry from his home with jazz and African roots creating his own Afro-Fusion sound. Dubbed “Ghana’s most artistic drummer” (Modern Ghana)\, he plays a custom\, traditionally inspired Ghanaian drum set that is the only one of its kind in the world\, guaranteeing an extraordinary cultural and musical experience.\n\nGrowing up in the small village of Enyan Denkyira near Cape Coast in Ghana\, West Africa\, Paa Kow began to play music and tour with his family’s concert band at a very early age. He has since grown to be widely recognized as one of the most remarkable drum set players to tour in Africa\, Europe\, and America. Paa Kow’s deep groove and prodigious talent reveal a unique ability to speak to listeners with his drums\, inspiring a profound spiritual conversation and fulfilling his vision to spread the music and culture of his homeland by touring the world with his Afro-Fusion Orchestra.\n
URL:https://onepercentproductions.com/event/paa-kow-3/
LOCATION:Reverb Lounge\, 6121 Military Avenue\, Omaha\, NE\, 68104\, United States
GEO:41.2854211;-96.0085144
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reverb Lounge 6121 Military Avenue Omaha NE 68104 United States;X-APPLE-RADIUS=500;X-TITLE=6121 Military Avenue:geo:-96.0085144,41.2854211
CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/02/PaaKowWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200911T173000
DTEND;TZID=America/Chicago:20200911T235900
DTSTAMP:20200705T203843
CREATED:20200316T220012Z
LAST-MODIFIED:20200401T161832Z
UID:8271-1599845400-1599868740@onepercentproductions.com
SUMMARY:2020 Shadow Ridge Music Festival
DESCRIPTION:
URL:https://onepercentproductions.com/event/2020-shadow-ridge-music-festival/
LOCATION:Shadow Ridge Country Club\, 1501 188th Plaza\, Omaha\, 68130\, United States
CATEGORIES:Event Series
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/03/ShadowRidgeWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200911T210000
DTEND;TZID=America/Chicago:20200911T235900
DTSTAMP:20200705T203843
CREATED:20200124T150036Z
LAST-MODIFIED:20200611T135412Z
UID:8106-1599858000-1599868740@onepercentproductions.com
SUMMARY:Jeremy McComb
DESCRIPTION:“I don’t give a damn about the game\, I’m not in anyones club. I’m here on the road for people who love and support music\, I don’t do this for Industry\, I do it to connect. If Music row burnt down I wouldn’t even notice.”- Jeremy\n\nFiercely Indie\, Nashville based recording artist with songs on projects selling Over 6 Million Units (Including a Grammy Nominated Movie Soundtrack.) Jeremy McComb is a Road tested\, relentless touring performer who has an incredible magic trick of audience connection.  More Over than just the singing of his first releases to country radio (2007’s “Wagon Wheel\, (Yes that one) – and Various singles that have hit country radio around the country)\nMcComb is an entertainer and a story-teller\, with a Live show that allows No false notes and makes sure nothing goes without being tied together for the purpose of a set-up and a pay off. Blending his knack for stories that bring crowds from full laughs to pin drop silence  Jeremy’s connection with you\, as a part of the experience\, is un-matched. While still true\, organic\, real and raw.\nA Troubadour seemingly from times past\, when fans were earned on the road\, not on a game show or marketing machine “Buying likes”.  McComb is the real deal\, which is perhaps why the scene has taken notice again.\n\nHis path is unique\, his style of connection hard to explain\, Nonetheless; He’s convinced: “The volcano has started to rumble” McComb says. “People are tired of bullshit\, and I’m just trying to bring all of who I am\, who my Guys in the band are to the stage every night\, which makes every show a little different\, every interaction totally its own moment\, Thats what we live for. I know everyone has their own path\, and theres nothing wrong with anything that people are doing if it connects\, But this is what I do\, and this is how we do it.”\n\nThe MyPureHempCBD.com “Ramblers & Road Dogs” Tour will roll relentlessly through the US & Europe in 2020.\n
URL:https://onepercentproductions.com/event/jeremy-mccomb-5/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Waiting Room 6212 Maple St. Omaha NE 68104 United States;X-APPLE-RADIUS=500;X-TITLE=6212 Maple St.:geo:-96.0086419,41.285218
CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/01/jeremymccombWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200911T210000
DTEND;TZID=America/Chicago:20200911T235900
DTSTAMP:20200705T203843
CREATED:20200124T160038Z
LAST-MODIFIED:20200413T201759Z
UID:8108-1599858000-1599868740@onepercentproductions.com
SUMMARY:Satsang
DESCRIPTION:A Sanskrit word meaning “in the company of truth.” \nIt’s a beautiful moment when music from the heart and poetry from the soul truly connects with its intended audience. For Satsang lead singer and songwriter Drew McManus\, that moment occurred on a 2018 tour through the Midwest\, Northeast and Pacific Coast in which two-thirds of the band’s dates sold out. That’s when the truth hits home for McManus that his soulful\, reggae-infused blend of folk-rock and melodic hip hop and its message of strength\, growth and resilience is his testimony to the world – and the world is finally listening. \nSatsang\, in its few short years\, has headlined or shared the stage with the likes of Michael Franti & Spearhead\, Nahko and Medicine for the People\, Trevor Hall\, Wookiefoot and many more. The Montana-based quartet is currently enjoying the success of its 2019 release\, Kulture\, a collection of songs representing the culmination of all the band’s influences. \n“In Kulture\, you can hear influences from Motown to 90’s hip hop to Tom Petty\, but none of it was really intentional\,” McManus says. “It was just me finally finding my sound. It’s authentic. It’s the first thing we’ve made that feels 100 percent like us.” \nMcManus spent most of his life trying to distance himself from his troubled upbringing in Des Moines and Chicago and its cycle of violence\, abuse and addiction. McManus\, though\, would find his peace amid family in the Beartooth Mountains of Montana\, an oasis that allows him a warm hearth to recharge from the rigors of the road and practice his other passions – painting\, Brazilian Jiu Jitsu\, and social activism. \n“Home is my heart\,” McManus says. “When I’m not on tour\, I’m a stay-at-home dad with four kids – one of them a baby. My music is the self-reflection of that and the touring is the mirror.” \nDuring a month-long backpacking trip in the Himalaya Mountains in 2015\, McManus realizes that as part of his recovery from addiction\, he must share his life journey in poetry and song to help other lost souls. Songs of surrender\, vulnerability and perseverance pour out of him\, forming the foundation of Satsang’s 2016 debut\, The Story of You\, highlighted by “I Am”\, a fan-favorite hymn of self-love that has surpassed two million listens on Spotify. \n“I almost wrote those songs accidentally\, not immediately understanding their connection with each other\,” McManus says. “Writing I Am was when it all clicked for me – that regardless of my childhood\, I was meant to do this.” \nSatsang’s follow up\, 2017’s Pyramid(s)\, quickly hit #1 on the Billboard reggae charts and #2 on the iTunes charts\, while In Between Another Blink\, a six-song EP released in late 2017\, also cracked the iTune Top 20 chart. Much of the music on both were written as Satsang toured non-stop in 2016\, sometimes before sparse audiences. The songs became a testament to the struggle of sticking to a purpose and believing in the result. \n“Pyramid(s) is about building a foundation and not rushing through the difficult parts of growth\, accepting that you must learn from all the lessons between the start and finish of the race\,” McManus says. “It helped that a lot of my friends who were doing well-playing music during this time kept saying\, ‘You got this\, man\, you got this.’ ” \nAnd then\, all those shows sold out … \n
URL:https://onepercentproductions.com/event/satsang-2/
LOCATION:Reverb Lounge\, 6121 Military Avenue\, Omaha\, NE\, 68104\, United States
GEO:41.2854211;-96.0085144
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reverb Lounge 6121 Military Avenue Omaha NE 68104 United States;X-APPLE-RADIUS=500;X-TITLE=6121 Military Avenue:geo:-96.0085144,41.2854211
CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/01/SatsangWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200918T160000
DTEND;TZID=America/Chicago:20200918T230000
DTSTAMP:20200705T203843
CREATED:20200207T201046Z
LAST-MODIFIED:20200207T201139Z
UID:8154-1600444800-1600470000@onepercentproductions.com
SUMMARY:The 5th Annual Food Truck Rodeo - Fall Edition
DESCRIPTION:The 5th Annual Omaha Food Truck Rodeo\, brought to you by Food & Spirits Magazine\, 1% Productions and Reverb Lounge\, the food truck rodeo will be on May 15th and will take place from 4 p.m. until 11 p.m. It will be held in downtown Benson (on Military Ave.). There will be numerous food trucks along with a beer garden\, multiple outdoor bars\, outdoor seating\, tables and porta-potties. \n
URL:https://onepercentproductions.com/event/the-5th-annual-food-truck-rodeo-fall-edition/
LOCATION:Downtown Benson
CATEGORIES:Event Series
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/01/FoodTruckRodeoWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200919T210000
DTEND;TZID=America/Chicago:20200919T235900
DTSTAMP:20200705T203843
CREATED:20200225T160023Z
LAST-MODIFIED:20200414T184650Z
UID:8213-1600549200-1600559940@onepercentproductions.com
SUMMARY:Night Moves
DESCRIPTION:Night Moves new album\, Can You Really Find Me\, pulsates and glows with the same sublime energy that radiated from breakout single “Carl Sagan” in 2016\, however in the intervening years\, John Pelant and Micky Alfano have grown up. The songwriting\, while still steeped in super-catchy\, velvety riffs and pure pop glaze\, feels more sophisticated and modern. Since the pair met in high school\, awestruck by such ear-candy wizards as Brian Wilson\, Todd Rundgren\, Stevie Nicks and Lindsay Buckingham\, they set off to craft their version of what sophisticated\, emotional modern pop music can and should sound like. 2016’s Pennied Days was a breakthrough\, and set a new bar for the members of Night Moves. After spending the subsequent two years on Can You Really Find Me\, they’ve scaled new heights\, where the sounds are still just as sweet\, but now smarter\, more evocative\, and perfectly designed for a summer release.\n\nSo how did something that feels so warm and breezy – like the perfect summer soundtrack – emerge from the dead of a bleak and frigid Minneapolis winter? Pelant and Alfano sequestered themselves\, dreaming their way out of the cold by writing songs like “Coconut Grove\,” a whirly psychedelic love song\, and “Ribboned Skies\,” a blazing ode to guitars and syncopation. Minneapolis has always played a part in the creative process for these dyed-in-the-wool locals. Long heralded as local hot shots in the cold\, desolate\, land of Prince\, Westerberg and Dylan\, John and Micky have still never stopped working the grind; in donut shops\, bakeries and restaurants\, toiling to make ends meet yet trying find beauty in the mundanity\, and in the tranquil midnights.\nPelant\, as a writer\, thrives in the gloom of isolation; a cold void\, “I think it’s this type of environment that helps me feel focused. Zero distractions. Focused in a way where I can tap into certain emotions. I think some of the best music transports you to a place in time where your memories become potent visualizations. When writing closed off like this\, you can see the images easily and your brain will pick the right chords and tones and guide you where you ought to go. I think being alone during that type of hibernation season is a great space in which to create.”\n\nOnce they emerged from their creative cocoon\, it was down to the warmth and mythical allure of Austin\, TX to bring the album to life. If Minneapolis was about hunkering down in cold isolation\, Austin was about heat and life\, working with producer Jim Eno (founding member and drummer of Spoon) out of Public Hi-Fi Studios\, alongside live band members Mark Hanson and Chuck Murlowski\, to record the ten tracks that make up Can You Really Find Me.\n\nThe tunefulness of this collection is not by accident. As Pelant deadpans\, “Wouldn’t it be great if we could make a record that sounded like it has a lot of singles on it?” Whether it’s the infinitely hooky “Strands Align\,” the up-tempo synth flourishes of “Recollections\,” or the buttery soul of “Saving the Dark\,” each song so adeptly sticks to the album premise of feeling “single-like” that you wonder how they will even choose any.\n\nIn the grab bag of modern pop genres\, from neo-psychedelia to shoe-gaze\, ambient pop to cosmic country\, Night Moves dream big on Can You Really Find Me and deliver a genuinely sparkling set that corrals all of these styles into one cohesive collection.\n\nReflecting once more on the new album\, Pelant feels it functions in part as a rumination on aging; a period piece denoting his last 3 years\, “I told myself at 18 I wanted to dedicate my 20’s to music and if nothing came of it\, I would move on. So now closing out my 20’s\, I feel there is still ground left to cover\, I’m not quite satisfied yet. Our last album saw us hit a lot of hurdles; despite the successes we had\, we parted ways with our management and lost a founding member of the band. While it’s proven to be a bumpy ride\, I feel it just may be worth the trouble. I think I’m more comfortable now in my skin than I was at 24.”\n
URL:https://onepercentproductions.com/event/night-moves-3/
LOCATION:Reverb Lounge\, 6121 Military Avenue\, Omaha\, NE\, 68104\, United States
GEO:41.2854211;-96.0085144
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reverb Lounge 6121 Military Avenue Omaha NE 68104 United States;X-APPLE-RADIUS=500;X-TITLE=6121 Military Avenue:geo:-96.0085144,41.2854211
CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/02/NightMovesWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200925T210000
DTEND;TZID=America/Chicago:20200925T235900
DTSTAMP:20200705T203843
CREATED:20200615T150113Z
LAST-MODIFIED:20200615T150113Z
UID:8327-1601067600-1601078340@onepercentproductions.com
SUMMARY:Matt Wilson & His Orchestra
DESCRIPTION:Singer songwriter Matt Wilson and his harp and banjo orchestra perform the best music from Matt’s deep repertoire\, reaching back to his earliest compositions\, and forward as well to the songs he’s chosen from his recent streak of songwriting luck. The group is also capable of spinning up unique and authoritative renditions of old time songs that Matt considers to be among the greatest of all music history. Each piece in their repertoire is presented on a feather bed of banjo rhythms\, arpeggiating harp and reverberant swells of guitar.\n\nRaised in St. Louis Park\, Minnesota\, Matt became a fan of rockers like Elvis Costello\, Bruce Springsteen and Devo. He and his high school friends formed a group called The Panic\, and spent much of their youth as under-aged performers in Minneapolis nightclubs\, warming up for future luminaries such as Husker Du and The Replacements. In the early 80s\, Matt followed his brother Dan to college in Boston where they formed a number of bands\, including the Love Monsters\, marking Matt’s first turn as a lead singer. Returning to Minneapolis\, the brothers joined forces with bass player John Munson to form Trip Shakespeare\, writing\, recording and touring together for a decade. John and Matt currently perform in a rock band\, The Twilight Hours.\n\nMatt’s music has been featured on MTV\, Rolling Stone\, The New Yorker\, Spin\, The Toronto Star and many other publications. Trip Shakespeare’s single\, “Toolmaster of Brainerd”\, was named by City Pages one of Minnesota’s 50 Greatest Hits\, and that group was included by nationally-influential radio station The Current in its 2017 list of 893 Most Essential Musical Artists of All Time. Songs from throughout Matt’s career have been featured on The Current\, including the epic “Descender!” from his solo album Burnt\, White & Blue\, and the joyful “Queen of Tomorrow” from The Twilight Hours’ debut LP Stereo Night.\n\nThe new group which Matt calls an “orchestra” has a grassy sound that’s easy to fall into. Most striking to both the eye and ear is the harp mastery of Phala Tracy. An inventive collaborator\, she is a key element each year at The New Standards Holiday Show. The band’s sound is underpinned by the sparkling banjo groove of Quillan Roe who is best known for his work with the Roe Family Singers\, winners of a prestigious McKnight Fellowship. These sunshine tones of harp and banjo are rolled out on a wide road of electric bass provided by electric guitar ace Jacques Wait and ornamented by Matt’s acoustic guitar\, piano and melodic harmonica stylings.\n
URL:https://onepercentproductions.com/event/matt-wilson-his-orchestra/
LOCATION:Reverb Lounge\, 6121 Military Avenue\, Omaha\, NE\, 68104\, United States
GEO:41.2854211;-96.0085144
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reverb Lounge 6121 Military Avenue Omaha NE 68104 United States;X-APPLE-RADIUS=500;X-TITLE=6121 Military Avenue:geo:-96.0085144,41.2854211
CATEGORIES:Event Series
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2019/11/MattWilsonWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200928T200000
DTEND;TZID=America/Chicago:20200928T235900
DTSTAMP:20200705T203843
CREATED:20200415T140034Z
LAST-MODIFIED:20200422T215822Z
UID:8287-1601323200-1601337540@onepercentproductions.com
SUMMARY:Crash Test Dummies
DESCRIPTION:It’s been 30 years since the Crash Test Dummies recorded their debut album\, The Ghosts That Haunt Me. Their first album garnered them their first big hit\, “Superman’s Song”\, and a Juno Award for Group of the Year. Over three decades later\, their sold out 25th Anniversary Tour for multi-Grammy nominated God Shuffled His Feet is proof that audiences still want to hear what they have to say.\n\n“We have been so excited with the response to the 25th anniversary tour that we knew we had to continue the party and celebrate 30 years since we made our first album. We had no idea that fans would be so enthusiastic and we are all a little gob-smacked that we can still play sold out shows to our fans and\, awesomely enough\, their kids\,” says original member Ellen Reid.\nTheir 2020 tour will start in Canada and will see them tour North America and Europe\, where fans have been anxiously waiting. The shows will include hits and fan favourites from the band’s vast catalogue. Original members Brad Roberts\, Ellen Reid\, Dan Roberts\, and Mitch Dorge will be joined onstage by Stuart Cameron and Marc Arnould.\n\n“After a long absence from the road\, Crash Test Dummies have begun to tour again. Not something I’d planned on\, but surprisingly\, at least to me\, there are lots of people who\, years later\, still want to come and hear us. That people continue to return to see the band all these years later still stuns me. It’s very humbling. The folks that come out to these shows tell us their stories and there are many gems: many are very funny\, some are very dark\, and all are very personal. It’s very humbling\, being in the confidence of so many people\,” says lead singer/songwriter Brad Roberts.\n
URL:https://onepercentproductions.com/event/crash-test-dummies/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Waiting Room 6212 Maple St. Omaha NE 68104 United States;X-APPLE-RADIUS=500;X-TITLE=6212 Maple St.:geo:-96.0086419,41.285218
CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/04/Crash-Test-Dummies-Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20201003T210000
DTEND;TZID=America/Chicago:20201003T235900
DTSTAMP:20200705T203843
CREATED:20191203T170042Z
LAST-MODIFIED:20200401T171942Z
UID:7908-1601758800-1601769540@onepercentproductions.com
SUMMARY:Mdou Moctar
DESCRIPTION:Mdou Moctar immediately stands out as one of the most innovative artists in contemporary Saharan music. His unconventional interpretations of Tuareg guitar have pushed him to the forefront of a crowded scene. Back home\, he’s celebrated for his original compositions and verbose poetry\, an original creator in a genre defined by cover bands. In the exterior\, where Saharan rock has become one of the continents biggest musical exports\, he’s earned a name for himself with his guitar moves. Mdou shreds with a relentless and frenetic energy that utterly sets him apart.\n\nMdou Moctar hails from a small village in central Niger in a remote region steeped in religious tradition. Growing up in an area where secular music was all but prohibited\, he taught himself to play on a homemade guitar cobbled together out of wood. It was years before he found a “real” guitar and taught himself to play in secret. His immediately became a star amongst the village youth.\n\nIn 2008\, Mdou traveled to Nigeria to record his debut album of spacey autotune\, drum machine\, and synthesizer. The album became a viral hit on the mp3 networks of West Africa\, and was later released on the compilation Music from Saharan Cellphones. In 2013\, he released Afelan\, compiled from field recordings of his performances recorded in his village. Then he shifted gears\, producing and starring in the first Tuareg language film\, a remake of Prince’s Purple Rain (Rain the Color Blue with a Little Red in It). Finally\, in 2017\, he created a solo folk album\, Sousoume Tamachek\, a mellow blissed out recording evoking the calm desert soundscape. Without a band present\, he played every instrument on the record. “I am a very curious person and I want to push Tuareg music far\,” he says.\n\n2019 brings his first recorded in a proper studio – Ilana (The Creator)\, out Mar. 29th on Sahel Sounds. He has shared the first single\, “Kamane Tarhanin\,” and has announced spring tour dates in support of the new record. A long time coming\, Ilana is Mdou’s first true studio album with a live band. Recorded in Detroit at the tail end of a US tour by engineer Chris Koltay (the two met after bonding over ZZ Top’s Tres Hombres)\, the band lived in the studio for a week\, playing into the early hours. Mdou was accompanied by an all-star band: Ahmoudou Madassane’s (Les Filles de Illighadad) lighting fast rhythm guitar\, Aboubacar Mazawadje’s machine gun drums\, and Michael Coltun’s structured low-end bass. The album was driven by lots of spontaneity – Mdou’s preferred method of creation – jumping into action whenever inspiration struck. The resulting tracks were brought back to Niger to add final production: additional guitar solos\, overdubs of traditional percussion\, and a general ambiance of Agadez wedding vibes.\n\nThe result is Mdou’s most ambitious record to date. Ilana takes the tradition laid out by the founders into hyperdrive\, pushing Tuareg guitar into an ever louder and blistering direction. For Mdou\, his style is to draw on both modern and traditional sources and combine elements into new forms. In “Ilana” Mdou reaches back into Tuareg folklore for inspiration\, riffing on the hypnotic loops of takamba griots\, or borrowing vocal patterns from polyphonic nomad songs\, and combining them with his signature guitar. You can hear the effect in tracks like “Kamane Tarhanin\,” where a call and response lyric lifts up over a traditional vocal hum before breaking into a wailing solo with tapping techniques learned from watching Youtube videos of Eddie Van Halen.\n\nAs Mdou travels the world\, he divides his time between two places\, alternating from lavish weddings in Agadez to sold out concerts in Berlin nightclubs. It offers a unique perspective\, but also means that he needs to address different audiences. At home\, his compositions send a message to his people. Abroad\, his music is an opportunity to be heard and represent his people on a world stage.\n
URL:https://onepercentproductions.com/event/mdou-moctar/
LOCATION:Reverb Lounge\, 6121 Military Avenue\, Omaha\, NE\, 68104\, United States
GEO:41.2854211;-96.0085144
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2019/12/mdoumoctarweb.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20201016T210000
DTEND;TZID=America/Chicago:20201016T235900
DTSTAMP:20200705T203843
CREATED:20200326T150034Z
LAST-MODIFIED:20200414T163436Z
UID:8278-1602882000-1602892740@onepercentproductions.com
SUMMARY:Waxahatchee
DESCRIPTION:What do we hold on to from our past? What must we let go of to truly move forward?\n\nWaxahatchee’s Katie Crutchfield\, a lyricist who has always let her listeners know exactly where she is at a given moment\, spent much of 2018 reckoning with these questions and revisiting her roots to look for answers. The result is Saint Cloud\, an intimate journey through the places she’s been\, filled with the people she’s loved.\n\nWritten immediately in the period following her decision to get sober\, the album is an unflinching self-examination. From a moment of reckoning in Barcelona to a tourist trap in Tennessee to a painful confrontation on Arkadelphia Road\, from a nostalgic jaunt down 7th Street in New York City to the Mississippi Gulf\, Crutchfield creates a sense of place for her soul-baring tales\, a longtime staple of her storytelling.\n\nThis raw\, exposed narrative terrain is aided by a shift in sonic arrangements as well. While her last two records featured the kind of big guitars\, well-honed noise\, and battering sounds that characterized her Philadelphia scene and strongly influenced a burgeoning new class of singer-songwriters\, Saint Cloud strips back those layers to create space for Crutchfield’s voice and lyrics. The result is a classic Americana sound with modern touches befitting an artist who has emerged as one of the signature storytellers of her time.\n\nFrom the origins of her band name—the beloved creek behind her childhood home—to scene-setting classics like “Noccalula” and “Sparks Fly\,” listening to Waxahatchee has always felt like being invited along on a journey with a steely-eyed navigator. On Saint Cloud\, Crutchfield adds a new sense of perspective to her travels. Reflecting on this\, she says\, “I think all of my records are turbulent and emotional\, but this one feels like it has a little dose of enlightenment. It feels a little more calm and less reckless.”\n\nMany of the narratives on Saint Cloud concern addiction and the havoc it wreaks on ourselves and our loved ones\, as Crutchfield comes to a deeper understanding of love not only for those around her but for herself. This coalesces most clearly on “Fire\,” which she says was literally written in transit\, during a drive over the Mississippi River into West Memphis\, and serves as a love song to herself\, a paean to moving past shame into a place of unconditional self-acceptance. Coming from a songwriter long accustomed to looking in other directions for love\, it’s a stirring moment when Crutchfield sings\, “I take it for granted/If I could love you unconditionally/I could iron out the edges of the darkest sky.”\n\nWhich is not to say that Saint Cloud lacks Crutchfield’s signature poetry on matters of romantic love. Still\, her personal evolution in this area is evident too\, as this time around\, Crutchfield examines what it really means to be with someone and how it feels to see our own patterns more clearly. On “Hell\,” she sings: “I hover above like a deity/But you don’t worship me\, you don’t worship me/You strip the illusion\, you did it well/I’ll put you through hell.”\n\nCrutchfield also looks at what it’s like to be romantically involved with another artist\, someone in search of their own truth\, on “The Eye”: “Our feet don’t ever touch the ground/Run ourselves ragged town to town/Chasing uncertainty around\, a siren sound” and “We leave love behind without a tear or a long goodbye/as we wait for lightning to strike/We are enthralled by the calling of the eye.”\n\nAnd of course\, even when Crutchfield is taking a more nuanced approach to love\, her ease with all-encompassing sentiments is still clear\, with lines like “I give it to you all on a dime/I love you till the day I die” which sound culled from a classic torch song.\n\nOver the course of Saint Cloud’s 11 songs\, which were recorded in the summer of 2019 at Sonic Ranch in Tornillo\, TX\, and Long Pond in Stuyvesant\, NY\, and produced by Brad Cook (Bon Iver\, Big Red Machine)\, Crutchfield peels back the distortion of electric guitars to create a wider sonic palette than on any previous Waxahatchee album. It is a record filled with nods to classic country (like the honky tonk ease of “Can’t Do Much”)\, folk-inspired tones (heard in the confessional lilt of “St. Cloud”)\, and distinctly modern touches (like the pulsating minimalism of “Fire”).\n\nTo bolster her vision\, Crutchfield enlisted Bobby Colombo and Bill Lennox\, both of the Detroit-based band Bonny Doon\, to serve as her backing band on the record\, along with Josh Kaufman (Hiss Golden Messenger\, Bonny Light Horseman) on guitar and keyboards and Nick Kinsey (Kevin Morby\, Elvis Perkins) on drums and percussion. Bonny Doon will also perform as Crutchfield’s live band during her extensive tours planned for 2020\, which include the US and Europe.\n\nSaint Cloud marks the beginning of a journey for Crutchfield\, one that sees her leaving behind past vices and the comfortable environs of her Philadelphia scene to head south in search of something new. If on her previous work Crutchfield was out in the storm\, she’s now firmly in the eye of it\, taking stock of her past with a clear perspective and gathering the strength to carry onward.\n
URL:https://onepercentproductions.com/event/waxahatchee/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/03/waxahatcheeWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20201017T200000
DTEND;TZID=America/Chicago:20201017T235900
DTSTAMP:20200705T203843
CREATED:20200423T140046Z
LAST-MODIFIED:20200424T142722Z
UID:6989-1602964800-1602979140@onepercentproductions.com
SUMMARY:Todd Snider
DESCRIPTION:Cash Cabin Sessions\, Vol. 3 \nTodd Snider \nOne morning near the end of August\, Todd Snider was relaxing with a visitor on the back porch of his house just outside Nashville\, drinking coffee and shooting the breeze while his dog\, Cowboy Jim\, took a nap nearby. After awhile\, Snider said to his guest\, “I’ve got an album’s worth of songs\, and I think the songs are telling me to make a folk record.” \nThis was a surprising bit of news considering he had spent the last six years making rock albums of one kind or another. But Snider was feeling as if he had “maybe drifted too far from the shore.” He was feeling the pull to start over\, to go back to what he was doing when he first began\, to return to his roots as a folksinger.  \nIf Snider needed any further evidence that was the direction he should pursue\, he got it a half hour later. Back inside his home office\, he checked his email and had one from his manager informing him he had just received an offer to play the 2019 Newport Folk Festival\, an event he had never done. \nSnider mentioned he had been listening to Woody Guthrie’s Library of Congress Recordings\, then crossed the room to the turntable and put the needle down on side one of the record. “Woody Guthrie sometimes gets me reset on why you do a song\, instead of how\,” Snider explains of the man who has long been a touchstone for him. “When I was young\, there was something about him that made me want to do it. So once or twice a year\, I’ll go back to him\, I’ll go back to the source.” \nGuthrie famously had the words “This machine kills fascists” printed on his guitar\, and on several of the songs on Snider’s new album\, Cash Cabin Sessions\, Vol. 3\, he squarely aims his guitar at the creeping fascism he sees in America. He had been wanting to make a political record since 2016\, and although only half the songs lean in that direction\, there is one constant throughout the album: a man\, his guitar\, and the truth. \n*  *  *  *  * \nSnider has long been recognized as one of his generation’s most gifted and engaging songwriters\, so it’s no surprise he has returned with a brilliant set of songs — and make no mistake\, Cash Cabin Sessions\, Vol. 3 contains some of his best work as a writer. But what really jumps out on the album is Snider’s growth as a musician and vocalist. He plays all the instruments on the record\, and his guitar work and harmonica playing are nothing short of exceptional; not only full of feeling\, but highly skilled. In regards to his guitar playing on the record\, Snider says he wanted to take everything he’s learned over the past 30 years and play the way he used to play really well.  \nAs far as his vocals on the album are concerned\, Snider is singing with more confidence than ever\, a confidence born in part from his time with Hard Working Americans doing nothing but sing. His stirring vocal performances range from slurring blues mumble to Dylanesque talking blues to gravely\, honest ache. \nOf the five songs on which Snider serves up his humorous brand of socio-political commentary\, three are performed in the talking blues style: “Talking Reality Television Blues\,” a hilariously accurate short history of television; “The Blues on Banjo\,” a bad case of the blues caused by the sorry state of everything from the crooked international monetary-military-industrial complex to the spineless politicians who serve it and which references “Blue Suede Shoes\,” Richard Lewis\, and Townes Van Zandt; and “A Timeless Response to Current Events\,” a brilliant bit of wordplay on which he calls bullshit on faux patriotism\, crooked capitalism\, and lying politicians. Jason Isbell and Amanda Shires contributed backing vocals on the latter two songs. \nThere are two other songs on the album featuring Snider’s socio-political points of view: “Just Like Overnight\,” about the surprising inevitability of change\, and “Framed\,” written from the point of view of the framed “first dollar bill” in a bar\, a point of view that shows doing the right thing doesn’t pay. \nThere also are three songs with a music theme. If not for the events that led to the writing of one of those songs\,“The Ghost of Johnny Cash\,” there almost certainly would be no Cash Cabin Sessions\, Vol. 3. After a visit to Cash Cabin Studio for a Loretta Lynn session in 2015 where she recorded a song they cowrote\, Snider began having a recurring dream about the studio that featured the Man in Black himself. The dream led him to book time at the studio and ultimately inspired him to write “The Ghost of Johnny Cash\,” which tells the story of Loretta Lynn dancing with Cash’s ghost outside the studio in the middle of the night. As he did on much of the record\, Snider played the century-old Martin that had long been Johnny Cash’s favorite instrument on that song. \nSnider paid tribute to Cash’s longtime friend and confidante in another of the music-themed songs\, “Cowboy Jack Clement’s Waltz.” Inspired by the iconic record man’s oft-quoted maxims regarding the art of recording\, the song achingly laments Clement’s passing\, while touchingly celebrating his legacy.  \nThe album opens with the other song with a music theme\, “Working on a Song.” It’s an existential exercise\, a song Snider wrote about writing a song called “Where Do I Go Now That I’m Gone\,” an idea he actually has been working on for thirty years\, but which remains unfinished. \nThere are also two songs that are personal in nature: “Watering Flowers in the Rain\,” which was inspired by a former associate of Snider’s whose nickname was “Elvis\,” and “Like a Force of Nature\,” a philosophical reflection on the orbital nature of friendships. Isbell also added harmony vocals to “Like a Force of Nature.” \nIf Snider is anything\, he is a true artist\, and he reminds us of that on Cash Cabin Sessions\, Vol. 3. At a point in time when the world has never been more complicated and confusing\, with people getting louder and louder\, Snider did a 180\, went back to his roots as a folksinger\, to a simpler\, quieter form of expression; and it might be what the world is waiting to hear: just a man\, his guitar\, and the truth. \n
URL:https://onepercentproductions.com/event/todd-snider-2/
LOCATION:Scottish Rite Hall\, 202 S. 20th Street\, Omaha\, NE\, 68102
GEO:41.2583321;-95.9428002
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2019/03/Todd-Snider-Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20201018T200000
DTEND;TZID=America/Chicago:20201018T235900
DTSTAMP:20200705T203843
CREATED:20200224T180042Z
LAST-MODIFIED:20200414T163509Z
UID:8208-1603051200-1603065540@onepercentproductions.com
SUMMARY:An Evening With They Might Be Giants
DESCRIPTION:THEY MIGHT BE GIANTS PRESENT 30th ANNIVERSARY FLOOD SHOW\nIn honor of the album that made them an international act\, They Might Be Giants is celebrating Flood‘s 30th anniversary in 2020 by performing the album\, in its entirety\, on stages in select cities across the US. The show is “an evening with” and TMBG will play two full sets with their barnstorming live band featuring the show-stopping Curt Ramm on trumpet. How will it be presented? In sequence\, in reverse sequence\, alphabetical\, or mixed into additional repertoire? It could be different on any given night. But\, in addition to Flood\, the song selection in the “evening with” show will span the band’s entire career from early favorites to brand new tracks\, as well as the live improvisations that have become a highlight of TMBG shows. \nABOUT FLOOD\nBefore Alternative Rock\, when rock dinosaurs still roamed the earth\, They Might Be Giants crawled out of the primordial performance art scene of the Lower East Side and on to the college rock scene with a series of breakthrough songs and best-selling albums. Vaulted into the national scene by a series of highly creative videos\, the band ultimately garnered the attention of the powerhouse major-label Elektra Entertainment. Collaborating with British hit-makers Clive Langer and Alan Winstanley\, as well as emerging indie engineers Roger Moutenot and Patrick Dillett\, the band embarked on an album that would leave their lo-fi roots behind in exchange for a sonic adventure to be called Flood. Embraced by critics and audiences alike\, the 19-song album would go on to go platinum and garner a clutch of timeless favorites for the band including “Birdhouse in Your Soul\,” “Your Racist Friend\,” “Istanbul (Not Constantinople)\,” “Particle Man\,” “Dead\,” and many others. \nSOME MORE GOOD NEWS IN BAD TIMES FROM THEY MIGHT BE GIANTS\nIn August\, TMBG offered up a special limited edition benefit t-shirt with 100% of profits going to RAICES\, a Texas legal team aiding separated families and detained minors seeking asylum in the US. Over the course of a wild month\, the TMBG fan community raised $60\,000. In the last days of the fundraiser\, John Flansburgh accidentally auto-filled an email address meant for a Jeff on the band’s road crew with Jeff Lawson\, the founder of Twilio\, who had hosted the band at a company event a few years back. Jeff mentioned he was encouraged by the band’s effort to raise money to end this harrowing episode and he offered to match any funds raised by the band. This\, in turn\, led to a whole new wave of interest on social media\, ultimately bringing the total money raised to $200\,000. (Yes\, the band raised $200\,000 for a very good cause by selling t-shirts!) \n
URL:https://onepercentproductions.com/event/they-might-be-giants-3/
LOCATION:Bourbon Theatre\, 1415 O St\, Lincoln\, NE\, 68508\, United States
GEO:40.8132553;-96.7006155
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CATEGORIES:Event Series
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/02/TheyMightBeGiantsWeb.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20201104T200000
DTEND;TZID=America/Chicago:20201104T235900
DTSTAMP:20200705T203843
CREATED:20191209T160057Z
LAST-MODIFIED:20200505T175630Z
UID:7932-1604520000-1604534340@onepercentproductions.com
SUMMARY:Read Southall Band
DESCRIPTION:Born and raised in the heart of Oklahoma\, Read Southall brings a unique sound to country music. Growing up listening to everything from Hank Williams to Johnny Paycheck led him to fall in love with the soulful stories behind country music. The young artist quickly used these influences to find his fit in the genre. Read started performing in choirs and local bands at a young age\, and at age 22 he began performing locally as a solo artist. Overnight it seemed\, he had a dedicated fan base in his home state. As he continued to grow as an artist\, Read began writing in between performances. Putting personal experiences to paper came naturally\, “I really enjoy writing music simply because I believe I can connect with people… Words can’t describe the high you feel when someone says your music has gotten them through something. That alone is a greater honor than any dollar compensation\,” says Southall. Read wrote\, recorded\, and independently released his first album\, Six String Sorrow\, in 2015 and recently released Borrowed Time with his band. With overdriven guitars and heavy drums\, the Read Southall Band aims to deliver a rock and roll experience at every show.\n\nA little bit Rock N’ Roll\, a little bit Americana\, and a whole lot of damn good singer/songwriter material. Chris Jones and The Flycatchers are a fairly new band that has just begun to hit its stride both on stage and in the studio. Songs For Red\, the powerful debut album\, is comprised of ten tracks that will connect to a wide audience of music lovers. Lyrically\, Chris explores many aspects of life and tells stories that can be visualized with greater depth through the accompanying instrumentation.\n
URL:https://onepercentproductions.com/event/read-southall-band-2/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2019/12/ReadSouthallBandWeb-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20201106T200000
DTEND;TZID=America/Chicago:20201106T235900
DTSTAMP:20200705T203843
CREATED:20200316T170550Z
LAST-MODIFIED:20200625T212453Z
UID:8268-1604692800-1604707140@onepercentproductions.com
SUMMARY:Gary Gulman - Peace of Mind Tour
DESCRIPTION:Gary will be performing over an hour of new material that he’s never performed here!\n\nOver 25 years in comedy\, Gary Gulman has established himself as an eminent performer and peerless writer. His most recent standup special for HBO\, “The Great Depresh\,” is a universally acclaimed\, tour de force look at mental illness\, equal parts hilarious and inspiring.\n\nA product of Boston\, Gulman has been a scholarship college football player\, an accountant\, and a high school teacher. He has made countless television appearances as both a comedian and an actor.\n\nHe is currently writing a memoir for Flatiron Books\, tentatively titled “K Through 12.”\n
URL:https://onepercentproductions.com/event/gary-gulman-peace-of-mind-tour/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2020/03/GaryGulmanWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20201115T200000
DTEND;TZID=America/Chicago:20201115T235900
DTSTAMP:20200705T203843
CREATED:20191115T150038Z
LAST-MODIFIED:20200330T180206Z
UID:7851-1605470400-1605484740@onepercentproductions.com
SUMMARY:Welcome To Night Vale
DESCRIPTION:WELCOME TO NIGHT VALE is a twice-monthly podcast in the style of community updates for the small desert town of Night Vale\, featuring local weather\, news\, announcements from the Sheriff’s Secret Police\, mysterious lights in the night sky\, dark hooded figures with unknowable powers\, and cultural events.\n\nTurn on your radio and hide.\n
URL:https://onepercentproductions.com/event/welcome-to-night-vale/
LOCATION:Scottish Rite Hall\, 202 S. 20th Street\, Omaha\, NE\, 68102
GEO:41.2583321;-95.9428002
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CATEGORIES:Event Series,Just Announced
ATTACH;FMTTYPE=image/jpeg:https://onepercentproductions.com/wp-content/uploads/2019/11/NightValeWeb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20201210T200000
DTEND;TZID=America/Chicago:20201210T235900
DTSTAMP:20200705T203843
CREATED:20200116T160905Z
LAST-MODIFIED:20200320T143324Z
UID:8071-1607630400-1607644740@onepercentproductions.com
SUMMARY:Keller Williams
DESCRIPTION:Keller Williams released his first album in 1994\, FREEK\, and has since given each of his albums a single syllable title: BUZZ\, SPUN\, BREATHE\, LOOP\, LAUGH\, HOME\, DANCE\, STAGE\, GRASS\, DREAM\, TWELVE\, LIVE\, ODD\, THIEF\, KIDS\, BASS\, PICK\,  FUNK\, VAPE\, SYNC and RAW\, \, those who have followed his career will know this.  Each title serves as a concise summation of the concept guiding each project. GRASS\, for example\, is a bluegrass recording cut with the husband-wife duo The Keels. STAGE is a live album and DREAM is the realization of Keller’s wish to collaborate with some of his musical heroes. THIEF is a set of unexpected cover songs\, KIDS offers Keller’s first children’s record\, PICK presents Keller’s collaboration with royal bluegrass family The Travelin’ McCoury’s\, and RAW is a solo acoustic album. Each album showcases Keller’s comprehensive and diverse musical endeavors and functions to provide another piece of the jigsaw puzzle that is Keller Williams. Keller’s collaborative and solo albums reflect his pursuit to create music that sounds like nothing else. Unbeholden to conventionalism\, he seamlessly crosses genre boundaries. The end-product is astounding and novel music that encompasses rock\, jazz\, funk\, and bluegrass\, and always keeps the audience on their feet.\n\nSince he first appeared on the scene in the early ’90s\, Williams has defined the term independent artist. And his recordings tell only half the story. Keller built his reputation initially on his engaging live performances\, no two of which are ever alike. For most of his career he has performed solo. His stage shows are rooted around Keller singing his compositions and choice cover songs\, while accompanying himself on acoustic guitar. With the use of today’s technology\, Keller creates samples on the fly in front of the audience\, a technique called live phrase sampling or looping\, with nothing pre-recorded\, the end result often leans toward a hybrid of alternative folk and groovy electronica. A genre Keller jokingly calls “acoustic dance music” or ADM.”\n\nThat approach\, Williams explains\, was derived from “hours of playing solo with just a guitar and a microphone\, and then wanting to go down different avenues musically. I couldn’t afford humans and didn’t want to step into the cheesy world of automated sequencers where you hit a button and the whole band starts to play\, then you’ve got to solo along or sing on top of it. I wanted something more organic yet with a dance groove that I could create myself.”\n\nWilliams’ solo live shows—and his ability to improvise to his determinedly quirky tunes despite the absence of an actual band—quickly became the stuff of legend\, and his audience grew exponentially when word spread about this exciting\, unpredictable performer. Once he began releasing recordings\, starting with 1994’s FREEK\, Williams was embraced by an even wider community of music fans\, particularly the jam band crowd. While his live gigs have largely been solo affairs\, Williams has nearly always used his albums as a forum for collaborations with fellow musicians. An alliance with The String Cheese Incident on 1999’s BREATHE marked Williams’ first release on the band’s label SCI Fidelity Records\, DREAM\, Keller’s 2007 release\, found him in the company of such iconic musicians as the Grateful Dead’s Bob Weir\, banjo master Béla Fleck\, bass great Victor Wooten\, American musician/poet Michael Franti and many others.\n\n“That album took\, from start to release time\,” says Williams\, “about three years. The object was to get people that I admire musically to play my stuff\, so when I’m old I can crank this album in my pimped-out golf cart and have something that I’m really proud of. I was going for the historical effect for my own personal listening pleasure.\n\n“Each record\,” he continues\, “is a little snapshot of history. I like to think of it as a period piece for an artist. Each record is a little bit different but all of them have some kind of common thread\, which is my musical ability as far as I can take it. I enjoy making records. In some people’s eyes\, they’re a dying breed\, but I’m very passionate about it. They document where my head is at that time in my career and where I am in my songwriting.”\n\nWilliams’ story begins in Fredericksburg\, Virginia\, just south of Washington\, D.C. There he was exposed to a wide variety of music at an early age\, starting with country and bluegrass and working his way up through hip-hop and go-go\, a brand of funk particular to that part of the country. Once he began playing guitar\, Williams’ sphere expanded to what he calls “the post-pseudo-skateboarder punk-rock rebellious type of thing\, Black Flag and Sex Pistols and Ramones\, Dead Kennedys\, things like that. That slid into the more melodic college rock\, like the Cure and the Cult\, the Smiths\, R.E.M.’s first five or six records.\n\nThen came the Grateful Dead\, a seminal influence on Williams’ own music. “I studied and learned their music and went to the shows\,” he says\, adding that the impact of Jerry Garcia on his attitude toward music remains incalculable. Another major influence was Michael Hedges\, the late virtuoso acoustic guitarist. “He was really excelling in a whole different world from what I knew\,” says Williams.\n\nAfter relocating to Colorado\, further exposure to bluegrass music and progressive acoustic artists such as Béla Fleck and the Flecktones also had a major impression on Williams. As he began to develop his own distinctive compositional and performing style\, Williams incorporated all of the lessons he’d learned from the long list of artists who’d found their way into his world\, then filtered their music through his own experiences until something wholly unique emerged. The list of artists whose music he has covered either in concert or on his recordings constitutes a mind-blowing spread: songs originally performed by everyone from Pink Floyd and Ozzy Osbourne to Ani DiFranco and old-school rappers the Sugar Hill Gang!\n\nWhen he first started out\, Williams played in regional bands but also performed as a solo artist\, “me sitting on a stool playing covers\, like a happy hour situation\,” he says. “I’d get dinner and maybe tips. There were bands in high school and in college. But it turned out I could get the same money playing solo that I was getting with the band. Around that time I was also doing temporary jobs and I was making the same amount playing music as I was scraping mortar out of the cracks of cinder block walls for eight hours in the summertime at minimum wage. So it seemed like the obvious choice was to play music. I started to work and over the years I incorporated more technology. The looping thing started to happen and tickets were sold and people came to shows\, so there wasn’t any reason to fix something that wasn’t broken.”\n\nWhat Williams calls “the looping thing” is actually a big part of what has made him such a compelling live performer. “Basically\, I have these machines that are essentially delay units\,” he explains. “What I do is step on a button and sing or play something. Then I step on the same button in time and it repeats what I just played or sang. Once that initial loop is created\, I can layer on a bass line or a drum line and then have this layer that I just created in front of an audience that I could sing over and solo over. Nothing is pre-recorded. Everything is created onstage in front of the audience.”\n\nIf it sounds complicated\, it is: but the basic thrust is that the technology has allowed Williams to go out on tour week after week\, year after year\, and play music by himself—without limiting his sound to what we most often associate with the solo singer-songwriter: a guy strumming a guitar and singing. With his arsenal of tech toys\, Williams can expand his reach onstage by\, in essence\, jamming with himself.\n\nAs years have gone by and Keller has continued to evolve he has created more and more unique projects and collaborations with fellow musicians. In 2007 Keller formed a band of his own\, Keller Williams with Moseley\, Droll and Sipe which featured Keller on rhythm guitar and vocals\, Jeff Sipe on drums\, Keith Moseley on bass and Gibb Droll on lead guitar. After touring throughout 2007 – 2008\, they subsequently released a double live record with a companion DVD\, in true Keller Williams fashion\, it’s called Live.\n\nThe summer of 2010 found Keller sharing a bus with two of his biggest heroes\, former Grateful Dead drummers Bill Kreutzmann and Mickey Hart\, as a member of their powerhouse assemblage the Rhythm Devils. “That was a very surreal experience\,” Williams says. “We rehearsed for a few days and then we were on a bus with 12 people\, two of them being the original drummers from the Grateful Dead.” On that tour\, Williams was put in the enviable position of singing many songs from the Grateful Dead catalog for audiences that loved every minute of it.  Inspired by this experience and his admiration for The Grateful Dead\, Keller added two Grateful Dead projects to his repertoire: Grateful Grass and Grateful Gospel.  With an ever revolving cast of Jam\, Bluegrass\, and Gospel musicians\, Grateful Grass and Grateful Gospel have become fan favorites and festival staples. Keller’s Grateful Grass tunes can be heard on two live digital releases\, REX and DOS.  Keller’s guests on these recordings include: Jeff Austin (Jeff Austin Band)\, Keith Moseley (String Cheese Incident)\, Michael Kang (String Cheese Incident)\, Reed Mathis (Tea Leaf Green)\, The Keels and many more.Following the Grateful Dead theme\, keller also released KEYS\, a digital only release on which Keller is at the piano singing a  collection of Dead tunes.  All three of these releases donate proceeds to the Grateful Dead’s Rex Foundation.\n\nWilliams has also toured as part of a string trio with fellow Virginians\, singer/guitarist Larry Keel and his wife\, singer/bassist Jenny Keel\, dubbed Keller and the Keels.  You can find them hitting key stops on the bluegrass festival circuit playing songs from their two releases GRASS AND THIEF.\n\nIf it seems as if this is a man who never stops\, that would be about right. Keller released the amusingly titled THIEF—his all-covers project with the Keels—early in 2010\, and KIDS\, his sixteenth album\, in the fall of that same year. A father of two himself\, Williams was\, of course\, inspired by his own offspring but\, he says\, some of the songs were written before his children were born. “When Not For Kids Only by Jerry Garcia and David Grisman came out\, I knew that there was hope for me with kids music\,” he says. “I was really attached to that record.” The songwriting for Kids\, Keller says\, “was not necessarily singing to the kids. A lot of it was me singing from the perspective of the kids. That was my plan\, to get on their wavelength\, on their level\, and be one of them\, so it’s kind of like one of their friends singing to them.”\n\nIn 2011\, BASS found the multi-instrumentalist only playing bass guitar. BASS was also the first album to be recorded with Keller’s live reggae-funk band Kdubalicious\, which in addition to Keller on bass and vocals\, features Jay Starling on keyboards and Mark D on drums. On the other end of the spectrum – but just as tasty – is Keller’s 2012 release PICK. This collaboration featuring Keller Williams with The Travelin’ McCourys is a classic case of the whole being greater than the sum of its parts—although the parts are rather massive on their own\, to be sure. “Performing with The Travelin’ McCourys is one of my favorite things to do in the world\,” Keller explains. “This project has struck a special chord with me [pun intended]. It is very addictive.”\n\nIndeed\, Keller always enjoys working with a band. For 2013 he stepped out with a new muse\, a 6-piece funk band dubbed More Than a Little. Williams drew from the Richmond\, VA R&B/gospel scene including a pair of show stealing female singers. FUNK – a sexy live recording that pays deep homage to the genre’s roots\, Keller style – hit the streets in November 2013 and More than a Little made its way around the country becoming a festival staple all their own.\n\nEarly 2015 found Keller back in the studio working on his 20th release\, VAPE.  While mainly a solo endeavor\, it does feature a few special guests such as Sampson Grisman\, John Kadlecik and a track with the Travelin’ McCourys. In Keller’s own words “Imagine taking these songs and blowing high pressured life through them in a low pressured atmosphere. Out comes highly concentrated music that can be heated up and inhaled through your ears…Vape”.\n\nIn 2016\, Keller assembled yet another band\, Keller Williams’ KWahtro.  KWahtro\, featuring Gibb Droll\, Danton Boller and Rodney Holmes\,  toured the country throughout the winter and fall of 2016.  The first KWahtro album\, SYNC will be released in January of 2017. According to Keller\, SYNC began as acoustic dance music but with the help of Droll\, Boller and Holmes and special guests Mike Dillon and The Accidentals\, the album “morphed into a type of acoustic acid jazz that draws on imagery in both the lyrics and the music.”\n\nAs if one album release wasn’t enough for 2017\, Keller’s first all solo acoustic album\, RAW\, will also be released in January of 2017. Keller started working on RAW in 2011 but got sidetracked by a number of other projects that began to take form. It was when Keller’s 2017 winter tour\, Shut the Folk Up and Listen with Leo Kottke\, started to take form\, that he jumped back into it and completed the album. For Keller this album and tour represent his roots; all solo acoustic guitar and vocals\, no looping\, pedals or bands.\n\nTwo albums at once\, why not! Something different. That\, we can assume\, is how it will always be with Keller Williams.\n
URL:https://onepercentproductions.com/event/keller-williams-3/
LOCATION:The Waiting Room\, 6212 Maple St.\, Omaha\, NE\, 68104\, United States
GEO:41.285218;-96.0086419
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CATEGORIES:Event Series
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DTSTART;TZID=America/Chicago:20210311T200000
DTEND;TZID=America/Chicago:20210311T235900
DTSTAMP:20200705T203843
CREATED:20200618T153016Z
LAST-MODIFIED:20200618T150500Z
UID:8289-1615492800-1615507140@onepercentproductions.com
SUMMARY:Chuck Prophet & The Mission Express
DESCRIPTION:When Chuck Prophet’s father lost his job during a recession\, he was still suited up at 6:00am at the breakfast table perusing the day’s paper. “I don’t know if he had an appointment to get to or not\, but he’d read the classifieds in his suit smelling of cologne\,” says Prophet. His father showed up\, job or not. With his best shirt on. “That image has stayed with me.”\n\nA poignant message during current times as livelihoods are being slowly upended and as people struggle with the daily line between hope and hopelessness. Prophet explores this notion and how it relates to what is happening now with the CORONA virus on the track “Best Shirt On” off his upcoming album “The Land That Time Forgot” (Yep Roc) out on August 21st.\n\nDescribing it as a “21st-century exorcism from Silicon Valley to the White House” and inspired by the San Francisco cult hero being priced out of his rapidly-gentrifying home turf\, ”The Land That Time Forgot” (a follow-up to 2017’s “Bobby Fuller Died for Your Sins”) will be accompanied by the release of his official biography “What Makes the Monkey Dance: The Life And Music Of Chuck Prophet And Green On Red” written by Stevie Simkin (Outline Press).\n\nChuck shares a message of hope during these trying times:\n\n“Even in the worst of times\, you got to get dressed up and go make the donuts\, people. Keep showing up. For yourself and others. Six feet is not that far away if you’re wearing your glasses! And don’t let yourself go. You must resist the temptation to put on those pajamas at 2pm. It’s a slippery slope. Believe me\, I know. I’ve been “working” at home from the beginning. Sure\, I have good days and bad days just like you. But then there’s the days where I come across “Happy Gilmore” on cable and boom\, the whole day just got away from me.”\n\nIf you’ve attended a Chuck Prophet performance you know that it isn’t just another gig. It’s a rock concert! And inspiring. And a gift. Every time.\n\nHope to see you there!\n
URL:https://onepercentproductions.com/event/chuck-prophet-the-mission-express/
LOCATION:NE
CATEGORIES:Event Series,Just Announced
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DTSTART;TZID=America/Chicago:20210318T200000
DTEND;TZID=America/Chicago:20210318T235900
DTSTAMP:20200705T203843
CREATED:20200618T163025Z
LAST-MODIFIED:20200618T162137Z
UID:8146-1616097600-1616111940@onepercentproductions.com
SUMMARY:David Ryan Harris
DESCRIPTION:Singer\, songwriter\, and multi-instrumentalist David Ryan Harris always sings\, writes\, and performs with soul. Whether it be in early bands such as Follow For Now and Brand New Immortals or over the course of six full-length solo albums\, he tells stories that resonate. He’s carried this same spirit while performing with the likes of John Mayer\, Dave Matthews\, and Santana or producing for Cassandra Wilson and Guy Sebastian—with whom he co-wrote the RIAA platinum-certified “Battle Scars”. Most recently\, it drove 2015’s Lightyears\, which boasted guest spots from John Mayer\, India.Arie\, and Nikka Costa. He received acclaim from All Music Guide\, Glide Magazine\, Elmore Magazine\, Performer Magazine\, AXS\, Relix Magazine\, and many others in addition to performing on Fox\, CBS\, and The CW in between packed tours. His next chapter unfolds on his 2017 seventh offering Songs For Other People.\n\nIn order to track Songs For Other People\, he tapped the talents of drummer Terrence Clark who he met on YouTube\, keyboard player Zach Ray\, and GRAMMY Award winning producer Mike Elizondo [Eminem\, Dr. Dre\, Fiona Apple\, Maroon 5] on bass. They cut the album’s seven jams in less than three weeks’ time during 2016. Between returning to the road on guitar duty for John Mayer in 2017\, Harris will be performing across North America on solo shows.\n
URL:https://onepercentproductions.com/event/david-ryan-harris/
LOCATION:Reverb Lounge\, 6121 Military Avenue\, Omaha\, NE\, 68104\, United States
GEO:41.2854211;-96.0085144
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CATEGORIES:Event Series,Just Announced
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